Sony FX5 Cinema Line Camera Body

The Sony FX5 Cinema Line Camera is a next-generation professional cinema camera designed for filmmakers, broadcasters, documentary producers, and content creators who demand exceptional image quality, advanced AI-assisted operation, and flexible production workflows. Featuring a newly developed 5K full-frame fully stacked Exmor RS™ CMOS sensor, the powerful BIONZ XR2™ image processor, and internal X-OCN compressed RAW recording, the FX5 delivers outstanding cinematic performance for productions ranging from independent filmmaking to high-end broadcast and commercial work.

At its core is Sony's 5K full-frame fully stacked Exmor RS™ CMOS sensor, providing exceptional readout speed, outstanding detail, and a wide 15+ stops of dynamic range with remarkably low noise. Combined with three Base ISO settings and the debut of Dual Gain Shooting in the Cinema Line FX series, the camera delivers clean, high-quality images across an extensive range of lighting conditions.

The FX5 supports versatile recording formats, including Open Gate capture, multiple image scan modes, and internal X-OCN compressed RAW recording, providing maximum flexibility for post-production and cinematic workflows. High-speed recording capabilities include 5K recording at up to 60 fps and 4K recording at up to 120 fps, enabling stunning slow-motion footage while maintaining exceptional image quality.

Powered by the BIONZ XR2™ processor with integrated AI, the FX5 offers advanced autofocus and intelligent subject tracking with AI subject recognition, delivering precise focus performance for both solo operators and professional crews. Additional AI-driven features such as deep learning-based illumination estimation further enhance exposure accuracy in challenging lighting conditions.

Designed for cinematic image creation, the FX5 incorporates S-Cinetone™ for beautiful, production-ready skin tones, a wide-gamut color space for extensive grading flexibility, and three S-Log3 modes to accommodate a variety of production pipelines. A built-in anamorphic de-squeeze function simplifies monitoring when using anamorphic lenses.

The camera features 5-axis image stabilization for smoother handheld footage, while Clear Image Zoom provides seamless framing adjustments with minimal impact on image quality. A 3.5-inch multi-angle monitor with a versatile 4-axis articulation mechanism enables comfortable shooting from virtually any angle, and compatibility with the optional DVF-EL1B OLED viewfinder improves visibility during outdoor productions.

Professional audio recording is supported with 96kHz / 32-bit float recording, ensuring exceptional sound quality with expanded dynamic range. The camera also offers dual CFexpress Type A / SD card slots for flexible media management and continuous recording.

Built with production reliability in mind, the FX5 features an advanced cooling system capable of up to 170 minutes of uninterrupted recording, a durable weather-sealed body, multiple mounting points, clear tally lamps, and comprehensive connectivity including timecode, wired and wireless LAN, remote monitoring, external power options, and compatibility with Catalyst Prepare and Catalyst Prepare Plugin for streamlined post-production.

Product Features in Detail

Lighting the Way Forward
Lighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realise their vision with greater precision, control, and expressive potential.

5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude
The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.

BIONZ XR2™ with integrated AI processing for enhanced shooting support
The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation and more. Its integrated AI processing supports advanced subject recognition18 and deep-learning-based illumination estimation for more accurate Auto Tracing White Balance (ATW) and more dependable shooting support in demanding conditions.

Open Gate19 and other image scan modes20
The FX5 offers full-frame Open Gate recording19 — a first21 in the Cinema Line FX series. With 5K up to 120 fps (FF 3:2)22, 4K up to 240 fps (FF crop)22 and more, it gives you the freedom to adjust framing, speed and workflow to realise even the most ambitious vision.

Internal X-OCN compressed RAW video recording
Capture 16-bit scene-linear X-OCN internally232425, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.

Wide 15+ stop latitude26 with low noise
Wide 15+ stop latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, so scenes retain a more convincing sense of depth and mood while giving you footage that is easier and more flexible to grade.

Three Base ISO settings for effective noise control in any environment
Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 1280020 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.

Dual Gain Shooting debuts in the Cinema Line FX camera series21
Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details27. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.

High-frame-rate capture, including 5K at up to 120 fps2822
High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 120 fps22 and 4K at 240 fps22, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary footage.

Precise, reliable AF and tracking with AI-based subject recognition
With built-in AI processing, the BIONZ XR2 engine accurately recognises human, animal and bird eyes (Real-time Eye AF)18. Fast Hybrid AF uses up to 759 points29 to support confident focusing in demanding situations, including darker scenes. Real-time Tracking also helps the camera stay with the subject smoothly and precisely, even when depth of field is shallow.

Built-in de-squeeze for anamorphic shooting
Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.

Deep learning-based illumination estimation
Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast.

S-Cinetone™ for a refined cinematic look
S-Cinetone brings Sony cinema colour science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.

Wide-gamut colour for more grading control
With colour gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad colour information for more precise grading and easier colour matching with VENICE 2 in multi-camera shoots. Smooth tonal expression and stable colour reproduction also help you achieve the intended look with greater accuracy.

Three S-Log3 modes for flexible workflows
From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO30 to capture imagery with maximum latitude. You can also import up to 16 user LUTs31 allowing you to monitor the intended look while shooting.

Lightweight, compact design for agility on set
The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.

5-axis stabilisation for steadier handheld shooting
A precision stabilisation unit and gyro sensors combine to provide optical 5-axis in-body stabilisation. An enhanced stabilisation unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake32. Dynamic active Mode33 adds extra electronic support, and embedded stabilisation metadata can also be used in post-production34 for a more controlled final result.

High-quality 96 kHz / 32bit float audio recording
The XLR handle unit35 supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz / 32bit float audio recording. With up to four channels of high-quality capture, it also supports independent 32bit float WAV recording alongside video audio for more flexible on-set sound workflows.

Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring
Add the optional OLED viewfinder36 for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent colour gamut, 10-bit display, HDR monitoring support, and 0.90x magnification37, while the 0°-90° tilting design and selectable display modes help adapt monitoring to different shooting styles.

3.5-type monitor with 4-axis multi-angle design
The 3.5-type 16:9 aspect monitor tilts 98° up, 40° down and 180° sideways, and rotates up to 270° when open38. A high-brightness panel with 15 brightness settings, fine control of image inversion display, and neatly organised on-screen shooting information all help make monitoring clearer and more flexible on set.

BIG6 (HOME) screen for faster on-set control
Inherited from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings — frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance — together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.

Monitoring support for precise shooting
Exposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence.39

Movie-first menus and controls
From menu settings to the CineAlta-style multi-function dial, the FX5 is designed around movie production. Frequently used controls are concentrated around the grip and top panel, and the multi-function dial supports both rotational and push operation for faster access to key settings during a shoot.

Clear tally visibility
Configurable front and rear tally lamps make REC/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.

Clear Image Zoom for smoother, more intuitive framing
Clear Image Zoom adds a [Smooth Priority] mode40 that enables seamless zoom from the optical wide end up to 2x digital zoom41. [Optical Zoom Priority] is a zoom mode that prioritises image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over. Seamless zooming can also be controlled from the zoom ring on compatible lenses for more intuitive, consistent framing.

Dual CFexpress Type A/SD card slots for flexible media workflows
Dual CFexpress Type A42 slots support relay, simultaneous, and separated recording while also accepting SDXC (UHS-II/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.

Power that keeps pace with long shoots
A high-capacity 2670 mAh NP-SA100 43 battery can provide up to 170 minutes44 of recording time. Optimised power management, improved charging speed45, USB Power Delivery46 and battery condition display help simplify longer shooting days and make it easier to judge when battery replacement may be needed.

Durable, sealed body design
Refinements throughout maximise dust and moisture resistance for high reliability in demanding conditions.47 Sealing is used at exterior joints and around the battery cover to help prevent moisture and dust ingress, and the cooling fan is housed in a separate chamber for added protection.

Cooling designed for uninterrupted 170 minutes47 of recording
An efficient fan cooling system and advanced design deliver up to 3x48 the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.

Flexible mounting points49
Five screw holes for accessory mounting are provided around the body, with two more on the bottom for tripod mounting. The result is a body that is easier to rig and expand directly with essential accessories.

Monitor & Control for remote operation from mobile devices
With the Monitor & Control app, a smartphone, tablet or Mac becomes a flexible second screen for monitoring, camera settings and operation. It is a simple way to extend control for solo shooting, compact rigs, and other productions where flexible remote operation is useful.

Catalyst Prepare and Catalyst Prepare Plugin
Catalyst Prepare and Catalyst Prepare Plugin use camera metadata for fast shot review and correction. They provide format support, including X-OCN LT/C1/C2, along with key features such as stabilisation, lens breathing compensation, colour/LUT tools and transcoded export.

Flexible monitoring, power and timecode connections
The HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C® ports support power delivery and timecode input via an optional adapter cable.50

Wired and wireless LAN connectivity for remote workflows
High-speed wired LAN and built-in Wi-Fi 802.11ax with 2×2 MIMO on 6 / 5 / 2.4 GHz bands51 support smoother remote control, file transfer and connected production workflows. Wired LAN support for 2.5GBASE-T, 1000BASE-T and 100BASE-TX also helps the FX5 slot more easily into modern multi-device and networked productions.

Accessibility features for more creators
Screen reader52 support, a menu magnifier, and other accessibility aids help make the FX5 easier to use for more creators. The lens mount index, multi-function dial, and buttons are designed so they can be easily located by touch, supporting more confident operation.

Recycled materials in Cameras
At Sony, our Road to Zero plan53 aims to achieve a zero environmental footprint by 2050. We use SORPLAS™, our durable, high-quality recycled plastic material, wherever possible to reduce stress on the environment without compromising performance. More than 30%54 of this product is made of recycled plastic, including SORPLAS. Our imaging product manufacturing facilities in Thailand and China also operate on 100% renewable energy55.

Non-plastic packaging materials
Sony is working towards the use of non-plastic packaging materials56 that provide ample protection against shock and impact. We use plant-based non-woven fabrics for product bags, further reducing plastic usage and minimising environmental stress.

Planned post-launch support
Updates are planned to add support for HFR shooting up to 240 fps in X-OCN, XAVC S‑I recording in a 3:2 aspect ratio with full-sensor readout, an optimised user interface for vertical shooting, and a frame grab function.

Information on security updates
Where a Sony product contains software that is subject to updates, Sony may issue security updates and updates necessary for the proper functioning of the device.

1 Prices are in AUD and inclusive of GST. Prices are subject to change without prior notice and may vary for the same product with different colours.
11 Available subject settings are: Human, Animal/Bird, Animal, Bird. Subject types other than the type specified may be erroneously recognised in some cases.
12 Open Gate recording is only available for X-OCN recording.
13 With Dual Gain Shooting, frame rates up to 30p are supported for FF 5K 3:2, and up to 60p for FF 5K 16:9/17:9.
14 As of the July 2026 product announcement. Survey of Sony digital cameras.
15 5K (3:2) X-OCN 120 fps and 4K 240 fps recording will require a future firmware update.
16 For X-OCN details, see: https://pro.sony/technology/recording-formats/technology-xocn
17 Lens distortion correction is not applied to X-OCN clips recorded in-camera. When using Sony or licensed partner E-mount lenses, lens distortion correction can be applied in Catalyst Browse, Catalyst Prepare, or Catalyst Prepare Plugin using embedded lens metadata. Clip preview support for lens distortion correction will be added in a future update. For licensed partner information, see: https://support.d-imaging.sony.co.jp/www/e_mount/licensee/?id=portal
18 During shooting, lens distortion correction is applied to the image displayed on the camera’s LCD monitor and to the video output via HDMI. However, lens distortion correction is not reflected during clip preview. As a result, the appearance of distortion may differ between shooting and clip preview.
19 Manual Base ISO selection is supported only in Cine EI and Flexible ISO modes. In Cine EI Quick mode, the optimal Base ISO is selected automatically according to the Exposure Index setting.
20 Based on Sony tests when shooting in S-Log 3.
21 Maximum gain is 18 dB (equivalent). Availability will depend on recording settings.
22 As of xxxx 2026, an update will be required for 5K 120p and 4K 240p recording.
23 When recording X-OCN (C2) to a CFexpress Type A memory card.
24 Actual number of points varies according to shooting mode.
25 X-OCN recording is only available in Cine-EI mode.
26 17 and 33 point CUBE (.cube) files are supported.
27 Compared to the FX3.
28 In Dynamic active Mode, angle of view is reduced more than in Active Mode, and Clear Image Zoom is not available. Dynamic active Mode is available up to 60 fps, and Active Mode is available up to 120 fps. The maximum gain in Dynamic active Mode is 26 dB. Depending on the codec and frame-rate settings, Dynamic active Mode may not be available. For details, see the help guide: https://helpguide.sony.net/ilc/2630/v1/h_zz/
29 For the latest information on post-production tools, see: https://www.sony.net/catalyst/
30 The XLR-H1 handle unit is not supported; use the XLR-H2 Handle Unit included with the camera (ILME-FX5) or sold separately. A microphone is not included with the XLR-H2 Handle Unit. This unit is not compatible with the ILME-FX3, ILME-FX3A, ILME-FX30, or ILME-FX2, and cannot be used simultaneously with the OLED viewfinder. For compatible microphones, see: https://www.sony.net/dics/mic_cmpt/.
31 The OLED viewfinder unit cannot be used simultaneously with accessories that require the Multi Interface (MI) Shoe™.
32 Focus Map and False Color cannot be displayed simultaneously.
33 [Smooth Priority] mode does not support prime lenses and some zoom lenses.
34 When shooting in HD.
35 CFexpress 4 memory cards are not supported. If a CFexpress 4 card is inserted, it will be recognised and treated as a CFexpress 2 card. CFexpress Type B memory cards are not supported.
36 https://www.sony.co.uk/electronics/interchangeable-lens-cameras-batteries-chargers/np-sa100
37 Approximate continuous recording time using the LCD monitor with a fully charged battery pack. Actual performance may vary depending on usage conditions. Measured under factory default settings at the time of purchase, at 25 °C (77 °F), using Sony CFexpress Type A memory cards and an FE 28-70mm F3.5-5.6 OSS II lens (both sold separately). Video recording time is based on CIPA standards, with video quality set to XAVC S-L 4:2:2 FF 5K 16:9 23.98p, and no operations other than starting and stopping recording.
38 Single-battery charging requires a USB PD power supply and USB Type-C cable that are both rated at 27 W or higher. Charging time to full for a single battery is about 85 minutes. Charge time may vary according to usage conditions.
39 USB power adaptor and cable are not supplied. Single-battery charging requires a USB PD power supply and USB cable that are both rated at 27 W or higher.
40 When using the LCD monitor under CIPA standard conditions.
41 Monitor rotation angle may be limited when cables are connected to the camera. Do not use excessive force when opening or rotating the monitor.
42 Not guaranteed to be 100% dust and moisture proof.
43 Accessory screw holes are 1/4-20 UNC standard. Use screws with a maximum length of 5.5 mm.
44 TC-IN is supported via USB PORT 2 only. For Timecode Adapter Cable details, see: https://www.sony.co.uk/electronics/interchangeable-lens-cameras-other-accessories/vmc-bncu1. PORT 1 supports SuperSpeed USB 10Gbps. PORT 2 provides Hi-Speed USB 480Mbps (USB 2.0) data transfer when connected to a computer.
45 5 GHz / 6 GHz communication may be restricted in some countries and regions.
46 Mac and macOS are registered trademarks of Apple Inc. in the United States and other countries.
47 Availability varies depending on region and language.
48 For Sony’s environmental activities, refer to https://www.sony.co.uk/electronics/eco/sustainable-development
49 The ratio is calculated by dividing the weight of recycled plastics by the total weight of plastic parts in the camera body, excluding supplied accessories.
50 Place of manufacture may vary according to time of production.
51 Not including materials used in coatings and adhesives.
52 For X-OCN details,see:https://pro.sony/technology/recording-formats/technology-xocn
53 Number of effective pixels varies depending on attached lenses and camera settings.
54 Available subject settings are: Human, Animal/Bird, Animal, Bird. Subject types other than the type specified may be erroneously recognised in some cases.
55 Open Gate recording is only available for X-OCN recording.
56 With Dual Gain Shooting, frame rates up to 30p are supported for FF 5K 3:2, and up to 60p for FF 5K 16:9/17:9.
57 As of the July 2026 product announcement. Survey of Sony digital cameras.
58 5K (3:2) X-OCN 120 fps and 4K 240 fps recording will require a future firmware update.
59 For X-OCN details, see: https://pro.sony/technology/recording-formats/technology-xocn
60 Lens distortion correction is not applied to X-OCN clips recorded in-camera. When using Sony or licensed partner E-mount lenses, lens distortion correction can be applied in Catalyst Browse, Catalyst Prepare, or  Catalyst Prepare Plugin using embedded lens metadata. Clip preview support for lens distortion correction will be added in a future update. For licensed partner information, see: https://support.d-imaging.sony.co.jp/www/e_mount/licensee/?id=portal
61 During shooting, lens distortion correction is applied to the image displayed on the camera’s LCD monitor and to the video output via HDMI. However, lens distortion correction is not reflected during clip preview. As a result, the appearance of distortion may differ between shooting and clip preview.
62 Manual Base ISO selection is supported only in Cine EI and Flexible ISO modes. In Cine EI Quick mode, the optimal Base ISO is selected automatically according to the Exposure Index setting.
63 Based on Sony tests when shooting in S-Log 3.
64 Maximum gain is 18 dB (equivalent). Availability will depend on recording settings.
65 When recording X-OCN (C2) to a CFexpress Type A memory card.
66 Actual number of points varies according to shooting mode.
67 X-OCN recording is only available in Cine-EI mode.
68 17 and 33 point CUBE (.cube) files are supported.
69 Compared to the FX3.
70 In Dynamic active Mode, angle of view is reduced more than in Active Mode, and Clear Image Zoom is not available. Dynamic active Mode is available up to 60 fps, and Active Mode is available up to 120 fps. The maximum gain in Dynamic active Mode is 26 dB. Depending on the codec and frame-rate settings, Dynamic active Mode may not be available. For details, see the help guide: https://helpguide.sony.net/ilc/2630/v1/h_zz/
71 For the latest information on post-production tools, see: https://www.sony.net/catalyst/
72 The XLR-H1 handle unit is not supported; use the XLR-H2 Handle Unit included with the camera (ILME-FX5) or sold separately. A microphone is not included with the XLR-H2 Handle Unit. This unit is not compatible with the ILME-FX3, ILME-FX3A, ILME-FX30, or ILME-FX2, and cannot be used simultaneously with the OLED viewfinder. For compatible microphones, see: https://www.sony.net/dics/mic_cmpt/.
73 The OLED viewfinder unit cannot be used simultaneously with accessories that require the Multi Interface (MI) Shoe™.
74 Focus Map and False Color cannot be displayed simultaneously.
75 [Smooth Priority] mode does not support prime lenses and some zoom lenses.
76 When shooting in HD.
77 CFexpress 4 memory cards are not supported. If a CFexpress 4 card is inserted, it will be recognised and treated as a CFexpress 2 card. CFexpress Type B memory cards are not supported.
78 https://www.sony.co.uk/electronics/interchangeable-lens-cameras-batteries-chargers/np-sa100
79 Approximate continuous recording time using the LCD monitor with a fully charged battery pack. Actual performance may vary depending on usage conditions. Measured under factory default settings at the time of purchase, at 25 °C (77 °F), using Sony CFexpress Type A memory cards and an FE 28-70mm F3.5-5.6 OSS II lens (both sold separately). Video recording time is based on CIPA standards, with video quality set to XAVC S-L 4:2:2 FF 5K 16:9 23.98p, and no operations other than starting and stopping recording.
80 Single-battery charging requires a USB PD power supply and USB Type-C cable that are both rated at 27 W or higher. Charging time to full for a single battery is about 85 minutes. Charge time may vary according to usage conditions.
81 USB power adaptor and cable are not supplied. Single-battery charging requires a USB PD power supply and USB cable that are both rated at 27 W or higher.
82 When using the LCD monitor under CIPA standard conditions.
83 Monitor rotation angle may be limited when cables are connected to the camera. Do not use excessive force when opening or rotating the monitor.
84 Not guaranteed to be 100% dust and moisture proof.
85 Accessory screw holes are 1/4-20 UNC standard. Use screws with a maximum length of 5.5 mm.
86 TC-IN is supported via USB PORT 2 only. For Timecode Adapter Cable details, see: https://www.sony.co.uk/electronics/interchangeable-lens-cameras-other-accessories/vmc-bncu1. PORT 1 supports SuperSpeed USB 10Gbps. PORT 2 provides Hi-Speed USB 480Mbps (USB 2.0) data transfer when connected to a computer.
87 5 GHz / 6 GHz communication may be restricted in some countries and regions.
88 Mac and macOS are registered trademarks of Apple Inc. in the United States and other countries.
89 Availability varies depending on region and language.
90 For Sony’s environmental activities, refer to https://www.sony.co.uk/electronics/eco/sustainable-development
91 The ratio is calculated by dividing the weight of recycled plastics by the total weight of plastic parts in the camera body, excluding supplied accessories.
92 Place of manufacture may vary according to time of production.
93 Not including materials used in coatings and adhesives.
94 This product is also known as ILME-FX5, ILME-FX5B, ILMEFX5.AP2, ILMEFX5B.AP2
95 Actual colour and dimension may differ from the screen image.
96 Colours & features of the product shown may differ by model and country.
97 Services availability depends on region. A part or whole of software/services installed into or accessible through the product may be changed, discontinued, removed, suspended, or terminated without notice.
98 Features and specifications are subject to change without prior notice.
99 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Sony Group Corporation and its subsidiaries is under license.
100 Information on security updates: click the link below to find the security support period for your Sony product.
https://www.sony.com.au/electronics/support/articles/00358301