Nikon ZR w/ Nikkor Z 28-135mm f/4 PZ Lens Full Frame Cinema Camera
- 6K Full-Frame Z-Mount Cinema Camera
- Fusion of RED + Nikon Cinema Technology
- ProRes RAW/HQ, H.265/H.264 Codecs
- REDCODE RAW R3D + N-RAW Recording
- 32-Bit Float Audio, Dual-Base ISO
- Bright, Folding 4" DCI-P3 Display
- Built-In 3D LUTs, Digital Accessory Shoe
- Dual Built-In Microphones
- 15+ Stops Advertised Dynamic Range
- Frame.io Cloud Integration
The Nikon ZR represents the groundbreaking fusion of Nikon’s imaging expertise with RED’s legendary cinema technology, delivering uncompromising performance for filmmakers and content creators. Designed as a full-frame Z-mount digital cinema camera, the ZR combines high-resolution capture, cinematic color science, and advanced connectivity in a compact, production-ready body.
At its core, the ZR records in 6K full-frame resolution with support for REDCODE RAW R3D, Nikon’s N-RAW, and ProRes RAW HQ, alongside efficient H.265/H.264 codecs for flexible workflows from cinema production to rapid delivery. The camera offers 15+ stops of advertised dynamic range, ensuring maximum detail and latitude in highlights and shadows.
With dual-base ISO, the ZR excels in both low-light and high-contrast environments, while a bright folding 4-inch DCI-P3 display with built-in 3D LUT support provides accurate monitoring on set. Dual built-in microphones and 32-bit float audio recording deliver clean, distortion-free sound, eliminating the need for external preamps in many scenarios.
The body also incorporates a digital accessory shoe for expanding audio, monitoring, or wireless modules, and integrates Frame.io Camera-to-Cloud functionality for streamlined collaborative workflows. Built to meet the demands of modern cinematography, the ZR stands as a hybrid of Nikon’s optical heritage and RED’s cinema-grade innovation, opening a new era in full-frame digital cinema.
Product Features in Detail
Born Cinematic
Imagine being able to capture professional footage anywhere, without the need for a large crew. Discover the ZR—insane full-frame image quality, class-leading built-in audio and unbeatable versatility. A groundbreaking compact 6K cinema camera for filmmakers at all levels.
Compact size. Cinematic scale.
Built for creators and filmmakers on the move, the ZR is the lightest all-in-one cinema camera around. Welcome to cinematic shooting without the bulk.
Fully loaded with codecs
There’s a full suite of video recording formats, and the R3D NE codec from RED makes its debut here. Vlogs to movies, you nail any workflow.
Cinematic modes and RED colours
Creative video modes and RED-curated presets deliver content with a filmic look and feel straight out of the camera. No editing necessary.
32-bit float audio recording
This is the first camera in the world to capture 32-bit audio internally. For sound that’s as clean as the picture.
Cinematic quality
Full-frame sensor. 6K internal RAW. RED colour science. For incredible footage, straight from the ZR.
All-in-one
Ready to roll with a large on-board monitor, internal 32-bit audio capture, long recording times, and more.
Expandable system
Dedicated Nikon and partner-brand accessories let you put the ZR at the heart of an extensive video rig.
RED colour science, built in
An exclusive R3D NE codec brings renowned RED colour science to Nikon. Gain greater flexibility in post—or match your ZR footage with video shot on a RED camera system.
Professional video formats for diverse workflows
No need for external recorders. Whether you need 12-bit RAW for colour grading, or efficient codecs for fast turnarounds and broadcast-ready content, the ZR delivers.
Cinematic footage straight from the camera
Creating content for immediate viewing? Four creative video modes and nine custom RED Picture Controls will help nail the look and feel in-camera. Try the Cinematic mode, which sets the shutter angle to 180° and the frame rate to 24fps: then use the RED colour presets to adjust the tone of footage.
4 creative modes
Cinematic, Slow motion, Portrait, Starscape
RED picture controls
9 custom imaging recipes
Dual Base ISO with 15+ stop dynamic range
A Dual Base ISO of 800/6400 maximises the sensor’s performance for clean, noise-free footage. It’s available when shooting in Log3G10, and the camera’s wide 15+ stop dynamic range is maintained at both ISOs for maximum detail in highlights and shadows.
Take your vision and make it real
Vlogs to movies. Shorts to features. Street interviews to documentaries. A 6K full-frame sensor gives you the resolution, and the frame rates, to take on any shoot.
Flexible frame rates and resolutions
From cinematic 24p to 240p extreme slow motion. From richly detailed 6K to crisp, compact 1080p. Whether you’re shooting for the big screen via the edit suite, or you want footage that’s ready for viewing immediately.
Full-frame
Beautiful footage. Shallow depth of field.
24.5 MP semi-stacked sensor
Wide dynamic range. Fast read-out times.
EXPEED 7
Powerful image processing engine
Natural motion. No distortion.
With its fast read-out speeds, the ZR effectively minimises rolling shutter distortion, keeping vertical lines straight and motion natural. Great if you’re panning or filming fast action.
All-in-one
The ultimate compact cinema camera. Stay true to your vision with the bright onboard monitor, internal 32-bit audio, and more.
Expandable system
Built to adapt. High-performance lenses and dedicated video accessories make it easy to build out your rig.
Compact camera. Cinematic display.
You won’t need to bring an external monitor when the ZR is your creative partner. The lightest all-in-one cinema camera around also boasts the biggest, brightest Vari-angle monitor for a super-clear view of the scene.
True colour. Full visibility.
The large, bright, 4-inch touchscreen monitor covers the DCI-P3 colour gamut and boasts a generous 16:10 display format. You’ll be able to accurately monitor colours while viewing full-size widescreen (16:9) footage—and vertical video is supported too.
Spacious control hub
Functions are controlled with soft, quiet screen taps that won’t disturb recording, and there’s plenty of space to adjust settings without compromising your view.
Clean or overlaid views
You can stay focused on framing with a clean screen, or easily add overlays like focus peaking, histograms, and zebras. The display flips automatically for vertical shooting.
In-camera LUTs to monitor colour as you shoot
Shooting in RAW or a log format? You can load up to ten 3D LUTs, including 65-point LUTs, for viewing on the ZR monitor. You’ll see the impact of exposure or lighting choices on the colours you’re going for, while the footage itself stays clean for maximum flexibility in post.
In-camera 32-bit float audio recording
In a world first, the ZR lets you capture 32-bit audio using the camera’s internal mics, or a compatible external mic. The dynamic range is so vast, you won’t need to constantly monitor the levels when filming: you can adjust them in post without clipping.
OZO Audio technology
With three built-in MEMS microphones, the ZR lets you record sound without an external mic. There’s five pick-up patterns to choose from.
Omni-directional
Captures audio from all directions equally. Great for recording natural ambient sound.
Binaural
Immersive 3D stereo sound. Great for audio that puts your audience in the heart of the action.
Super-directional
Records audio from a focused area in front while supressing sounds from behind. Ideal for interviews.
Uni-directional
Picks up audio from the front. Or the rear, so you can record the sound of your voice while you film.
In-body VR for steady handheld footage
No need to take a gimbal. Nikon’s powerful in-camera 5-axis sensor-shift image stabilisation compensates for camera shake to keep handheld footage steady. Great for dynamic run-and-gun video shoots where spontaneity is key.
Precision AF keeps your shots on point
With Nikon’s fast, intelligent AF system keeping every shot in focus, you can give free reign to your creativity.
Fast
Quick, accurate, reliable, and customisable autofocus. For the sharpest, smoothest shots.
Intelligent
The ZR can detect and track nine different subject types. Faces are in focus, eyes are sharp.
Smooth
No focus puller, no problem. Selectable AF speeds let you create smooth, repeatable focus transitions.
Wide
With custom wide-area AF, you can tell the ZR in which part of the frame to track focus. It won’t blink.
Focus-breathing compensation
Want to rack focus? Turn on focus-breathing compensation and you’ll attain smoother, more natural-looking transitions. Super helpful if you’re shooting dynamic scenes, where consistent framing matters.
No noisy fans. No heat-related shutdowns.
With an innovative body design that efficiently dissipates heat, the ZR will quietly hold its own on a long shoot. You can record video up to 4K/60p for up to 125 minutes straight when running off continuous power, and for up to 95 minutes when running on battery power.1
Striking stills too
From your own promotional materials to client deliverables. When your project needs photos that stand out, the ZR cinema camera always excels.
25 MP full-frame sensor
More light capture, smoother bokeh, richer tones, and wider views—for cinematic stills on any shoot.
High ISO image quality
Stills on a night shoot? An ISO range that’s extendable up to 204,800 (equivalent) takes care of that.
AF detection down to -10 EV
No flash, no assist beam, no second guessing. The ZR will focus sharply on even extremely dark scenes.
Focus-Point VR
Keeps subjects sharp by stabilising the area around the active focus point. Works with non-VR NIKKOR Z lenses.
Cinematic quality
Captivating. Internal recording up to 6K/60p and renowned RED colour science, for video that always stands out.
Expandable system
Built to adapt. High-performance lenses and dedicated video accessories make it easy to build out your rig.
Built to shine solo or in a full rig
Push. Pivot. Improvise. With the agile ZR cinema camera, plus a wide range of Nikon and third-party accessories, you can build out an extensive video rig.
External mics for every audio set-up
From discreet lapel mics to shotgun mics compatible with 32-bit float audio recording. An XLR adapter is also supported for pro-level flexibility.
Versatile in broadcast or multi-cam set-ups
Signal you’re recording with tally lights. Take control with switchers, wireless transmitters, and wireless timecode synchronisers.
Ultra-portable power solutions
Support for ultra-portable, ultra-powerful battery packs lets you stay agile without sacrificing staying power. You’ll be able to take even the longest shoot in your stride.
Z mount. Flexibility in lens choice.
The perspective you want—and the glass you love. The Z mount lets you attach any Nikkor Z lens, any Nikon F-mount lens, and a wide range of third-party lenses to the Nikon ZR.
Digital shotgun mic
This digital shotgun mic faithfully captures high-quality audio with an extremely wide dynamic range. It’s compatible with the 32-bit float audio format, for total freedom in post.
Camera to cloud with Frame.io
Streamline collaboration with clients, or your team. You can automatically send videos from the ZR to Frame.io—Adobe’s cloud-based collaboration platform—via the Nikon NX MobileAir app. It will transform your workflow, from first shot to final cut.
Cinematic quality
Captivating. Internal recording up to 6K/60p and renowned RED colour science, for video that always stands out.
All-in-one
The ultimate compact cinema camera. Stay true to your vision with the bright onboard monitor, internal 32-bit audio, and more.
Additional information
1 Maximum recording times listed in compliance with CIPA standards. When shooting with [video file type] set to [H.265 8-bit (MOV)], using a Nikon CFexpress Type B memory card, and at an ambient temperature of 23 (+-2)°C.
| Type | Digital camera with support for interchangeable lenses |
| Lens mount | Nikon Z mount |
| Image sensor format | FX |
| Image sensor type | CMOS |
| Sensor size | 35.9 mm x 23.9 mm |
| Total pixels | 26.79 million |
| Effective pixels | 24.5 million |
| ISO sensitivity (Recommended Exposure Index) | ISO 100 to 51200 (choose from step sizes of 1/3 and 1 EV) |
| Shooting mode [M]: ISO 100–51200; sensitivity can be increased by approx. 0.3, 0.7, 1, or 2 stops (up to ISO 204800 equivalent) over ISO 51200. | |
| Auto ISO sensitivity control available; maximum sensitivity can be set (except in R3D NE). | |
| When the movie recording file type is set to R3D NE 12-bit (R3D), either low base ISO (ISO 800) or high base ISO (ISO 6400) can be selected. | |
| When Tone mode is set to HLG: ISO 400–51200 | |
| When Tone mode is set to N-Log: ISO 800–51200; sensitivity can be decreased by approx. 0.3, 0.7, 1, 1.3, 1.7, or 2 stops below ISO 800. | |
| White balance | Auto (3 types), natural light auto, direct sunlight, cloudy, shade, incandescent, fluorescent (3 types), flash, choose color temperature (2500 to 10,000 K), preset manual (up to 6 values can be stored), all with fine-tuning |
| Gamma Curve | Log3G10, N-Log, SDR, HLG |
| Dynamic Range | 15+ stops (Log3G10) |
| Dust-reduction system | Image Dust Off reference data (requires NX Studio) |
| Video Metering system | TTL metering using camera image sensor |
| Video Metering mode | Matrix, center-weighted, or highlight-weighted |
| Video File format | Apple ProRes 422 HQ] |
| 5376 x 3024 : | |
| 29.97p (1920 Mbps), 25p (1600 Mbps), 23.97p (1540 Mbps), | |
| 3840 x 2160 : | |
| 59.94p (1960 Mbps), 50p (1640 Mbps), 29.97p (980 Mbps), 25p (820 Mbps), 23.97p (790 Mbps) | |
| 1920 x 1080: | |
| 119.88p (980 Mbps), 100p (820 Mbps), 59.94p (490 Mbps), 50p (410 Mbps) | |
| [H.265/HEVC] | |
| 5376 x 3024: | |
| 59.94p (400 Mbps), 50p (400 Mbps), 29.97p (340 Mbps), 25p (340 Mbps), 23.97p (1540 Mbps) | |
| 3840 x 2160 : | |
| 119.88p (400 Mbps), 100p (400 Mbps) | |
| 3840 x 2160 | |
| 59.94p (340 Mbps), 50p (340 Mbps), 29.97p (190 Mbps), 25p (190 Mbps), 23.97p (190 Mbps) | |
| 1920 x 1080 : | |
| 239.76p (340 Mbps), 200p (340 Mbps) | |
| 1920 x 1080 : | |
| 119.88p (190 Mbps), 100p (190 Mbps), 59.94p (100 Mbps), 50p (100 Mbps), 29.97p (50 Mbps), 25p (50 Mbps), 23.97p (50 Mbps) | |
| [H.265/HEVC] | |
| 5376 x 3024 | |
| 59.94p (370 Mbps), 50p (370 Mbps), 29.97p (300 Mbps), 25p (300 Mbps), 23.97p (300 Mbps) | |
| 3840 x 2160 | |
| 119.88p (370 Mbps), 100p (370 Mbps) | |
| 3840 x 2160 | |
| 59.94p (300 Mbps), 50p (300 Mbps), 29.97p (150 Mbps), 25p (150 Mbps), 23.97p (150 Mbps) | |
| 1920 x 1080 : | |
| 239.76p (300 Mbps), 200p (300 Mbps) | |
| 1920 x 1080 : | |
| 119.88p (150 Mbps), 100p (150 Mbps), 59.94p (80 Mbps), 50p (80 Mbps), 29.97p (40 Mbps), 25p (40 Mbps), 23.97p (40 Mbps) | |
| [H.264/AVC] | |
| 1920 x 1080 : | |
| 119.88p (100 Mbps), 100p (100 Mbps) | |
| 1920 x 1080 : | |
| 59.94p (50 Mbps), 50p (50 Mbps), 29.97p (30 Mbps), 25p (30 Mbps), 23.97p (30 Mbps) | |
| [H.264/AVC Slow-motion Video] | |
| 1920 x 1080 : | |
| 120fps→30fps (4x, 30 Mbps), 100fps→25fps (4x, 30 Mbps), 120fps→24fps (5x, 30 Mbps) | |
| Video File format (RAW) | [R3D NE / N-RAW High quality] |
| 6048 x 3402 : | |
| 59.94p (3780 Mbps), 50p (3160 Mbps), 29.97p (1900 Mbps), 25p (1590 Mbps), 23.97p (1520 Mbps) | |
| 4032 x 2268 : | |
| 59.94p (1710 Mbps), 50p (1440 Mbps), 29.97p (860 Mbps), 25p (730 Mbps), 23.97p (700 Mbps) | |
| 3984 x 2240 : | |
| 119.88p (3340 Mbps), 100p (2800 Mbps), 59.94p (1670 Mbps), 50p (1400 Mbps), 29.97p (840 Mbps), 25p (710 Mbps), 23.97p (680 Mbps) | |
| [N-RAW Normal] | |
| 6048 x 3402 : | |
| 59.94p (1920 Mbps), 50p (1610 Mbps), 29.97p (970 Mbps), 25p (810 Mbps), 23.97p (780 Mbps) | |
| 4032 x 2268 : | |
| 59.94p (880 Mbps), 50p (750 Mbps), 29.97p (450 Mbps), 25p (380 Mbps), 23.97p (370 Mbps) | |
| 3984 x 2240 : | |
| 119.88p (1730 Mbps), 100p (1460 Mbps), 59.94p (870 Mbps), 50p (730 Mbps), 29.97p (440 Mbps), 25p (370 Mbps), 23.97p (360 Mbps) | |
| [Apple ProRes RAW HQ] | |
| 6048 x 3402 : | |
| 29.97p (5000 Mbps), 25p (4170 Mbps), 23.97p (4000 Mbps) | |
| 4032 x 2268 : | |
| 59.94p (4470 Mbps), 50fps (3730 Mbps), 29.97p (2240 Mbps), 25p (1870 Mbps), 23.97p (1800 Mbps) | |
| 3984 x 2240 : | |
| 59.94p (4370 Mbps), 50p (3650 Mbps), 29.97p (2190 Mbps), 25p (1830 Mbps), 23.97p (1760 Mbps) | |
| Frame Rate | 5376 x 3024 (5.4K): 59.94p/50p/29.97p/25p/23.976p |
| 3840 x 2160 (4.0K): 119.88p/100p/59.94p/50p/29.97p/25p/23.976p | |
| 1920 x 1080: 239.76p/200p/119.88p/100p/59.94p/50p/29.97p/25p/23.976p | |
| (RAW) | |
| 6048 × 3402 (6.0K): 59.94p/50p/29.97p/25p/23.976p | |
| 4032 × 2268 (4.0K): 59.94p/50p/29.97p/25p/23.976p | |
| 3984 × 2240 (4.0K): 119.88p/100p/59.94p/50p/29.97p/25p/23.976p | |
| Video compression | R3D NE (12-bit) , N-RAW (12 bit) , Apple ProRes RAW HQ (12 bit) , Apple ProRes 422 HQ (10 bit) , H.265/HEVC (8 bit/10 bit) , H.264/AVC (8 bit) |
| Audio recording format | Linear PCM (48 KHz, 24 bit, for videos recorded in NEV or MOV format) , AAC (48 KHz, 16 bit, for videos recorded in MP4 format) |
| Audio recording device | Built-in microphone or external microphone can be used; 32bit float recording via 3.5mm mini pin jack and built-in microphone. external audio devices can be used via line input and Digital accessory shoe, audio directivity (OZO Audio), audio input sensitivity adjustable; attenuator, frequency response, and wind noise reduction functions |
| Recording/Playback Time | Up to approx. 125 minutes (When recorded in R3D NE 6K 59.97p, with auto temperature cutout set to [High], at 25°C /77 °F, paired with an external power source) |
| Exposure compensation | -5 to +5 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV) |
| Active D-Lighting | Auto, Extra high, High, Normal, Low, and Off |
| Note: When using RED picture control, Active D-Lighting must be set to [Extra High] for optimized exposure. With User Settings1 [Cinematic Video] mode, it is set by default. | |
| Proxy Recording (Audio) | AAC |
| Proxy Recording (Video) | 1920x1080, MP4 |
| Other options for video recording | Time-lapse video recording, electronic vibration reduction, time codes, REC lamp, N-Log and HDR (HLG) video, waveform display, red REC frame indicator, video recording display zoom (50%, 100%, 200%, and 400%), extended shutter speeds (modes S and M), and dual-format (proxy video) recording for RAW video; option to view video recording info available via i menu; breathing compensation, Hi-Res Zoom, Preset User Setting 1 [Cinematic video] and User Setting 2 [Slow-motion video] |
| Picture Control System | Auto, Standard, Neutral, Vivid, Monochrome, Flat Monochrome, Deep Tone Monochrome, Portrait, Rich Tone Portrait, Landscape, Flat |
| Creative Picture Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon); selected Picture Control can be modified; storage for Custom Picture Controls, Cloud Picture Controls | |
| Note: | |
| Custom Picture Control (C-1 to C-9); can be modified; [CineBias_RED] modified with flexible color is stored in C-1 by default | |
| Choice of Picture Controls is restricted to Standard, Monochrome, and Flat when HLG is selected for tone mode during still photography. | |
| Compatible with Cloud Picture Control. | |
| Image size (pixels) | [FX (36 x 24)] selected for image area: |
| (L) 6048 x 4032 ( 24.4 million) | |
| (M) 4528 x 3024 ( 13.7 million) | |
| (S) 3024 x 2016 ( 6.1 million) | |
| [DX (24 x 16)] selected for image area: | |
| (L) 3984 x 2656 ( 10.6 million) | |
| ( | |
| (S) 1984 x 1328 ( 2.6 million) | |
| [1:1 (24 x 24)] selected for image area: | |
| (L) 4032 x 4032 ( 16.3 million) | |
| (M) 3024 x 3024 ( 9.1 million) | |
| (S) 2016 x 2016 ( 4.1 million) | |
| [16:9 (36×20)] selected for image area: | |
| (L) 6048 x 3400 ( 20.6 million) | |
| (M) 4528 x 2544 ( 11.5 million) | |
| (S) 3024 x 1696 ( 5.1 million) | |
| File format (image quality) | NEF (RAW): 14 bit; choose from lossless compression, high efficiency (high), and high efficiency options |
| JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available | |
| HEIF: Supports fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available | |
| NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats | |
| NEF (RAW)+HEIF: Single photograph recorded in both NEF (RAW) and HEIF formats | |
| Media | CFexpress (Type B), XQD |
| microSD (Secure Digital), UHS‑I compliant microSDHC, microSDXC | |
| Dual card slot | Either card can be used for overflow or backup storage, for separate storage of NEF (RAW) and JPEG or HEIF pictures, or for storage of duplicate JPEG or HEIF pictures at different sizes and image qualities; pictures can be copied between cards. |
| File system | DCF 2.0, Exif 2.32, MPEG‑A MIAF |
| Autofocus system | Hybrid phase-detection/contrast AF with AF assist |
| Detection range | -10 to +19 EV |
| Measured in photo mode at ISO 100 equivalent and a temperature of 20 °C/68 °F using single-servo AF (AF‑S) and a lens with a maximum aperture of f/1.2 | |
| Lens servo | Autofocus (AF): |
| Single-servo AF (AF-S) , continuous-servo AF (AF-C) , full-time AF (AF-F; available only in video mode) | |
| AF mode auto-switch (AF-A, photo mode only), predictive focus tracking | |
| Manual focus (M): | |
| Electronic rangefinder can be used | |
| Focus Point | Video mode: Up to 253 points, Photo mode: Up to 299 points |
| AF-area mode | Pinpoint (available in photo mode only), single-point, dynamic-area (S, M, and L; available in photo mode only), wide-area (S, L, C1, and C2), and auto-area AF; 3D-tracking (available in photo mode only); subject-tracking AF (available in video mode only) |
| Focus lock | Focus can be locked by pressing the shutter-release/REC button halfway (single-servo AF/AF-S) or by pressing the control to which focus lock was assigned |
| Exposure Metering System | TTL metering using camera image sensor |
| Metering mode | Matrix metering |
| Center-weighted metering: Weight of 75% given to 12 or 8 mm circle in center of frame or weighting can be based on average of entire frame | |
| Spot metering: Meters circle with a diameter of approximately 4 mm centered on selected focus point | |
| Highlight-weighted metering | |
| Range | -4 to +17 EV |
| Figures are for ISO 100 equivalent and f/2.0 lens at 20 °C/68 °F | |
| Mode | AUTO: auto, P: programmed auto with flexible program, S: shutter-priority auto, A: aperture-priority auto, M: manual |
| Exposure compensation | -5 to +5 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV) |
| Exposure lock | Luminosity locked at detected value |
| Active D-Lighting | Auto, Extra high, High, Normal, Low, and Off |
| Note: When using RED picture controls, Active D-Lighting must be set to [Extra High] manually to optimize exposure. With User Setting1[Cinematic mode] preset, it is set to [Extra High] by default. | |
| Multiple exposure | Add, average, lighten, darken |
| Other options | HDR overlay, high-frequency flicker reduction |
| Release mode | Single frame, continuous low-speed, continuous high-speed, continuous high-speed (extended), high-speed frame capture + with Pre-Release Capture, Self-timer |
| Approximate frame advance rate | Up to 120 fps |
| Continuous low-speed: Approx. 1 to 7 fps | |
| Continuous high-speed: Approx. 16 fps | |
| Continuous high-speed (extended): Approx. 20 fps | |
| High-speed frame capture + (C15): Approx. 15 fps | |
| High-speed frame capture + (C30): Approx. 30 fps | |
| High-speed frame capture + (C60): Approx. 60 fps | |
| High-speed frame capture + (C120): Approx. 120 fps | |
| Maximum frame advance rate as measured by inhouse tests. | |
| Self-timer | 2 s, 5 s, 10 s, 20 s; 1–9 exposures at intervals of minimum, 0.5, 1, 2, or 3 s |
| Playback | Full-frame and thumbnail (up to 4, 9, or 72 pictures) playback with playback zoom, playback zoom cropping, video playback, slide shows, histogram display, highlights, photo information, location data display, auto picture rotation, picture rating, filtered playback, voice memo recording and playback, IPTC information embedding and display, skip to first shot in series, series playback, save consecutive frames, loop playback, and motion blend |
| USB connector | Type C SuperSpeed USB connector; |
| External audio input | Stereo mini-pin jack (3.5 mm diameter; plug-in power and line input supported), Digital accessory shoe |
| Audio output | Stereo mini-pin jack (3.5 mm diameter) |
| Accessory terminal | Build-in (can be used with MC-DC3 remote cords and other optional accessories) |
| Note: Auto switch between headphone and remote cord is available. | |
| Monitor size | (4.0 –in.) diagonal |
| Monitor Type | Vari-angle TFT touchsensitive LCD with 160° viewing angle, approximately 100% frame coverage, and color balance and 15-level manual brightness controls |
| Monitor resolution | Approx. 3070 k-dot |
| Shutter type | Electronic shutter with shutter sound |
| Speed | ¹⁄₁₆₀₀₀ to 30 s (choose from step sizes of ¹⁄₃, ¹⁄₂, and 1 EV, extendable to 900 s in mode M), bulb, time |
| Flash sync speed | Flash synchronizes with shutter at 1/60 s or slower |
| Bracketing types | Exposure and/or flash, white balance, ADL |
| Camera on-board VR | 5-axis image sensor shift |
| Lens on-board VR | Lens shift (available with VR lenses) |
| Wi-Fi "Others" | Standards: |
| IEEE 802.11b/g/n/a/ac (Africa, Asia, Europe, Oceania, U.S.A., Canada, and Mexico) | |
| IEEE 802.11b/g/n/a (other countries in the Americas) | |
| Operating frequency: | |
| - Asia, Africa (excluding the countries listed below), the Middle East (excluding the countries listed below), Armenia, Guam, New Caledonia, and Tahiti: 2412–2462 MHz (channel 11) and 5745–5805 MHz | |
| - Europe (other than Armenia, Azerbaijan, and Georgia), Cyprus, India, Israel, and Turkey: 2412–2472 MHz (channel 13) and 5180–5825 MHz (5180–5700 MHz and 5745–5825 MHz) | |
| - U.S.A., Canada, Mexico, Australia, New Zealand, and the Republic of Fiji: 2412-2462 MHz (channel 11) and5180-5825 MHz (5180-5580 MHz, 5660-5700 MHz, and 5745-5825 MHz) | |
| - Algeria, Azerbaijan, Egypt, Georgia, Morocco, and the Republic of the Congo: 2412–2462 MHz (channel 11) and 5180-5320 MHz - Other countries in the Americas: 2412-2462 MHz (channel 11) and 5180-5805 MHz (5180-5320 MHz and 5745-5805 MHz) | |
| Maximum output power (EIRP): | |
| 2.4 GHz band: 8.1 dBm | |
| 5 GHz band: 8.8 dBm | |
| Authentication: | |
| Open system, WPA2-PSK, WPA3-SAE | |
| Bluetooth | Communication protocols: |
| Bluetooth Specification Version 5.0 | |
| Operating frequency: | |
| Bluetooth: 2402 to 2480 MHz | |
| Bluetooth Low Energy: 2402 to 2480 MHz | |
| Maximum output power (EIRP): | |
| Bluetooth: 2.6 dBm | |
| Bluetooth Low Energy: 1.1 dBm | |
| Battery | One EN‑EL15c rechargeable Li-ion battery* |
| *EN‑EL15b and EN‑EL15a batteries can be used in place of the EN‑EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN‑EL15c. EH-8P AC adapters can be used to charge EN‑EL15c and EN‑EL15b batteries only. | |
| AC adapter | EH-8P AC adapters (available separately); supplied USB cable required |
| Battery Operating Time | Approx. 90 min |
| Operating Environment | Temperature: 0 °C to 40 °C (+32 °F to 104 °F) |
| Humidity: 85% or less (no condensation) | |
| Tripod Socket | 0.635 cm (1/4 in., ISO 1222) |
| Dimensions (W x H x D) | Approx. 134 x 80.5 x 49 mm ( 5.3 x 3.2 x 2 in.) |
| Weight | Approx. 630 g ( 1 lb. 6.3 oz ) with battery and memory card but without body cap and digital accessory shoe cover; approx. 540 g/1 lb. 3.1 oz (camera body only) |
| Supplied accessories | BS-D1 digital accessory shoe cover (comes attached to camera), BF-N1 body cap, EN‑EL15c rechargeable Li-ion battery, AN-DC26 strap, USB cable (featuring Type C connectors at both ends) |
| Note | Unless otherwise stated, all measurements are performed in conformity with Camera and Imaging Products Association (CIPA) standards or guidelines. |
| All figures are for a camera with a fully-charged battery. | |
| Throughout this document, “FX format” and “FX” are used in reference to an angle of view equivalent to that of a 35 mm format (“full frame”) camera and “DX format” and “DX” to an angle of view equivalent to that of an APSC camera. | |
| The sample images displayed on the camera and the images and illustrations in this document are for expository purposes only. | |
| Nikon reserves the right to change the appearance and specifications of the hardware and software described in this document at any time and without prior notice. Nikon will not be held liable for damages that may result from any mistakes that this document may contain. |
This product comes with 12 Months Australian Manufacturer Warranty. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.
Nikon ZR w/ Nikkor Z 28-135mm f/4 PZ Lens Full Frame Cinema Camera
Nikon EN-EL15c Lithium-Ion Battery
Nikon UC-E25 USB Cable
Nikon BS-D1 Digital Accessory Shoe Cover
Nikon BF-N1 Body Cap
Nikon AN-DC26 Camera Strap