Olympus OM-D E-M5 Mark III w/ 12-100mm Lens Silver

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  • Comes with the Olympus M. Zuiko Digital ED 12-100mm F4.0 IS PRO Zoom Lens
  • Highly Compact and Lightweight
  • AF Performance that can Compete with High-End Models
  • Compact Image Stabilization
  • Outstanding OLED Viewfinder
  • Versatile Shooting Features
  • OM-D Movie
  • Excellent Basic Features
  • Perfect for everyday photographers who want high-image-quality shots
BONUS LENS! Olympus 40-150mm F4.0-5.6 or Olympus 25mm f/1.8. Via redemption - Ends 30/11/2021
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Everyday photography has never been this exciting with the all-new Olympus OM-D E-M5 Mark III interchangeable lens camera. It is a combination of a lightweight, compact, and high-performance design equipped with the Micro Four Thirds System. Both AF performance and image quality can easily compete with its high-end rivals. Its new powerful in-body 5-axis image stabilization, as well as versatile shooting features,  will give users the ability to record 4K video of the highest quality. Now, shooting authentic footage of various subjects and scenes has never been this easy. Read on for more detailed information. This kit comes with the Olympus M. Zuiko Digital ED 12-100mm F4.0 IS PRO Zoom Lens.


Product Features in Detail

 

Highly Compact and Lightweight
This new model has an incredibly compact system that is one full size smaller compared to full-frame interchangeable lens cameras. All the while offering high resolution, rich tonal expressions, and superb image quality. It is splashproof, dustproof, and freezeproof up to -10°C. This means users can still shoot even in the most challenging environments. 

 

AF Performance that can Compete with High-End Models
The new E-M5 Mark III boasts of a high-performance On-chip Phase Detection AF. This means its AF performance can easily compete with other high-end models. It has an improved tracking performance and AF precision for shooting moving subjects with ease. It also has other convenient functions like the C-AF Centre Priority and Centre Start. 

 

Compact Image Stabilization
The camera's new 5-axis IS unit has been optimised for a more lightweight and compact body that can deliver compensation effects greater than the E-M5 Mark II. The 5-axis sync IS feature combined with the in-lens IS guarantees the most powerful image stabilisation. 

 

Outstanding OLED Viewfinder
This high-performance Viewfinder lets users concentrate on shooting by minimising distortion to the edges of the image. Its long eyepoint gives excellent visibility even when users are wearing glasses. 

 

Versatile Shooting Features
Loads of Olympus shooting features are packed into this interchangeable lens camera. There's the Live Composite, Live Bulb as well as Live Time for easy, long exposures. Pro Capture will also come in handy when recording decisive moments. 

 

OM-D Movie
The Olympus OM-D E-M5 Mark III has a powerful image stabilisation capable of shooting both stills and videos. Its stable 4K video that puts shaking to a minimum allows ease during handheld shooting. 

 

Excellent Basic Features
The E-M5 Mark III's high-speed mechanical shutter is capable of up to 1/8000 second, paired with its traditional Olympus high-performance dust reduction system, are just some of the basic features that make this camera superior. There are also plenty of accessories to choose from to expand your shooting possibilities.  

Sensor / Dust Reduction
Sensor Type 4/3" Live MOS Sensor
Effective Pixels 20.4 million
Total Pixels 21.8 million
Aspect Ratio & Area 4:3 / 17.4 x 13.0mm
Dust Reduction Super Sonic Wave Filter
Processor
Processor Type TruePic™ VIII
Focusing System
AF System Type High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination. When a Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled.
Focusing Points / Focusing Points Selection Mode 121-point cross-type phase detection AF and 121-point contrast AF All target, single target (normal / small), group target (5-area / 9-area / 25-area)
Focus Modes Single AF (S-AF)
Continuous AF (C-AF)
Manual Focus (MF)
S-AF + MF
AF tracking (C-AF + TR)
Preset MF *
* Distance setting values are rough estimates and not compatible lens except the AF lens.
AF Limiter Available (Fn button can be assigned to On/Off; can save 3 distance settings)
*Distance setting values are rough estimates.
AF Performance C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start
Magnified Frame 3x , 5x , 7x , 10x , 14x
* Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
Super spot AF Available*(Contrast AF in center of the monitor when magnified)
*Available only when a Micro Four Thirds lens is attached.
Face Detection AF / Eye Detection Available
Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
AF Targeting Pad Available (activate / deactivate with double tap on rear monitor)
Manual Focus Assist Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
Peaking Function Activation can be assigned to a custom button or the focus ring
Change peaking settings using the "Info" button
Colour selection: white, black, red, yellow
Intensity selection: high, normal, low
Back light effect: on, off
AF Focus Adj. Adjust all, adjust by lens
(for Phase detection AF only)
AF Illuminator Available
Image Stabilization
System Type Built-in 5-axis* sensor-shift image stabilization for movie and still photos
*yaw/pitch/roll/vertical shift/horizontal shift
Modes 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF)
Focal Length Setting 11 settings: 10 programmable settings (10 lenses), 1 open setting
5-Axis Sync IS Available*
*When using M.Zuiko Digital lenses equipped with image stabilization
Stabilization Performance 5.5 EV[*]
* Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-40mm F2.8 PRO (focal length =40mm (35mm equivalent: 80mm))
6.5 EV[*]
* Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-100mm F4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), halfway release image stabilization Off
Lens IS Priority Available
Shutter / Sequential Shooting
Shutter Type Focal-plane shutter : 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
Live Bulb / Live Time: selectable exposure time (1 / 2 / 4 / 8 / 15 / 20 / 25 / 30 min.), with 8-min. default setting. Live Composite: maximum shooting time 3 hours
Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec.
Electronic shutter (Silent mode) : 1/32000 - 60 sec.
(still) Flicker scan: 1/7634 - 1/50.0 sec.
(movie) Flicker scan: 1/250 - 1/30.0[*] sec.
*50fps movie: 1/50.0 sec., 60fps movie: 1/60.0sec., High speed video: 1/120.0sec.
Sequential Shooting Maximum Speed [Sequential shooting H] approx. 10 fps with selectable 5 -10 fps
[Sequential shooting L] approx. 6fps with selectable 1-6 fps
[Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps
[Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps
[Silent sequential shooting L] approx. 10 fps with selectable 1-10fps
[Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps
[Pro Capture L] approx. 10 fps
*When using the M.ZUIKO Digital ED 12-40mm F2.8 PRO
*Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
*When in Pro Capture mode, slower shutter speeds and flash cannot be used.
*Pro Capture L is available when an M.ZUIKO lens or lens without communication capability is attached. (Auto-focus is not available for lenses without communication capability).
*In Pro Capture Sequential L, the minimum aperture is F8.
*When ISO is 8000 or above, the maximum sequential shooting speed is 30 fps, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
*Focus and exposure are fixed at the values of the first shot when using sequential shooting
Max Recordable Pictures in Sequential Shooting [Sequential shooting H 10fps] RAW: Max. 150 frames, JPEG (LF): Until card is full
[Sequential shooting L 6fps] RAW, JPEG (LF): Until card is full
[Silent sequential shooting H 30fps] RAW: Max. 23 frames, JPEG (LF): Max. 26 frames
[Silent sequential shooting L 10fps] RAW: Max. 152 frames, JPEG (LF): Until card is full
*When using the M.ZUIKO Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card
Sequential Shooting Frame Count 1 - 99 frames
Pre-shutter Frames *For Pro Capture mode only Number of frames recorded prior to full-press of the shutter button can be set from 0 to 14 frames
Self Timer Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)
Viewfinder/Monitor
Finder Type Eye-level electronic viewfinder (OLED), approx. 2.36M dots
Field of View / Viewfinder Magnification Approx. 100% / Approx. 1.20x[*1] - 1.37x[*2] (-1m-1, 50mm lens, Infinity)
* 1: Finder Style 1, 2 (aspect ratio 4:3)
* 2: Finder Style 3 (aspect ratio 4:3)
Eye Point / Diopter Adjustment Range Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
Preview Live View preview with depth of field preview lock
Display Grid Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid
* grid color is selectable
Level Gauge 2-axis (horizontal / vertical) level gauge
One Touch Tele-Converter Available (2x)
Finder Style 3 styles
Brightness / Color Temp Control Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
Rear Monitor Size 3.0-inch vari-angle monitor[*]
* Approx. 1.04M dots (3:2), electrostatic capacitance touch panel
Touch Control Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls
Tilting Capability Available (mirror display when monitor is in self portrait position)
Brightness / Color Temp Control (Rear Monitor) ±7 levels / ±7 levels
Color Tone Select Vivid / Natural
Live View Approx. 100% field of view,
exposure compensation preview, WB adjustment preview,
gradation preview, face detection preview (up to 8 faces),
grid line, magnification display (x3/x5/x7/x10/x14),
Live View Boost Live View Boost 1 , Live View Boost 2* (For dark situations)
*Settings can be specified for each shooting mode
*Live View Boost 2: Frame Rate Priority or Quality Priority selectable
*Off: Brightness in Live View shows specified exposure settings.
Exposure Control / Flash
Metering System Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control
*Also available AF target spot metering
Metering Range EV -2 - 20 (ISO approx.100, with a F2.8 lens)
Exposure Mode / Shooting Mode AUTO
Program AE (Program shift can be performed)
Aperture priority AE
Shutter priority AE
Manual
Bulb (Live Bulb, Live Time and Live Composite are available)
Custom *
Scene select  AE
Art Filter
Underwater wide / macro**
**to be assigned to custom button
*Custom settings from menu
Scene Select AE [Scene]
Portrait, e-Portrait, Landscape + Portrait, Night + Portrait, Children, Night scape, Sport, Hand-held Starlight[2], Fireworks, Light trails, Sports, Panning, Landscape, Sunset, Beach & Snow, Backlight HDR[1], Candlelight, Silent, Macro, Nature Macro, Documents, Multi Focus Shot
*1 4 images automatically shot and combined into a single image composite
*2 8 images automatically shot and combined into a single image composite
ISO Sensitivity AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400)
Manual ISO: LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
Exposure Compensation ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps
When shooting in HDR or in video, only adjustable up to ±3 EV steps
Live View only reflects up to ±3 EV steps
AE Lock Locks with a half-press of the shutter button (can be set to AEL/AFL button as well)
Anti-Flicker Shooting Available
Flash Intensity Control Mode TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
* Available with external flash
Flash Mode Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
Synchronization Speed 1/250 sec.
*When using Super FP: 1/125-1/8000 sec.
*When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
Flash Intensity Control Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
Compatible External Flash FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
Wireless Flash Control Method Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8, FL-700WR
External Flash Intensity Type TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Channel No. 4 channels
Group No. 4 groups (External flash 3 groups + commander flash)
Radio Wireless Control Available
Memory / Image Recording (File Format)
Compatible Memory SD, SDHC*1, SDXC*1
*1 UHS-I, UHS-II compatible
Recording Format DCF2.0, Exif2.31
File Format RAW (12-bit lossless compression), JPEG, RAW+JPEG
Recording Image Size [RAW] 5184 x 3888 pixels
[JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
White Balance / Color Mode
White Balance Mode Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
White Balance Compensation* ±7 steps along A-B / G-M axis
Preset White Balance 7 preset WBs (3000K - 7500K)
- Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
CWB (Kelvin Setting) 2000 - 14000K
Capture White Balance 4 custom settings can be registered
Color Mode sRGB, Adobe RGB
Bracketing / HDR
Exposure Bracketing 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
ISO Bracketing 3 frames in 0.3/0.7/1.0EV steps selectable
White Balance Bracketing 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
Flash Bracketing 3 frames in 0.3/0.7/1.0EV step selectable
Art Filter Bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
Focus Bracketing 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
Focus Stacking Mode 8 shots are taken at different focus points and automatically composited together into a single image
Angle of view becomes slightly smaller
Compatible with:
M.ZUIKO Digital ED 60mm F2.8 Macro
M.ZUIKO Digital ED 12-40mm F2.8 PRO
M.ZUIKO Digital ED 40-150mm F2.8 PRO
M.ZUIKO Digital ED 30mm F3.5 Macro
M.ZUIKO Digital ED 7-14mm F2.8 PRO
M.ZUIKO Digital ED 8mm F1.8 Fisheye PRO
M.ZUIKO Digital ED 300mm F4.0 IS PRO
M.ZUIKO Digital ED 12-100mm F4.0 IS PRO
HDR (Auto Composite) HDR1, HDR2 (painting-like)
ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
Exposure compensation can be performed.
Bracketing for HDR post-process HDR1, HDR2 (painting-like)
ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
Exposure compensation can be performed.
Creative Features
Picture Mode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters
Gradation Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
Highlight and Shadow Control ±7 steps each for highlight, shadow, midtone
Art Filter (Variation / Art Effect) Pop Art (I, II / a.b.c.d.e.f)
Soft Focus ( - / c.e)
Pale & Light Color (I, II / a.b.c.d.f)
Light Tone ( - / d.f)
Grainy Film (I, II / b.c.d.g.h)
Pin Hole (I, II, III / d)
Diorama (I,II / d)
Cross Process (I, II / b.c.d.f)
Gentle Sepia ( - / a.b.c.d.f.)
Dramatic Tone (I / b.c.d.e.f) (II / b.c.d.e.f.g.h)
Key Line (I, II / a.b.c.d.e.)
Watercolor (I, II / a.b.c.d.)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Color (I, II, III / a.b.c.d.e.f)
Bleach Bypass (I, II / a.b.c.d.e.f.i)
Instant Film (- / a.b.c.d.e.f.i)
Art Effect a. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Picture Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right)
Color Ring (for partial color) 18 color selectable
Color Creator Color pattern : 30 colors / Saturation setting -4 ~ +3
Live Bulb / Live Time Update Interval Time - 0.5 sec – 60 sec
Live Composite Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
Interval Shooting Interval Time 1 sec. - 24 Hours, Max 999 frames.
Sutomatic creation of time-lapse movies possible
Multiple Exposure (number of pictures / function) 2 frames / Auto gain, exposure on recorded picture (RAW)
Fisheye Compensation Available (angle : 1-3)
High Res Shot Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift)
Available in P/A/S/M mode, RAW+JPEG or JPEG.
JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776
RAW data can be developed in-camera. Olympus Workspace required to develop on a PC.
Keystone Compensation Available (can be confirmed in Live View)
*Horizontal and vertical compensation can be performed simultaneously.
Video / Audio Recording
Video Recording Format MOV(MPEG-4AVC/H.264)
Movie Mode / Frame Rate / Compression Method 4096×2160(C4K) / 24p / IPB(approx.237Mbps)
3840×2160(4K) / 30p, 25p, 24p / IPB(approx.102Mbps)
1920x1080(FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB(SF, F, N)
1920x1080(FHD) / 60p, 50p / IPB(SF, F, N)
1280x720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I) , IPB(SF ,F ,N)
60p: 59.94 fps
50p: 50.00 fps
30p: 29.97 fps
25p: 25.00 fps
24p: 23.98 fps
C4K 24.00 fps
FHD ALL-I(A-I : ALL-Intra/approx.202Mbps) FHD IPB(SF : SuperFine / approx.52Mbps, F : Fine / approx.30Mbps, N : Normal / approx.18Mbps)
HD ALL-I(A-I : ALL-Intra / approx.102Mbps) HD IPB(SF : SuperFine /approx.26Mbps, F : Fine / approx.14Mbps, N : Normal / approx.10Mbps)
*Frame rates may drop when particular Art Filters and Movie Effects are used.
*Class 10 or higher SD card is recommended for shooting movies.
*UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
Maximum Video Recording Time Approx. 29min 59sec
Movie Tele-converter Approx. 3x (enlarges view of selected area)
Art Filter Movie Available
  (Frame rates may drop when certain Art Filters are used)
Movie Effect One-shot Echo / Multi-echo / Art Fade / Old Film
Timelapse Movie [AVI ]
3840×2160(4K)/ 5fps
1920×1080(FHD)/ 5fps,10fps,15fps
1280×720(HD)/ 5fps、10fps、15fps、30fps
Quick Movie / Slow Movie With (Both or either of the two may not be available depending on the frame rates.
High speed movie 120fps (1920×1080/MOV)
Image Stabilization for Movie M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
M-IS2(Image sensor shift with multi motion IS), Off
*While using M-IS1, field of view may be affected.
AE Lock Available
Video Exposure Control Program AE, aperture priority AE, shutter priority AE, manual
Grid Lines / Focus Peaking 4 types of grid lines / 4 colors for focus peaking
Time Code Rec run/free run, drop frame/non-drop frame
Live View Output via HDMI Monitor Mode (outputs video and info display to a connected monitor) *1
Record Mode (outputs video only, with no info display) *2
*1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two.
While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
However, the image can not be enlarged on the camera when a movie is being recorded.
*2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
Movie Picture Mode Flat (LUT file available for download from website)
Audio Recording Format Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
High quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz)
Microphone / Speaker Built-in stereo microphone / built-in mono speaker
*External stereo microphone can be attached
Microphone Function Wind noise reduction, recording volume, microphone volume limiter
Audio dubbing possible for still pictures (up to 30 sec.)
*May affect audio quality.
IC Recorder Linkage

Slate Tone / Synchronized Audio Rec-Movie Rec

*LS-100 compatible

Operability

Wireless Shooting Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off

*P / A / S / M / B and drive mode can be selected.

Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.

Image Share File Type: JPEG*, MOV

Marking function for image share.

Easy Connection Connect using a QR code

Connect using Bluetooth (View, Transfer only. Enabled from the second time)

Playback Mode Single-frame

Information display

Index display (4/9/25/100 frames),

Calendar

Enlargement (1:1, 2x - 14x)

Movie (with sound, FF/REW/Pause)

Picture rotation (auto)

Light box display

Information Display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF

Custom

Mode dial my set 1 type (Modes C can be accessed by mode dial)

Menu custom set Modes C2, and C3 can be accessed via the menu

* Some items including shooting mode may not be called up

Dial customization Dial function and dial direction are customizable for both dials

Lever customization Select assignment from 3 different modes, power switch, or off (no function assignment)

Button Customization Buttons can be customized (select from 35 functions)

Buttons on lenses can also be customized from the camera

Some buttons may have restrictions to what functions can be assigned

Copyright Settings/Lens info Settings Available (save up to 10 lenses)

Menu Languages (34 selectable) English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power Requirements

USB Connector USB Micro-B

Remote Connector φ2.5Pin Jack (when using separately available RM-CB2).

HDMI Connector Micro HDMI (type D)

Flash Attachment Hot shoe

Wireless LAN Built-in (IEEE 802.11a/b/g/n)

Bluetooth Built-in (Bluetooth® Ver.4.2 BLE)

MIC Input Jack φ3.5 stereo mini jack (plug-in power on/off)

PC Interface USB 2.0 Hi-Speed

Battery BLS-50 Li-ion battery (included)

Battery Status Display Remaining power (4 steps, %, or by-minute display), shot count, degradation

USB Charging Removable battery can be charged with USB when in camera

* When the camera power is off

* Performance varies depending on differnet USB devices

Sleep Mode Available (1/3/5 min. off)

Number of Recordable Pictures Approx. 310 shots (using Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards)

Battery Life for Movie Recording Approx. 60 minutes (under standard JEITA testing)

Approx. 110 minutes (when zoom and other operational functions are not used)

*When repeatedly recording at the maximum time of 29 minutes

Weights & Dimensions / Operating Environment / Box Contents

Weight Approx. 414g (with battery and memory card, based on CIPA standards)

Approx. 366g (body only)

Dimensions W:125.3mm H:85.2mm D:49.7mm

(based on CIPA standards: excludes protrusions)

Environmentally Sealed Dust, Splash, Freezeproof

Operating Temperature Range -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)

Operating Humidity Range 30 - 90% (when in operation) / 10 - 90% (when stored)

 

For Olympus M. Zuiko Digital ED 12-100mm F4.0 IS PRO Zoom Lens:

Focal Length 12-100mm (35mm equivalent focal length: 24-200mm)
Lens Construction 17 Elements in 11 Groups (1 DSA lens, 3 Aspherical lenses, 5 ED lenses, 2 Super HR lenses, 1 HR lens)
Lens construction diagram
MTF chart
Splashproofing Dustproof and splashproof construction
Focusing System High-speed imager AF (MSC)
Angle of View 84 degrees (wide) - 12 degrees (tele)
Closest Focusing Distance 0.15m (wide) / 0.45m (tele)
Maximum Image Magnification 0.15m (wide) / 0.45m (tele)
35mm Equivalent Maximum Image Magnification 0.6x (wide) / 0.42x (tele)
Minimum Field Size 57.7 x 43.3 mm (wide) / 82.4 x 61.9 mm (tele)
Number of Blades 7 (circular aperture diaphragm)
Maximum Aperture f/4
Minimum Aperture f/22
Lens IS Mechanism VCM
IS Performance 5-axis Sync IS: 6.5 stops
(As of September 2016. According to CIPA standards. When attached to the OM-D E-M1 Mark II, with yaw and pitch applied to the camera, half-press IS set to Off, and focal length set to 100mm)
Lens IS: 5 stops
(When focal length is set to 100mm)
Filter size Diameter: 72 mm
Lens hood Screw-on type
Dimensions Ø77.5 x 116.5 mm
Weight 561 g
Box Contents LH-76B Lens Hood, LC-72C Lens Cap, LR-2 Lens Rear Cap, LSC-0914 Lens Case, instruction manual, warranty card

 

This product comes with Limited 1 Year Warranty with Olympus Australia. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'PAarallel Import' activities.

Olympus OM-D E-M5 Mark III w/ 12-100mm Lens Silver
Olympus FL-LM3 Flash
Olympus BLS-50 Lithium-Ion Battery (7.2V, 1175mAh)
Olympus BCS-5 Lithium-Ion Battery Charger
Micro-USB Cable
Shoulder Strap

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Olympus OM-D E-M5 Mark III w/ 12-100mm Lens Silver
Olympus OM-D E-M5 Mark III w/ 12-100mm Lens Silver

SKU: Olympus KIT-OEM5IIIS12100

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