Sony Cinema Line FX2 Full Frame E-Mount Video Camera (incl. Handle)

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  • 33MP Full-Frame CMOS Exmor R Sensor
  • 4K up to 60 fps | 1080p up to 120 fps
  • 33MP Stills in S-Log3 at 800/4000 ISO
  • Dynamic Active AI-Based Stabilization
  • AI-Powered Auto Focus and Framing
  • S-Cinetone/S-Log3/HLG, 15+ Stops DR
  • 10-Bit 4:2:2 XAVC S-I, 16-Bit Raw Output
  • 7.5 cm (3.0-Type) Type TFT Monitor
  • 3.68m-Dot 0.7x OLED EVF with 90° Tilt
  • CFexpress Type A and SD Card Slots
  • 2.4/5 GHz Wi-Fi for 4K Live Streaming
Sale

The Sony Cinema Line FX2 embodies a blend of Sony's exceptional full-frame sensor technology and cinematic flair, offering an array of features that cater to high-end filmmaking and content creation requirements. Its compact and versatile design makes it an attractive choice for a diverse set of video creators, ranging from indie filmmakers and documentary shooters to content creators and corporate videographers. The 33MP Full-Frame CMOS Exmor R sensor is at the heart of the camera's imaging capabilities, producing high-resolution stills and 4K video with impressive clarity and detail. It features 4K up to 60 fps | 1080p up to 120 fps which offers flexibility in video recording, allowing for crispy 4K cinematic footage and slow-motion effects in full HD. The 33MP Stills in S-Log3 at 800/4000 ISO: Maximizes dynamic range and provides flexibility in post-production for photographers and videographers alike.

Dynamic active AI-based stabilization keeps footage steady even in the most challenging shooting conditions, leveraging AI for enhanced stability. The AI-powered auto focus and framing facilitates precise and seamless focus tracking of subjects, ensuring critical moments are never missed. A 10-Bit 4:2:2 XAVC S-I, 16-Bit Raw Output ensures high-quality footage with rich colors and detailed gradations, ready for professional post-production workflows. The S-Cinetone/S-Log3/HLG offers filmmakers a range of look profiles, from instantly pleasing colors to flat profiles suitable for color grading, catering to both quick turnaround projects and those with extensive post-production. A 7.5 cm (3.0-Type) TFT Monitor provides clear and bright monitoring for compositions and playback, essential for on-site shooting requirements. Its 3.68m-Dot 0.7x OLED EVF with 90° tilt offers detailed viewing for critical focusing, with the added tilt functionality enhancing shooting ergonomics, especially in unconventional angles. The CFexpress Type A and SD card slots offer versatile storage solutions accommodating high bit-rate recordings and extensive shooting sessions. The 2.4/5 GHz Wi-Fi for 4K live streaming ensures that the FX2 is not just a camera for traditional content creation but also equipped for the demands of modern live-streaming and wireless communication needs.

The Sony Cinema Line FX2 stands out by merging high-resolution imaging capabilities with cinematic video features in a compact and user-friendly body. Whether it's utilized for creating cinematic films, engaging video content, or dynamic live streams, this camera is designed to deliver quality and versatility. Its innovative stabilization, autofocus technology, and robust codec options make it a formidable tool in the arsenal of any content creator aiming for professional-grade output. The FX2 is not just a camera; it's a comprehensive storytelling tool that brings visions to life with clarity, color, and cinematic depth.


Product Features in Detail

 

Cinematic expression with a full-frame sensor
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by a BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP15 resolution, giving ambitious cinematic visionaries everything they need.


Outstanding image quality for maximum editing flexibility
The FX2's full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log316, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.


Multiple recording formats for versatile shooting and editing
7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p)17 recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.


Log recording modes for production flexibility
For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post production1819 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post production to achieve your desired cinematic look. 


Import up to 16 user LUTs
With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files20 can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed.21 The LUT used for recording can then be embedded in the video metadata for easy access during post production.


Create moods right in the camera
Picture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.


Desqueeze display for anamorphic lenses
Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings22, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display device.23


Frame rate freedom
An FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion24 at 4K resolution, or up to 5x slow motion24 when recording in Full HD at up to 120 fps.25


An extensive range of expressive E-mount lenses
Sony offers a range of more than 70 high-performance E-mount lenses26, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.


Compact and lightweight with built-in accessory mount points
With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel.


Attach a top handle for extra handling ease
Sony’s XLR Handle Unit XLR-H127 can be attached to the FX2 body to minimise shifts in the centre of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky manoeuvres like shooting from a low position while moving. The handle has three 1/4-20 screw holes for further accessory mounting.28


AI-based Real-time Recognition AF
Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects29. A detection frame indicates the recognised subject30 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX3031.


Fine-tuned focus control
AF Assist32 allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualise depth of field by overlaying focus info on the live view display, and the Breathing Compensation function33 can significantly enhance image stability.


Automatic framing using advanced AI
The FX2's Auto Framing feature34 automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.


Stabilisation for dynamic handheld shooting
Active Mode boosts stabilisation while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilises electronic stabilisation for as much as 30%35 greater effect, making it possible to shoot stable footage even when running around36. Corresponding stabilisation metadata is embedded in the footage allowing for even greater stabilisation control in post production if needed37.


Stills at the flip of a switch
A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.


Visual consistency across stills and videos
The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.38


Tiltable high-definition electronic viewfinder
Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 dioptre), and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.39


Control layout designed for professional use
The FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control.


Flexible vari-angle LCD monitor
The high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.


Frequently used parameters all in one place
The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.


Proxy recording40
Low-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10-bit depth, or XAVC S (1280 x 720) at an even lighter 8-bit depth.


Tally lamps and high visibility recording indication
The camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you’re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal.


CFexpress Type A memory card support
Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A41 cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.


Digital audio without degradation
With an XLR Handle Unit XLR-H127 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.


4:2:2 10-bit or 16-bit RAW output via HDMI
An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output42 at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates.


Time code synchronisation
The FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable43, and then to the second camera via a BNC cable.


Plenty of power for long shoots
A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time44 or up to 155 minutes of continuous shooting.45 For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD)46. The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.


Flexible network communication
The FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac)47. Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor48 connected to the camera’s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting.


Easy live streaming
The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or either a wireless or wired LAN48 network. You can stream up to 4K (3840 x 2160) 59.94p42 video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.


Effective heat management
Enjoy uninterrupted video recording time for formats up to 4K 59.94p49. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.


Dust and moisture resistant design50
Numerous refinements throughout the body design have enhanced dust and moisture resistance50, ensuring maximum reliability in challenging outdoor conditions. The camera’s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements.


Monitor & Control
Sony's Monitor & Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad5152. All of this can contribute to smoother workflows with a minimal crew.


Catalyst Browse, Catalyst Prepare/Plugin
The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags53 added while recording can also be imported for easier shot selection. Image stabilisation, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.


Cloud Upload (camera direct)
Recorded files can be directly uploaded to Creators’ Cloud54 storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Google Drive™ or Adobe Lightroom to suit your workflow.55


Creators' Cloud platform
Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.


Environmentally conscious
Sony’s environmental plan "Road to Zero" aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimised from development through the supply chain, production, and packaging.


Non-plastic packaging materials
Sony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.


Greater accessibility for all users
Accessibility features, such as a menu magnifier and a screen reader56 that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users.

General
CAMERA TYPE Interchangeable lens digital camera
Lens Mount E-mount
Camera Section
LATITUDE 15+ stops (S-Log3)
SENSOR TYPE 35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
NUMBER OF PIXELS (Total) Approx. 34.1 megapixels
NUMBER OF PIXELS (EFFECTIVE) Still images: Approx. 33.0 megapixels max.1, Movies: Approx. 27.6 megapixels max.1
OPTICAL LOW PASS FILTER Yes
COLOR TEMPERATURE RANGE 2500 K - 9900 K
Image Sensor
Anti-Dust System Yes
Recording (still images)
RECORDING FORMAT JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
IMAGE SIZE (PIXELS) [3:2] 35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
IMAGE QUALITY MODES RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF
14bit RAW Yes
Recording (movie)
VIDEO COMPRESSION XAVC HS: MPEG-H HEVC/H.265, XAVC S: MPEG-4 AVC/H.264
AUDIO RECORDING FORMAT LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)2, LPCM 4ch (48 kHz 24 bit)2
Recording System (movie)
MOVIE RECORDING FORMAT (XAVC HS 4K) 3840 x 2160 (4:2:0, 10bit) (Approx.): 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps), 50p (200 Mbps / 100 Mbps)
MOVIE RECORDING FORMAT (XAVC S 4K) 3840 x 2160 (4:2:0, 8bit) (Approx.): 59.94p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (200 Mbps), 29.97p (140 Mbps), 23.98p (100 Mbps), 50p (200 Mbps), 25p (140 Mbps)
MOVIE RECORDING FORMAT (XAVC S HD) 1920 x 1080 (4:2:0, 8bit) (Approx.): 119.88p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (50 Mbps), 29.97p (50 Mbps), 23.98p (50 Mbps), 50p (50 Mbps), 25p (50 Mbps)
MOVIE RECORDING FORMAT (XAVC S-I 4K) 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps)
MOVIE RECORDING FORMAT (XAVC S-I DCI4K) 4096 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps), 24.00p (240 Mbps)
MOVIE RECORDING FORMAT (XAVC S-I HD) 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps), 29.97p (111 Mbps), 23.98p (89 Mbps), 50p (185 Mbps), 25p (93 Mbps)
Movie Functions
SLOW & QUICK MOTION (SHOOTING FRAME RATE) Yes
PROXY RECORDING Yes
TC / UB Yes
RAW OUTPUT Yes (HDMI)
Recording System
Memory Card Slot SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card
Focus System
FOCUS TYPE Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)
FOCUS SENSITIVITY RANGE EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
RECOGNITION TARGET (STILL IMAGES) Auto, Human, Animal, Bird, Insect, Car, Train, Airplane
RECOGNITION TARGET (MOVIES) Auto, Human, Animal, Bird, Insect, Car, Train, Airplane
OTHER FEATURES AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
Exposure Control
METERING TYPE 1200-zone evaluative metering
METERING SENSITIVITY EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
EXPOSURE COMPENSATION +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
ISO SENSITIVITY Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit), Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)
ANTI-FLICKER SHOOT. Yes3
Viewfinder
TYPE 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Number of Dots 3 686 400 dots
Magnification Approx. 0.70x (with 50 mm lens at infinity, -1 m-1)
DIOPTRE -4.0 to +3.0 m-1
Eye Point Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m-1 (CIPA standard)
Finder Frame Rate Selection STD 60 fps / HI 120 fps
LCD Screen
Monitor Type 7.5 cm (3.0-type) type TFT
TOUCH PANEL Yes
Number of Dots 1 036 800 dots
Adjustable Angle Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °
Other Features
CLEAR IMAGE ZOOM (STILL IMAGES) Approx. 2x
CLEAR IMAGE ZOOM (MOVIES) Approx. 1.5x (4K), Approx. 2x (HD)
Shutter
Shutter Type Mechanical shutter / Electronic shutter
Shutter Speed Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s
Flash Sync. Speed 1/160 s (35mm full frame), 1/200 s (APS-C)4
Electronic Front Curtain Shutter Yes
Image Stabilization
Type Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Compensation Effect Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
MODE Still images: On / Off, Movie: Dynamic active / Active / Standard / Off
Drive
Continuous Drive Speed (approx. max.) Hi+: 10 fps5
NO. OF FRAME RECORDABLE (APPROX.) JPEG Extra fine L: over 1000 frames5, JPEG Fine L: over 1000 frames5, JPEG Standard L: over 1000 frames5, RAW: over 1000 frames5, RAW & JPEG: over 1000 frames5, RAW (Uncompressed): over 1000 frames5, RAW (Uncompressed) & JPEG: over 1000 frames5, RAW (Lossless Compressed): over 1000 frames5, RAW (Lossless Compressed) & JPEG: over 1000 frames5
Playback
MODES Enlarged Image, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Accessibility
FUNCTIONS Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function, Enlarge Screen
Interface
PC INTERFACE Mass-storage / MTP
MULTI / MICRO USB TERMINAL Yes6
USB TYPE-C TERMINAL Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)
WIRELESS LAN(BUILT-IN) Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))78
Bluetooth Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
HDMI OUTPUT HDMI connector (Type-A), 4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit
Multi Interface Shoe Yes (with Digital Audio Interface)9
Mic Terminal Yes (3.5 mm Stereo minijack)
Headphone Terminal Yes (3.5 mm Stereo minijack)
REMOTE CONTROL (WIRELESS) Yes (Bluetooth remote control)
FUNCTIONS Send to smartphone, Remote control via smartphone, Remote Shooting
USB Streaming
VIDEO DATA FORMAT MJPEG, YUV42010
VIDEO RESOLUTION 3840 x 2160 (14.99p / 29.97p), 1920 x 1080 (29.97p / 59.94p), 1280 x 720 (29.97p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (25p / 50p), 1280 x 720 (25p)
AUDIO DATA FORMAT LPCM 2ch (16bit 48 kHz)
Network streaming
VIDEO DATA FORMAT MPEG-4 AVC/H.264, MPEG-H HEVC/H.265 11
VIDEO RESOLUTION 3840 x 2160 (29.97p / 59.94p), 3840 x 2160 (25p / 50p), 2560 x 1440 (29.97p / 59.94p), 2560 x 1440 (25p / 50p), 1920 x 1080 (29.97p / 59.94p), 1920 x 1080 (25p / 50p), 1280 x 720 (29.97p / 59.94p), 1280 x 720 (25p / 50p)
AUDIO DATA FORMAT AAC-LC 2ch (16bit 48 kHz)
PROTOCOL RTMP, RTMPS, SRT
Audio
Microphone Built-in, stereo
Speaker Built-in, monaural
Lens Compensation
SETTING Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Power
SUPPLIED BATTERY One rechargeable battery pack NP-FZ100
Battery Life (Still Images) Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)12
Battery Life (Movie, actual recording) Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)13
Battery Life (Movie, continuous recording) Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)
Internal Battery Charge Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)14
USB POWER SUPPLY Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Power consumption with Viewfinder Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Power consumption with LCD screen Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Size & Weight
WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED) Approx. 679 g / Approx. 1 lb 8.0 oz
BODY ONLY Approx. 594 g / Approx. 1 lb 5.0 oz
Dimensions (W x H x D) Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor) / Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor)
Operating temparature  
OPERATING TEMPERATURE 0 - 40 ℃ / 32 - 104 °F
STORAGE TEMPERATURE -20 - 55 ℃ / -4 - 131 °F
Supplied Accesory
WHAT'S IN THE BOX Rechargeable Battery NP-FZ100, Body cap, Accessory shoe cap, Eyepiece cup, XLR handle unit, Handle shoe cap

1 Number of effective pixels varies depending on attached lenses and camera settings.
2 When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe.
3 Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter].
4 With compatible Sony external flash
5 Varies according to shooting conditions or memory card used
6 Supports Micro USB compatible device.
7 (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE)
8 Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only.
9 Sony accessories for the Accessory Shoe can be attached.
10 When [Resolution] is set to [HD(720p)], [MJPEG] is only available.
11 When [Protocol] is set to [RTMP/RTMPS], [MPEG-4 AVC/H.264] is only available.
12 The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.
13 Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.
14 Requires USB PD (18W min.) power supply and cable (3A min.) if charging the battery pack while it is inserted into the camera.
15 Effective megapixels. Approx. 27.6 MP for video.
16 S-Log3 recording. Sony test conditions.
17 Recording in 4K 60p (59.94p) is only available when using APS-C/Super 35mm mode.
18 Catalyst Browse, Catalyst Prepare, and/or Catalyst Prepare Plugin required for post production.
19 See the following web page for details on Log recording: https://helpguide.sony.net/di/pp/v1/en/index.html
20 17 and 33 point CUBE (.cube) files supported.
21 For app/service availability by country and region, see https://creatorscloud.sony.net/catalog/servicearea.html
22 Desqueeze is not applied to still images created with the [Create Still Image] function even if an anamorphic lens has been used.
23 See the following web page for details: https://www.sony.net/ccmc/
24 [Variable] must be selected when recording at 60 fps 23.98p. Audio is not recorded.
25 Because the recording bit rate increases when FPS is set to [Variable], a high-speed memory card may be required.
26 As of the May 2025 product announcement. Sony survey.
27 The XLR Handle Unit XLR-H1 is not included with the ILME-FX2B (body-only model)
28 Use screws shorter than 5.5 mm when attaching accessories.
29 Available subject settings are: AUTO, Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognised in some cases. The camera will attempt to automatically determine the subject type when [Auto] is selected, but the intended subject may not be selected in all cases. In such cases manually select the intended subject type.
30 The detection frame is OFF by default.
31 Compared to the FX3/FX30. Sony tests.
32 Not available with the E PZ 16-50mm F3.5-5.6 OSS, E PZ 16-50mm F3.5-5.6 OSS II, E 18-200mm F3.5-6.3 OSS LE E-mount lenses or any A-mount lens.
33 Compatible lenses are listed at: https://www.sony.net/dics/breathing/. Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses.
34 Framing is cropped from 4K images, resulting in reduced angle of view.
35 Compared to Active Mode, Sony tests.
36 Angle of view is reduced in Active Mode. In Dynamic active Mode, angle of view is reduced more than in Active Mode and Clear Image Zoom is not available.
37 Using Sony’s Catalyst Browse and Catalyst Prepare apps, or the Catalyst Prepare Plugin.
38 Log images have low contrast that can be difficult to monitor. The [Gamma Display Assist] function restores normal contrast for easier monitoring.
39 Mounted Multi Interface (MI) Shoe accessories may interfere with EVF tilt. Visit Sony’s support web page for compatibility information.
40 Proxy recording is not available when the recording frame rate is set to 119.88p or 24.00p, or when the frame rate is set to 120 fps.
41 CFexpress 4 standard not supported. CFexpress 4 memory cards will function according to CFexpress 2 standard. CFexpress Type B cards not supported.
42 The output image will be in the APS-C size/Super 35mm equivalent angle of view.
43 The FX2 accepts time code input but does not output time code. A BNC to Multi/Micro USB adaptor (service part no. A-5051-506-A) is required to receive time code from an external device.
44 CIPA standard. Approx. time in LCD monitor mode with intermittent record, zoom, standby, power ON/OFF operation.
45 CIPA standard. In LCD monitor mode.
46 A USB PD compatible power supply device with 9V/3A or higher output capacity and a USB Type-C cable that can handle 3A or more are required.
47 The 5 GHz band may not be available in some countries or regions.
48 A commercially available USB-LAN adaptor is required.
49 Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera when recording started), Auto power off temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).
50 Not guaranteed to be 100% dust and moisture proof. The XLR Handle Unit XLR-H1 is not designed to be dust and moisture resistant.
51 iPadOS 16.0 or higher required. See the following web page for details: https://www.sony.net/ccmc/
52 iPadOS is a registered trademark of Apple Inc. in the United States and/or other countries.
53 Refer to the following web page for details: https://www.sony.net/catalyst/
54 Creators’ App and Creators’ Cloud Web set-up is necessary.
55 Refer to the following link for information on availability in various countries and regions: https://creatorscloud.sony.net/catalog/servicearea.html
56 Availability varies depending on region and language. Pre-installation of a compatible audio file may be necessary. Please refer to the Accessibility section in Help Guide of this model.
57 Features and specifications are subject to change without prior notice.
58 For information about the external power supply bundled with the product (when applicable), please refer to the link regarding information on ecodesign requirements for external power supplies in accordance with the COMMISSION REGULATION (EU) 2019/1782 of 1 October 2019 laying down ecodesign requirements for external power supplies pursuant to Directive 2009/125/EC of the European Parliament and of the Council and repealing Commission Regulation (EC) No 278/2009 https://www.sony.co.uk/electronics/eco/environmental-management
59 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Sony Group Corporation and its subsidiaries is under license.

This product comes with 2 Years Warranty with Sony Australia. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.

Sony Cinema Line FX2 Body Full Frame E-Mount Video Camera
Sony XLR-H1 XLR Handle Unit
Sony NP-FZ100 Battery (2280mAh)
Sony ALC-B1EM Body Cap for E-Mount Cameras
Sony Multi Interface Shoe Cap
Eyepiece Cup

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You're reviewing:Sony Cinema Line FX2 Full Frame E-Mount Video Camera (incl. Handle)
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Sony Cinema Line FX2 Full Frame E-Mount Video Camera (incl. Handle)
Sony Cinema Line FX2 Full Frame E-Mount Video Camera (incl. Handle)
Regular Price A$5,789.00 Special Price A$4,341.75 save: A$1,447.25

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SKU: Sony ILMEFX2

UPC: 4548736165946