Olympus OM-D E-M1 Mark II Body w/ 12-40mm f/2.8 PRO Lens & 32GB Extreme Pro UHS II Card
- Bonus: SanDisk Extreme Pro 32GB UHS-II 300mb/s SD Card
- Olympus M.Zuiko ED 12-40mm f/2.8 PRO Lens
- 20.4 Megapixel Live MOS Sensor
- TruePic VIII Image Processor
- Advanced 5-Axis Image Stabilization
- Lightweight, Weatherproof Body
- 15fps Seq. Shooting (Mechanical)
- 60fps Seq. Shooting (Electronic)
- 1/8000s High-Speed Mechanical Shutter
- Cinema 4K Video
- 121-Point Dual FAST AF
- Fully-Articulating 3.0” Touch Monitor
- 50 Megapixel High-Res Shot Mode
- Focus Bracketing and Stacking
- Built-In Wi-Fi
- 2 Years Genuine Warranty with Olympus Australia
Olympus brings you the world’s fastest sequential shooting that has ever been made to a mirrorless camera history. Unlike its former kin, the OM-D E-M1 Mark II boasts an image processor that is 3.5 times faster with 3 time faster transfer speed and a larger buffer memory capacity which is twice as big as its predecessor. The high image quality is well preserved by its 20.4 Megapixel Live MOS Sensor and TruePic VIII Image Processor. While in focus, the camera renders an advanced 5-Axis Image Stabilization for a better image on 15fps Seq. Shooting (Mechanical), 60fps Seq. Shooting (Electronic), or even shooting Cinema 4K Video. This lightweight and weatherproof camera includes fully-articulating 3.0” touch monitor and features 1/8000s High-Speed Mechanical Shutter, 121-Point Dual FAST AF, plus focus bracketing and stacking modes that is perfect for macro photography. The OM-D E-M1 Mark II also comes equpped with a built-in Wi-Fi to easily share your recorded images and videos to a smartphone.
Product Features in Detail
High-speed sequential shooting and high-speed AF that can capture split-second moments
Unparalleled sequential shooting performance, an incredibly advanced fast new AF system, and a 120-fps high-speed viewfinder help you capture once-elusive split-second moments in high resolution.
Maximum 18 fps AF/AE tracking sequential shooting
By developing the 20M Live MOS sensor together with the TruePic VIII image processor, framing and sequential shooting of moving subjects using 18-fps AF/AE tracking is made possible while maintaining the high 20M pixel count. With AF/AE tracking high-speed sequential shooting that beats that of DSLRs, it easy to frame fast-moving subjects and capture the precise moment in the finest detail.
Maximum 60 fps AF/AE lock sequential shooting
Development the new 20M Live MOS sensor together with the TruePic VIII image processor made maximum 60-fps AF/AE lock high-speed sequential shooting possible at a 20M pixel count. Amazing sequential shooting speed beyond that of DSLR cameras lets you capture split-second moments that cannot be seen with the naked eye, in incredible detail.
Pro Capture
Pro Capture is a new feature that provides time-lag-free shooting so you can capture the precise, desired moment. The camera begins recording 20M images once the shutter button is half-pressed, and retains up to 14 of the most recent images when the shutter button is full-pressed. By capturing moments just prior to when the shutter is released, Pro Capture makes up for time lag caused by human reflexes and camera processing.
High-speed AF system
The E-M1 Mark II’s AF system has received dramatic improvements over that of its predecessor in precision, tracking, and operability.
High-speed viewfinder
This model is equipped with a high-speed viewfinder with a maximum frame rate of 120 fps, and a minimum display time lag of 0.006 sec. for optimal image display. With this display you won't miss capturing the precise moment when shooting fast-moving subjects.
High-speed response
Camera operation speed has been significantly accelerated with release time lag shortened by approximately 70%, and playback frame advance made 3 times faster.
Unrivaled mobility and ultimate reliability
A compact, lightweight body that is splashproof, dustproof, and freezeproof provides unrivaled mobility and ultimate reliability, allowing you to shoot in the most severe environments.
Amazingly compact, lightweight body and system
An amazingly compact, lightweight body and system provide a different dimension in mobility. Even when a 600mm f/4 (35mm equivalent) super-telephoto lens is attached, the camera is portable and handheld shooting is comfortable.
Top-class image quality
The Zuiko Lens Systems is known for its excellent optical performance. Maximising that performance are the 20M Live MOS sensor and TruePic VIII image processor. These combined with further improved image stabilisation technology, provides top-class image quality among interchangeable lens cameras.
50M High Res Shot
This function is perfect for scenes where you need a higher resolution in photos, such as shooting artwork and landscapes. The camera moves the sensor in half-pixel increments while capturing eight shots, which are then used to generate a single high-resolution shot equal to that captured with a 50M sensor. Using the high resolving power of M.Zuiko PRO or M.Zuiko Premium lenses yields the best results. The new TruePic VIII image processor effectively suppresses blur caused by moving subjects. It is also possible to capture 25M-equivalent images if you want to keep the file size smaller.
The world's most powerful stabilisation performance: 6.5 shutter speed stops
This model is equipped with a new type of in-body 5-axis image stabilisation that compensates for all types of camera shake. When combined with in-lens image stabilisation, 5-axis sync IS provides the world's most powerful stabilisation performance equivalent to 6.5 shutter speed stops. Even the in-body 5-axis image stabilisation on its own boasts outstanding stabilisation performance equivalent to 5.5 shutter speed stops.
OM-D Movie
With powerful image stabilisation and 4K image quality, cinema-like video can be shot handheld.
Other new functions
Many new functions and user interface displays are included on the E-M1 Mark II.
C-AF tracking sensitivity: You can select from five tracking sensitivity levels to match the subject or shooting environment
Preset MF: This function lets you instantly set the focus to your preferred position. (Distance setting values are rough estimates.)
AF Home settings: Assign AF home settings to one of the buttons, program your most frequently used AF target position, AF Target mode, and AF mode as your AF Home settings, and pull them up simply by pressing the assigned button.
Low shutter speed limit: This function lets you set the shutter speed at which the ISO setting begins to automatically rise when in ISO Auto. This is convenient for when you want to shoot at low ISO settings or high shutter speeds.
Save settings/Mysets: Backing up camera settings on a computer lets you avoid having to reset them after a firmware upgrade.
Assign save folder/new folder: This function lets you assign a folder on the memory card for saving recorded images. You can also create new folders. Doing so helps make image editing and management easier.
Grid settings: You can change the colour of the grid to make shooting easier in dark locations such as stage performances.
Date/time/second display: You can organise images up to second increments.
Tab scroll menu: Scrolling a tab screen that collects separate genres makes it much easier to access the menu.
Both high-resolution/high-performance and compact size
This accessory possesses optical performance that rivals the popular Four Thirds High Grade (HG) series excellent depictive power and mobility. A logical lens design of 14 elements in 9 groups (2 ED lenses, 1 EDA lens, 2 HR lenses) enables a compact form and excellent depictive power.
Constant aperture fixed to f2.8, compact, lightweight form and superior depictive performance
This lens makes use of the Micro Four Thirds System standard, and while maintaining a compact and lightweight form, achieves a constant aperture value of f2.8 at all focal lengths, and also covers a standard zoom range of 24-80mm (35mm equivalent). In order to make a lens that exceeds the popular Four Thirds standard HIGH GRADE lens in image quality, high-performance, and compact lightweight form, the various types of lenses and the latest fabrication technologies were used. Thin, large-aperture cemented lenses that use HD lenses, aspherical lenses such as DSA (Dual Super Aspherical) lenses and EDA lenses, and lenses with ED/HR materials were used along with ZERO (Zuiko Extra-low Reflection Optical) lens coating for thoroughly removing ghosts and flaring. To produce natural defocused effects, 7 blades are used for the circular-shaped aperture.
ZERO coating thoroughly removes ghosts and flaring
Ghosts and flaring are highly transparent that they are difficult to prevent, however, .ZERO (Zuiko Extra-low Reflection Optical) coating was applied to the surface of the lens making it possible to throughly remove these phenomena. ZERO coating enables clear depictive performance even in backlit or other unfavorable conditions.
Dustproof and splashproof construction that expands shooting possibilities
Equipped with dustproof and splashproof construction for greater shooting enjoyment when combined with a dustproof and splashproof camera body. Not only the end of the lens and mount that are protected, but sealing has been placed in 6 locations for improved dustproof and splashproof performance. Additionally, materials with waterproof and ventilation quality are used to maintain the air vents within the lens (which is cultivated on the Four Thirds standard HIGH-GRADE lens), and smooth zooming operation is maintained without compromising dustproof and splashproof performance.
Equipped with the MSC mechanism by use of a linear motor, for quick and silent auto focusing
The MSC (Movie and Still Compatible) mechanism equipped on this lens is the latest in optical design technology for achieving quick and silent focusing with a lightweight form and minimum number of lenses. The gears, which are the cause of operational noises, have been removed and a sub-micron precision metal axis (shaft) and fast-moving linear motor drive system is used for direct driving of the focusing lens. This lens employs an inner focusing system that uses the MSC mechanism, and focuses using a compact and lightweight focusing unit consisting of two cemented lenses. This results in an agile, silent focus drive for the world's fastest AF when combined with the OLYMPUS OM-D E-M1. Smooth autofocus operation makes for comfortable and enjoyable, stress-free still image and movie shooting.
The Manual Focus Clutch mechanism, an evolved version of the Snapshot Focus mechanism
This lens is equipped with the Manual Focus Clutch mechanism which makes manual focusing smoother, and which is evolved from the Snapshot Focus mechanism used on wide-angle lenses. When the focus ring is pulled toward the user, distance markers appear, making this feature useful not only for manual focusing, but also for instantly moving to a specific focal distance just as with Snapshot Focus. Additionally, because with the Manual Focus Clutch mechanism the focus ring is rotated within the distance markers rather than being endlessly rotated, it can be used in the same way as traditional manual focus lenses.
Macro shooting performance of a minimum focusing distance of 20cm at all focal lengths, with a maximum magnification of 0.6x (35mm equivalent)
A minimum focusing distance of 20cm at all focal lengths, without switching to macro mode is available, At the telephoto end, close-up shooting is available at 7cm from the front end of the lens, with a maximum magnification of 0.3x (0.6x, 35mm equivalent:). Because users can approach main subjects down to 9cm from the front of the lens at the wide-angle setting, wide-angle macro shooting with an exaggerated sense of perspective is possible, for a truly versatile lens.
Conforms to the Micro Four Thirds System standard designed for the professionals
This large-aperture standard zoom is of both high-performance, compactness and lightweight form at a constant aperture f2.8. This lens maintains the brightness of a constant aperture f2.8 for the perfect response to high-grade image creation.
The World's Fastest SDHC/SDXC Memory Card
Designed to meet the demands of professional photographers and videographers, the SanDisk Extreme PRO SDHC/SDXC UHS-II Memory Card is the world's fastest SDHC/SDXC memory card. Read speeds of up to 280MB/s help you maximize post-production workflow efficiency so you stay competitive, while write speeds of up to 250MB/s support advanced camera functions such as continuous burst, rapid shooting, and RAW plus JPEG capture. This memory card is an ideal accessory for the new generation of UHS-II-enabled DLSRs and video cameras.
Speed Class 3 Rated for Flawless 4K and Full HD Video Capture
With a UHS Speed Class 3 rating--faster than UHS Speed Class 1 and Class 10--the SanDisk Extreme PRO SDHC/SDXC UHS-II Memory Card gives you the power to capture uninterrupted, cinema-quality 4K, 3D, and Full HD video at a minimum sustained write speed of 30MB/s.
Storage Capacities up to 64GB
Available in capacities of up to 64GB, the card gives you more room for capturing RAW plus JPEG, sequential burst shots, and high-definition video. You'll be able to capture a whole shoot without interrupting the session to upload your photos or video.
Recover Deleted Photos and Videos with RescuePRO Deluxe Software
The card comes with an offer for a one-year subscription to RescuePRO® Deluxe data recovery software. With RescuePRO Deluxe, it's easy to recover lost photos or videos and save them to your computer's hard drive--even if the files were deleted months ago.
Durable Design
SanDisk Extreme PRO SDHC/SDXC UHS-II Memory Cards are designed to handle whatever life throws at them. This card is shockproof, X-ray proof, and waterproof and can operate in temperatures ranging from -13 to 185 degrees Fahrenheit. Take your digital camera or camcorder to the snow, the pool, or the desert. Your card will survive, even if your device doesn't.
Product Type
|
Product type
|
Micro Four Thirds interchangeable lens system camera |
Memory | SD, SDHC[1], SDXC[1], Eye-Fi Card compatible[2] | |
1 Slot1: UHS-I, II compatible, Slot2: UHS-I compatible. | ||
2 Not compatible with Endless Memory. | ||
Sensor size | 17.4 mm (H) x 13.0 mm (V) | |
Lens mount | Micro Four Thirds Mount | |
Image Sensor
|
Product type
|
4/3 Live MOS Sensor |
Number of pixels / aspect ratio | Number of effective pixels: Approx. 20.4 million pixels | |
Total number of pixels: Approx. 21.8 million pixels | ||
Aspect ratio: 1.33 (4:3) | ||
Dust reduction | Supersonic Wave Filter (image sensor dust reduction system) | |
Recording (Still)
|
Recording format
|
DCF2.0, Exif2.3 |
File format | RAW (12-bit lossless compression), JPEG, RAW+JPEG | |
Recording image size | [RAW] 5184 x 3888 pixels | |
[JPEG] 5184 x 3888 pixels - 1024 x 768 pixels | ||
Dual Slot Settings | Standard, Auto Switch, Dual Independent, Dual Same | |
When two cards are inserted, the card to be saved on to or to be viewed can be designated. | ||
Folder creation and selection | With | |
Copy | Copy single file, copy multiple files, copy all | |
When copied, the new file will be given a different name from that of the original file. | ||
Image Stabilisation System
|
Type
|
Built-in 5-axis sensor-shift image stabilisation for movie and still photos |
yaw / pitch / roll / vertical shift / horizontal shift | ||
Mode | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF | |
Live View image stabilisation | Activation by half-pressing shutter button or enlarging the view | |
Focal length setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting | |
Lens IS priority | With | |
5 axis Sync IS | With | |
When using M.Zuiko Digital lenses equipped with image stabilisation | ||
Stabilisation performance | 5.5 EV | |
Based on CIPA measurement conditions. When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm)) | ||
Finder
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Finder type
|
Eye-level electronic viewfinder, approx. 2.36M dots |
Field of view / Viewfinder magnification | Approx. 100% / Approx. 1.30x[1] - 1.48x[2] (-1m-1, 50mm lens, Infinity) | |
1: Finder Style 1, 2 (aspect ratio 4:3) | ||
2: Finder Style 3 (aspect ratio 4:3) | ||
Eye point / Dioptre adjustment range | Approx. 21 mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 | |
Preview | Live View preview with depth of field preview lock | |
Display Grid | Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid | |
grid colour is selectable | ||
Level Gauge | 2-axis (horizontal/vertical) level gauge | |
Finder Style | 3 styles | |
Brightness and Colour Temperature Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual colour temperature control | |
S-OVF (Simulated OVF) | Expands the Live View dynamic range. | |
Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF. | ||
Eye Cup | Optional eyecup EP-13 is available. | |
Live View
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Live View
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Approx. 100% field of view, |
exposure compensation preview, WB adjustment preview, | ||
gradation preview, face detection preview (up to 8 faces), | ||
grid line, magnification display (x3 / x5 / x7 / x10 / x14), | ||
Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only) | ||
Preview | Preview with depth of field preview lock | |
Live View Boost | Live View Boost 1 , Live View Boost 2 (slow frame rate for dark areas) | |
Settings can be assigned for each shooting mode | ||
Exposure compensation will not be applied | ||
Monitor
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Monitor type
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3.0-inch vari-angle monitor |
Approx. 1037k dots (3:2), electrostatic capacitance touch panel | ||
Touch control | Shutter release, magnification, AF area selection, AF area size adjustment, AF touch pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer) | |
Tilting capability | With (mirror display when monitor is in self portrait position) | |
Brightness / Colour temperature control | ±7 levels / ±7 levels | |
Colour tone select | Vivid / Natural | |
Focusing
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AF system
|
High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected) |
Focusing point | 121-point cross-type phase detection AF and 121-point contrast AF | |
Focusing point selection mode | All target, group target (9-area or 5-area), single target | |
Focus mode | Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF[*] | |
Distance setting values are rough estimates and not compatible lens except the AF lens. | ||
AF performance | C-AF lock (5 steps), AF scanner (3 types) | |
AF limiter | With (Fn button can be assigned to On/Off; can save 3 settings) | |
Distance setting values are rough estimates. | ||
AF targeting pad | With (activate / deactivate with double tap on rear monitor) | |
Magnified frame AF | 3x , 5x , 7x , 10x , 14x | |
Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800. | ||
Super spot AF | With (Contrast AF in center of the monitor when magnified) | |
Available only when a Micro Four Thirds lens is attached. | ||
Face detection AF / Eye detection AF | With (Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority) | |
Manual focus assist | Focus ring rotation activates Live View image magnification and / or focus peaking when in S-AF+MF or MF mode | |
Peaking function | Activate with Fn button or focus ring | |
Change peaking settings using the Info button | ||
Colour selection: white, black, red, yellow | ||
Intensity selection: high, normal, low | ||
Back light effect: on, off | ||
AF Focus Adj. | Adjust all, adjust by lens (for Phase detection AF only) | |
AF illuminator | With | |
Exposure Control (Still)
|
Metering system
|
Digital ESP metering (324-area multi pattern metering), centre-weighted average metering, spot metering[*], spot metering with highlight control, spot metering with shadow control |
(TTL Image sensor metering) | Also available AF target spot metering | |
Metering range | EV- 2 - 20 (using 17 mm f/2.8, ISO 100) | |
Exposure mode / Shooting mode | iAuto (Live Guide can be used), P: program AE (programme shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual (Live Bulb, Live Time and Live Composite are available), Custom 1~3, Art Filter, Underwater wide / Underwater macro (to be assigned to the Fn1 button) | |
Live Guide | Saturation, Colour, Brightness, Background Blur, Expressing Motion, Shooting Tips | |
Multiple effects can be used simultaneously. | ||
ISO sensitivity | AUTO ISO (default) : LOW (approx. 64) ‐ 6400 with customizable upper limit (200 - 6400) | |
Manual ISO : LOW (approx. 64), 200 - 25600 (adjustable in 1/3 or 1 EV steps) | ||
Exposure compensation | ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps | |
When shooting in HDR or in video, only adjustable up to ±3 EV steps | ||
Live View only reflects up to ±3 EV steps | ||
AE lock | Locks with a half-press of the shutter button, AEL / AFL button (can be set to Fn button as well) | |
Shutter
|
Shutter type
|
[Focal-plane shutter (mechanical shutter)] |
1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1) | ||
Live Bulb / Live Time: selectable exposure time (1 / 2 / 4 / 8 / 15 / 20 / 25 / 30 min.), with 8-min. default setting. Live Composite: maximum shooting time 3 hours | ||
[Electronic first curtain shutter (Anti-shock mode)] | ||
1/320 - 60 sec. | ||
[Electronic shutter (Silent mode)] | ||
1/32000 - 60 sec. | ||
Drive
|
Sequential shooting maximum speed
|
[Sequential shooting H] approx. 15 fps with selectable 10-15 fps |
[Sequential shooting L] approx. 10 fps with selectable 1-10 fps | ||
[Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps | ||
[Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps | ||
[Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps | ||
[Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps | ||
[Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps | ||
When using the M.Zuiko Digital ED 12-40mm f/2.8 PRO | ||
Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting. |
This product comes with 2 Years Genuine Warranty with Olympus Australia.
Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty.
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Olympus OM-D E-M1 Mark II Compact System Camera (Body Only)
SanDisk Extreme Pro SDXC/SDHC UHS-II 280mb/s Memory Card
USB Cable
Cable Clip
Shoulder Strap
Instruction Manual
FL-LM3 Flash
BLH-1 Li-ion Battery
BCH-1 Rapid Li-ion Battery Charger
2 Years Genuine Warranty with Olympus Australia