| Sensor / Dust Reduction |
| Sensor Type |
4/3" Live MOS Sensor |
| Effective Pixels |
20.4 million |
| Total Pixels |
21.8 million |
| Aspect Ratio & Area |
4:3 / 17.4 x 13.0mm |
| Dust Reduction |
Super Sonic Wave Filter |
| Processor |
| Processor Type |
TruePic™ VIII |
| Focusing System |
| AF System Type |
High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination. When a Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled. |
| Focusing Points / Focusing Points Selection Mode |
121-point cross-type phase detection AF and 121-point contrast AF All target, single target (normal / small), group target (5-area / 9-area / 25-area) |
| Focus Modes |
Single AF (S-AF) |
| Continuous AF (C-AF) |
| Manual Focus (MF) |
| S-AF + MF |
| AF tracking (C-AF + TR) |
| Preset MF * |
| * Distance setting values are rough estimates and not compatible lens except the AF lens. |
| AF Limiter |
Available (Fn button can be assigned to On/Off; can save 3 distance settings) |
| *Distance setting values are rough estimates. |
| AF Performance |
C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start |
| Magnified Frame |
3x , 5x , 7x , 10x , 14x |
| * Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800. |
| Super spot AF |
Available*(Contrast AF in center of the monitor when magnified) |
| *Available only when a Micro Four Thirds lens is attached. |
| Face Detection AF / Eye Detection |
Available |
| Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority |
| AF Targeting Pad |
Available (activate / deactivate with double tap on rear monitor) |
| Manual Focus Assist |
Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode |
| Peaking Function |
Activation can be assigned to a custom button or the focus ring |
| Change peaking settings using the "Info" button |
| Colour selection: white, black, red, yellow |
| Intensity selection: high, normal, low |
| Back light effect: on, off |
| AF Focus Adj. |
Adjust all, adjust by lens |
| (for Phase detection AF only) |
| AF Illuminator |
Available |
| Image Stabilization |
| System Type |
Built-in 5-axis* sensor-shift image stabilization for movie and still photos |
| *yaw/pitch/roll/vertical shift/horizontal shift |
| Modes |
4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF) |
| Focal Length Setting |
11 settings: 10 programmable settings (10 lenses), 1 open setting |
| 5-Axis Sync IS |
Available* |
| *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance |
5.5 EV[*] |
| * Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-40mm F2.8 PRO (focal length =40mm (35mm equivalent: 80mm)) |
| 6.5 EV[*] |
| * Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-100mm F4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), halfway release image stabilization Off |
| Lens IS Priority |
Available |
| Shutter / Sequential Shooting |
| Shutter Type |
Focal-plane shutter : 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1) |
| Live Bulb / Live Time: selectable exposure time (1 / 2 / 4 / 8 / 15 / 20 / 25 / 30 min.), with 8-min. default setting. Live Composite: maximum shooting time 3 hours |
| Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec. |
| Electronic shutter (Silent mode) : 1/32000 - 60 sec. |
| (still) Flicker scan: 1/7634 - 1/50.0 sec. |
| (movie) Flicker scan: 1/250 - 1/30.0[*] sec. |
| *50fps movie: 1/50.0 sec., 60fps movie: 1/60.0sec., High speed video: 1/120.0sec. |
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps |
| [Sequential shooting L] approx. 6fps with selectable 1-6 fps |
| [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps |
| [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps |
| [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps |
| [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps |
| [Pro Capture L] approx. 10 fps |
| *When using the M.ZUIKO Digital ED 12-40mm F2.8 PRO |
| *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting. |
| *When in Pro Capture mode, slower shutter speeds and flash cannot be used. |
| *Pro Capture L is available when an M.ZUIKO lens or lens without communication capability is attached. (Auto-focus is not available for lenses without communication capability). |
| *In Pro Capture Sequential L, the minimum aperture is F8. |
| *When ISO is 8000 or above, the maximum sequential shooting speed is 30 fps, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above. |
| *Focus and exposure are fixed at the values of the first shot when using sequential shooting |
| Max Recordable Pictures in Sequential Shooting |
[Sequential shooting H 10fps] RAW: Max. 150 frames, JPEG (LF): Until card is full |
| [Sequential shooting L 6fps] RAW, JPEG (LF): Until card is full |
| [Silent sequential shooting H 30fps] RAW: Max. 23 frames, JPEG (LF): Max. 26 frames |
| [Silent sequential shooting L 10fps] RAW: Max. 152 frames, JPEG (LF): Until card is full |
| *When using the M.ZUIKO Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card |
| Sequential Shooting Frame Count |
1 - 99 frames |
| Pre-shutter Frames *For Pro Capture mode only |
Number of frames recorded prior to full-press of the shutter button can be set from 0 to 14 frames |
| Self Timer |
Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
| Viewfinder/Monitor |
| Finder Type |
Eye-level electronic viewfinder (OLED), approx. 2.36M dots |
| Field of View / Viewfinder Magnification |
Approx. 100% / Approx. 1.20x[*1] - 1.37x[*2] (-1m-1, 50mm lens, Infinity) |
| * 1: Finder Style 1, 2 (aspect ratio 4:3) |
| * 2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range |
Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Preview |
Live View preview with depth of field preview lock |
| Display Grid |
Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid |
| * grid color is selectable |
| Level Gauge |
2-axis (horizontal / vertical) level gauge |
| One Touch Tele-Converter |
Available (2x) |
| Finder Style |
3 styles |
| Brightness / Color Temp Control |
Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control |
| Rear Monitor Size |
3.0-inch vari-angle monitor[*] |
| * Approx. 1.04M dots (3:2), electrostatic capacitance touch panel |
| Touch Control |
Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls |
| Tilting Capability |
Available (mirror display when monitor is in self portrait position) |
| Brightness / Color Temp Control (Rear Monitor) |
±7 levels / ±7 levels |
| Color Tone Select |
Vivid / Natural |
| Live View |
Approx. 100% field of view, |
| exposure compensation preview, WB adjustment preview, |
| gradation preview, face detection preview (up to 8 faces), |
| grid line, magnification display (x3/x5/x7/x10/x14), |
| Live View Boost |
Live View Boost 1 , Live View Boost 2* (For dark situations) |
| *Settings can be specified for each shooting mode |
| *Live View Boost 2: Frame Rate Priority or Quality Priority selectable |
| *Off: Brightness in Live View shows specified exposure settings. |
| Exposure Control / Flash |
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control |
| *Also available AF target spot metering |
| Metering Range |
EV -2 - 20 (ISO approx.100, with a F2.8 lens) |
| Exposure Mode / Shooting Mode |
AUTO |
| Program AE (Program shift can be performed) |
| Aperture priority AE |
| Shutter priority AE |
| Manual |
| Bulb (Live Bulb, Live Time and Live Composite are available) |
| Custom * |
| Scene select AE |
| Art Filter |
| Underwater wide / macro** |
| **to be assigned to custom button |
| *Custom settings from menu |
| Scene Select AE |
[Scene] |
| Portrait, e-Portrait, Landscape + Portrait, Night + Portrait, Children, Night scape, Sport, Hand-held Starlight[2], Fireworks, Light trails, Sports, Panning, Landscape, Sunset, Beach & Snow, Backlight HDR[1], Candlelight, Silent, Macro, Nature Macro, Documents, Multi Focus Shot |
| *1 4 images automatically shot and combined into a single image composite |
| *2 8 images automatically shot and combined into a single image composite |
| ISO Sensitivity |
AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) |
| Manual ISO: LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps) |
| Exposure Compensation |
±5 EV, adjustable by 1/3, 1/2 or 1 EV steps |
| When shooting in HDR or in video, only adjustable up to ±3 EV steps |
| Live View only reflects up to ±3 EV steps |
| AE Lock |
Locks with a half-press of the shutter button (can be set to AEL/AFL button as well) |
| Anti-Flicker Shooting |
Available |
| Flash Intensity Control Mode |
TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL) |
| * Available with external flash |
| Flash Mode |
Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual（1/1（FULL）～1/64） |
| Synchronization Speed |
1/250 sec. |
| *When using Super FP: 1/125-1/8000 sec. |
| *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control |
Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable |
| Compatible External Flash |
FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method |
Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8, FL-700WR |
| External Flash Intensity Type |
TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL |
| Channel No. |
4 channels |
| Group No. |
4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control |
Available |
| Memory / Image Recording (File Format) |
| Compatible Memory |
SD, SDHC*1, SDXC*1 |
| *1 UHS-I, UHS-II compatible |
| Recording Format |
DCF2.0, Exif2.31 |
| File Format |
RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size |
[RAW] 5184 x 3888 pixels |
| [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
| White Balance / Color Mode |
| White Balance Mode |
Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis |
| Preset White Balance |
7 preset WBs (3000K - 7500K) |
| - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K) |
| CWB (Kelvin Setting) |
2000 - 14000K |
| Capture White Balance |
4 custom settings can be registered |
| Color Mode |
sRGB, Adobe RGB |
| Bracketing / HDR |
| Exposure Bracketing |
2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing |
3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing |
3 frames in 2, 4, 6 selectable steps for A-B/G-M axis. |
| Flash Bracketing |
3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing |
i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable |
| Focus Bracketing |
3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses) |
| Focus Stacking Mode |
8 shots are taken at different focus points and automatically composited together into a single image |
| Angle of view becomes slightly smaller |
| Compatible with: |
| M.ZUIKO Digital ED 60mm F2.8 Macro |
| M.ZUIKO Digital ED 12-40mm F2.8 PRO |
| M.ZUIKO Digital ED 40-150mm F2.8 PRO |
| M.ZUIKO Digital ED 30mm F3.5 Macro |
| M.ZUIKO Digital ED 7-14mm F2.8 PRO |
| M.ZUIKO Digital ED 8mm F1.8 Fisheye PRO |
| M.ZUIKO Digital ED 300mm F4.0 IS PRO |
| M.ZUIKO Digital ED 12-100mm F4.0 IS PRO |
| HDR (Auto Composite) |
HDR1, HDR2 (painting-like) |
| ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Exposure compensation can be performed. |
| Bracketing for HDR post-process |
HDR1, HDR2 (painting-like) |
| ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Exposure compensation can be performed. |
| Creative Features |
| Picture Mode |
i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation |
Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator] |
| Highlight and Shadow Control |
±7 steps each for highlight, shadow, midtone |
| Art Filter (Variation / Art Effect) |
Pop Art (I, II / a.b.c.d.e.f) |
| Soft Focus ( - / c.e) |
| Pale & Light Color (I, II / a.b.c.d.f) |
| Light Tone ( - / d.f) |
| Grainy Film (I, II / b.c.d.g.h) |
| Pin Hole (I, II, III / d) |
| Diorama (I,II / d) |
| Cross Process (I, II / b.c.d.f) |
| Gentle Sepia ( - / a.b.c.d.f.) |
| Dramatic Tone (I / b.c.d.e.f) (II / b.c.d.e.f.g.h) |
| Key Line (I, II / a.b.c.d.e.) |
| Watercolor (I, II / a.b.c.d.) |
| Vintage (I, II, III / a.b.c.d.e.f.i) |
| Partial Color (I, II, III / a.b.c.d.e.f) |
| Bleach Bypass (I, II / a.b.c.d.e.f.i) |
| Instant Film (- / a.b.c.d.e.f.i) |
| Art Effect |
a. Soft Focus Effect |
| b. Pin-Hole Effect |
| c. White Edge Effect |
| d. Frame Effect |
| e. Star Light Effect |
| f. Blur Effect (Top & bottom, Left & Right) |
| g. B&W Effect (None, Yellow, Orange, Red, Green) |
| h. Picture Tone (None, Sepia, Blue, Purple, Green) |
| i. Shade Effect (Top & bottom, Left & Right) |
| Color Ring (for partial color) |
18 color selectable |
| Color Creator |
Color pattern : 30 colors / Saturation setting -4 ~ +3 |
| Live Bulb / Live Time |
Update Interval Time - 0.5 sec – 60 sec |
| Live Composite |
Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization) |
| Interval Shooting |
Interval Time 1 sec. - 24 Hours, Max 999 frames. |
| Sutomatic creation of time-lapse movies possible |
| Multiple Exposure (number of pictures / function) |
2 frames / Auto gain, exposure on recorded picture (RAW) |
| Fisheye Compensation |
Available (angle : 1-3) |
| High Res Shot |
Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift) |
| Available in P/A/S/M mode, RAW+JPEG or JPEG. |
| JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776 |
| RAW data can be developed in-camera. Olympus Workspace required to develop on a PC. |
| Keystone Compensation |
Available (can be confirmed in Live View) |
| *Horizontal and vertical compensation can be performed simultaneously. |
| Video / Audio Recording |
| Video Recording Format |
MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method |
4096×2160(C4K) / 24p / IPB(approx.237Mbps) |
| 3840×2160(4K) / 30p, 25p, 24p / IPB(approx.102Mbps) |
| 1920x1080(FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB(SF, F, N) |
| 1920x1080(FHD) / 60p, 50p / IPB(SF, F, N) |
| 1280x720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I) , IPB(SF ,F ,N) |
| 60p： 59.94 fps |
| 50p： 50.00 fps |
| 30p： 29.97 fps |
| 25p： 25.00 fps |
| 24p： 23.98 fps |
| C4K 24.00 fps |
| FHD ALL-I(A-I : ALL-Intra/approx.202Mbps) FHD IPB(SF : SuperFine / approx.52Mbps, F : Fine / approx.30Mbps, N : Normal / approx.18Mbps) |
| HD ALL-I(A-I : ALL-Intra / approx.102Mbps) HD IPB(SF : SuperFine /approx.26Mbps, F : Fine / approx.14Mbps, N : Normal / approx.10Mbps) |
| *Frame rates may drop when particular Art Filters and Movie Effects are used. |
| *Class 10 or higher SD card is recommended for shooting movies. |
| *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting. |
| Maximum Video Recording Time |
Approx. 29min 59sec |
| Movie Tele-converter |
Approx. 3x (enlarges view of selected area) |
| Art Filter Movie |
Available |
| |
(Frame rates may drop when certain Art Filters are used) |
| Movie Effect |
One-shot Echo / Multi-echo / Art Fade / Old Film |
| Timelapse Movie |
[AVI ] |
| 3840×2160（4K）/ 5fps |
| 1920×1080（FHD)/ 5fps，10fps，15fps |
| 1280×720（HD)/ 5fps、10fps、15fps、30fps |
| Quick Movie / Slow Movie |
With (Both or either of the two may not be available depending on the frame rates. |
| High speed movie |
120fps (1920×1080/MOV） |
| Image Stabilization for Movie |
M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS), |
| M-IS2(Image sensor shift with multi motion IS), Off |
| *While using M-IS1, field of view may be affected. |
| AE Lock |
Available |
| Video Exposure Control |
Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking |
4 types of grid lines / 4 colors for focus peaking |
| Time Code |
Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI |
Monitor Mode (outputs video and info display to a connected monitor) *1 |
| Record Mode (outputs video only, with no info display) *2 |
| *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two. |
| While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). |
| However, the image can not be enlarged on the camera when a movie is being recorded. |
| *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded. |
| Movie Picture Mode |
Flat (LUT file available for download from website) |
| Audio Recording Format |
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
| High quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz) |
| Microphone / Speaker |
Built-in stereo microphone / built-in mono speaker |
| *External stereo microphone can be attached |
| Microphone Function |
Wind noise reduction, recording volume, microphone volume limiter |
| Audio dubbing possible for still pictures (up to 30 sec.) |
| *May affect audio quality. |
| IC Recorder Linkage |
Slate Tone / Synchronized Audio Rec-Movie Rec
*LS-100 compatible
Operability
Wireless Shooting Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off
*P / A / S / M / B and drive mode can be selected.
Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.
Image Share File Type: JPEG*, MOV
Marking function for image share.
Easy Connection Connect using a QR code
Connect using Bluetooth (View, Transfer only. Enabled from the second time)
Playback Mode Single-frame
Information display
Index display (4/9/25/100 frames),
Calendar
Enlargement (1:1, 2x - 14x)
Movie (with sound, FF/REW/Pause)
Picture rotation (auto)
Light box display
Information Display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
Custom
Mode dial my set 1 type (Modes C can be accessed by mode dial)
Menu custom set Modes C2, and C3 can be accessed via the menu
* Some items including shooting mode may not be called up
Dial customization Dial function and dial direction are customizable for both dials
Lever customization Select assignment from 3 different modes, power switch, or off (no function assignment)
Button Customization Buttons can be customized (select from 35 functions)
Buttons on lenses can also be customized from the camera
Some buttons may have restrictions to what functions can be assigned
Copyright Settings/Lens info Settings Available (save up to 10 lenses)
Menu Languages (34 selectable) English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Connectivity / Power Requirements
USB Connector USB Micro-B
Remote Connector φ2.5Pin Jack (when using separately available RM-CB2).
HDMI Connector Micro HDMI （type D)
Flash Attachment Hot shoe
Wireless LAN Built-in (IEEE 802.11a/b/g/n)
Bluetooth Built-in (Bluetooth® Ver.4.2 BLE)
MIC Input Jack φ3.5 stereo mini jack (plug-in power on/off)
PC Interface USB 2.0 Hi-Speed
Battery BLS-50 Li-ion battery (included)
Battery Status Display Remaining power (4 steps, %, or by-minute display), shot count, degradation
USB Charging Removable battery can be charged with USB when in camera
* When the camera power is off
* Performance varies depending on differnet USB devices
Sleep Mode Available (1/3/5 min. off)
Number of Recordable Pictures Approx. 310 shots (using Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards)
Battery Life for Movie Recording Approx. 60 minutes (under standard JEITA testing)
Approx. 110 minutes (when zoom and other operational functions are not used)
*When repeatedly recording at the maximum time of 29 minutes
Weights & Dimensions / Operating Environment / Box Contents
Weight Approx. 414g (with battery and memory card, based on CIPA standards)
Approx. 366g (body only)
Dimensions W:125.3mm H:85.2mm D:49.7mm
(based on CIPA standards: excludes protrusions)
Environmentally Sealed Dust, Splash, Freezeproof
Operating Temperature Range -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)
Operating Humidity Range 30 - 90% (when in operation) / 10 - 90% (when stored)
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