Sony FX3A Full Frame Cinema Camera

The Sony FX3A Cinema Line Full-Frame Video Camera combines cinematic power with a lightweight, compact design, offering filmmakers and content creators a versatile tool for high-quality video production. Designed for run-and-gun filmmaking, solo creators, and professional productions, the FX3A delivers exceptional image quality, flexible operability, and industry-grade reliability. Unlock stunning cinematic visuals with enhanced light sensitivity and detail with its 12.1MP Full-Frame Exmor R CMOS Sensor. Achieve ultra-smooth slow-motion footage while capturing stunning detail with UHD 4K at up to 120fps / 1080p at up to 240fps. With ISO expandable up to 409,600, the FX3A excels in low-light situations, making it perfect for night shoots or dim settings. Boasting 15+ stops of dynamic range, the FX3A is perfect for scenes with high contrast, preserving both shadow and highlight detail.

Incorporating S-Cinetone, it delivers a cinematic look straight out of the camera with rich, natural skin tones—perfect for fast workflows. Maximize your filmmaking flexibility with advanced color grading options and High Dynamic Range (HDR) video. A 10-bit 4:2:2 Internal Recording (XAVC S-I) provides rich color depth and detail, ideal for professional post-production workflows. A 16-bit RAW HDMI output
can be used for external recorders, giving maximum quality for visual effects and grading. The FX3A integrates multiple 1/4"-20 threaded mounts on its body for accessories, reducing the need for external cages. At just 715g, it's perfect for handheld shooting or use with gimbals and drones. A detachable dual XLR/TRS handle allows professional, on-the-go audio capture via XLR inputs, essential for clean, high-quality sound. The advanced autofocus incorporates AI-powered phase detection, eye tracking, and face detection, ensuring sharp, reliable focus on your subject—whether stationary or in motion. The camera supports high-speed data transfer and extended recording cia dual CFexpress Type A/SDXC slots. It also includes HDMI, USB-C, and headphone/microphone ports, allowing seamless integration into any production workflow.

The FX3A Cinema Line Camera gives you the freedom to adapt to any filming style while delivering stunning visuals and premium audio. Its combination of cinematic image quality, advanced usability, and compact design makes it a go-to tool for creators ready to elevate their craft.

Product Features in Detail

Image sensor with blazingly fast readout speed
The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced color filter array boosts color reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

High-performance image-processing engine 
The BIONZ XR™ image-processing engine is designed for high speed, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition, and image quality adjustments, while also handling data-transfer, user-interface, and other camera operations.

High sensitivity, wide dynamic range 
The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimizing the sensor's output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops6, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production.

4K High Frame Rate 120fps recording
You can record full-frame 4K (QFHD) at up to 120fps7 with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time)8. The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting.

Acclaimed cinematic color with S-Cinetone™
The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic color to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction even without post-production grading.  [1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)

All-Intra internal recording
In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported9. XAVC S-I recording compresses each frame independently at a high bit rate, up to 600 Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.  [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

HEVC codec with high compression efficiency
XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 color sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes10.

DCI 4K recording in true 24p11
The FX3 allows you to shoot in a wide range of formats to suit your shooting needs. You can also select XAVC S-I DCI 4K (4096 x 2160) format which is often used in cinema shooting. And true 24p (24.00p) can be an option for recording frame rate when you select XAVC S-I DCI 4K.

16-bit RAW data output
Facilitating improved image quality and more flexible and efficient editing in post-production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K12 workflows, with a choice of frame rates (59.94p/50p/29.97p/25p/23.98p).

New S-Log shooting modes for optimized image quality
Three modes are provided for recording with the S-Log3 gamma curve. Cine EI10, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Eine EI Quick10 simplifies setup by automatically switching the camera's base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709, 709tone, and ITU709 has been added to the available LUT presets.

Proxy recording for more efficient editing workflow
Low-bit-rate HD proxy files can be recorded simultaneously with higher-bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)13.

Expand your vision with Creative Look
Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favorite settings as a custom look.

10-bit HLG picture profile
An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout, and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required)

Flexible exposure mode
Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed, and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.

Fast Hybrid AF for dependable focus during movie shooting
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

Fast, easy and reliable Real-time Tracking and Eye AF 
Focus control is fast and intuitive, to ensure you have full creative control of the FX3's powerful AF technology. Real-time Tracking greatly assists during solo shooting by analyzing the subject's color, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF. 

De-squeeze display14 for anamorphic lens
When shooting with anamorphic lenses, you can choose a de-squeeze ratio (1.3 x or 2.0 x) in the menu to display the movie with horizontal correction on the LCD monitor, according to the ratio of the attached anamorphic lens.

Selectable shutter angle and speed
Users can switch between displaying shutter speed, or shutter angle for fluid and familiar videography.

Compensation for focus breathing
With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when used with compatible lenses15. The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.

Fast, easy touch-focus control16 
Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology.

In-body optical image stabilization for handheld shooting 
Relying on a new high-precision stabilization unit, gyro sensors, and optimized image stabilization algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording17 18, even while walking. With this unprecedented level of stabilization it's possible to shoot with the camera only, taking advantage of the compact size and mobility.  [1] Track of camera shake [2] Standard [3] Active

XLR adaptor and digital input for quality audio
The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.

HDMI Type-A output and monitoring options 
With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera's LCD monitor, an HDMI-connected external recording or monitoring device.

Uninterrupted 4K 60p19 recording
For uninterrupted 4K 60p19 recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimized airflow and placement of heatsinks. When required, a silent20 cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.21

REC lamps and highlighting during video recording 
There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.

Customizable buttons for professional movie creators
The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customizable keys and menus deliver streamlined workflows in the field. It's designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.

Various zoom operations tailor your expression
The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary reframing to purposeful cinematic zooms.

Cage-free accessory mounting 
Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimized for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.

Touch-driven menu with workflow-based navigation 
Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers' work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

Flexible camera positioning with vari-angle monitor
The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal-mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low-angle shots. The 3.0-type, approximately 2.36 million-dot22 large touch panel LCD has high visibility and clarity.

Two CFexpress Type A-compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

Reliable, durable and lightweight construction
For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.

Reliable durability and weather resistance23 in tough situations
In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers, and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

Power for professional length
For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging23 or continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery20.

Flag clips for efficient post-production
For complex shoots and faster editing turnaround, users can flag clips as OK, NG, or KEEP from the menu or a Custom button24. Flags are visible in the thumbnail view and in Catalyst software, for rapid filtering and selection during editing.

Wireless monitoring and remote control
Connecting a smartphone or tablet to the camera with the Monitor and Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.

Data communications to support on-site workflow
Wireless 5 GHz25/2.4 GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® terminal supporting SuperSpeed USB 5 Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote-shooting capabilities support professional workflows during shoots.

Metadata to facilitate editing with Catalyst
Sony's Catalyst Browse and Prepare software are ideal production partners for the FX3. The camera records five types of metadata: LUTs, image stabilization, breathing, camera rotation, and Shot Marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.21

Creators' Cloud platform
Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

1 Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.
2 Number of effective pixels: 1420 x 804 at 240 or 200fps.
3 A dedicated adapter cable (sold separately) is required to connect the Multi/Micro USB terminal of the camera to the BNC output terminal of a commercially available BNC cable.
4 Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter].
5 (Configuration method / Access method) WPS or manually / infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4 GHz) wireless LAN only.
6 When shooting S-Log3, Sony tests.
7 With 10% image crop.
8 Post-production editing or S&Q mode recording required (sound recording not available).
9 For All-Intra, the file format should be set to XAVC S-I 4K or XAVC S-I HD.
10 XAVC HS-compatible editing software, Catalyst Browse or Catalyst Prepare is required.
11 At 24.00p, proxy recording is disabled. When 24.00p is selected or deselected, the camera will automatically restart.
12 DCI-4K resolution: 4096 x 2048.
13 Proxy recording is not available in the following conditions: (a) normal movie recording at a [Record Frame Rate] of 120p (100p) or higher; (b) S&Q movie recording at a [Record Frame Rate] of 120p (100p) or higher; (c) S&Q movies at a [Frame Rate] of 120 (100) fps or higher.
14 Available in log shooting modes.
15 Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/　Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills.
16 Presetting is required.
17 Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200 mm or longer.
18 Active Mode is not available when recording at frame rates of 120 (100)fps or higher, including S&Q.
19 The sound level from the fan depends on recording mode and operating environment.
20 Sony internal tests. USB power supply (USB-PD device, 9V/3A output), XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 77 °F (ambient, camera when recording started), Auto power: Off, Temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).
21 This image is for illustrative purposes and represents the ILME-FX3A. For product appearance, please refer to the product cut.
22 Approximate.
23 The internal battery will not be charged while camera power is ON and the camera is in use.
24 Flags can be added to the MP4 format.
25 5 GHz communication may be restricted in some countries and regions.
26 Actual color and dimension may differ from the screen image.
27 Colors & features of the product shown may differ by model and country.
28 4K: 3,840 x 2,160 pixels.
29 Services availability depends on region. A part or whole of software/services installed into or accessible through the product may be changed, discontinued, removed, suspended, or terminated without notice.
30 Features and specifications are subject to change without prior notice.
31 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Sony Group Corporation and its subsidiaries is under license.