Kodak Film VISION3 200T Color Negative Film #7213 (Super 8, 50' Roll)

The Kodak Film VISION3 200T Color Negative Film #7213, designed for Super 8 formats, represents one of the advances in Kodak's film technology, offering filmmakers a high-quality, versatile choice for color cinematography. This film integrates modern film technology benefits while maintaining the distinct, appealing characteristics of analog film. Specifically designed for tungsten light, with an Exposure Index (EI) of 200, making it ideal for indoor or controlled lighting environments. Expanded highlight latitude allows for capturing more detail in the highlights, reducing the risk of overexposure in bright areas and ensuring that details are retained across a broader range of brightness. Fine grain and sharpness offers filmmakers the ability to capture images with minimal grain and high sharpness, contributing to clear, detailed images that are pleasing to the eye. Although an analog format, this film is well-suited for digital scanning and post-production, offering filmmakers flexibility in the editing suite through a high-quality digital transfer. The film is designed to be processed in ECN-2 chemistry, which is a color negative process ensuring high-quality color reproduction and consistency. The film comes in an easy-to-use Super 8 cartridge, which is single-edge perforated, simplifying the film loading process and making it more accessible for users of all levels of experience.

Product Features in Detail

For filmmakers who aspire to capture the world as only they see it
Benefit from qualities of two film speeds in one reel: the versatility of a 200-speed tungsten film with the image structure of a 100 speed film.

Performance inside and out
VISION3 200T provides the benefits of two films in one: the image structure of a 100 speed film with the versatility of a 200 speed product.
Experience the improved extreme exposure performance and consistent look of the VISION3 Film family. Enjoy the added flexibility and increased creative control you get from capturing the detail in the extremes of exposure.

Suitability for Conditions¹
Day Exterior    ⭐ ⭐ ⭐
Day Interior/Windowlight.    ⭐ ⭐ ⭐
Well-lit Studio (T)    ⭐ ⭐ ⭐ ⭐ ⭐
Limited Light (T)    ⭐ ⭐ ⭐
¹Suitability for conditions is a suggested use and does not represent the applicability of any film for artistic or specific purposes.

Suggested Filters
Suggested Filter for Color Balance for Daylight Use    85
Suggested Neutral Density Filter    .6 to .9
Suggested Neutral Density Filters are general suggestions for each film used in a "daylight" situation to help avoid overexposure of high-speed films and to support lens performance. All filters are not created the same, and you should be aware of a filter's individual performance properties before using.

Identification
Automatically log frame indexing numbers from negatives and workprints in a fraction of the time it takes to do it manually.
KeyKode. EO

Aesthetic Quality
Provides the unmistakable look of film with the practical benefits of modern film technology, including color fidelity and the option for high-quality digital transfers.

Low Light Performance
Its tungsten balance and EI of 200 mean that it performs exceptionally well in indoor and controlled lighting settings, making it versatile for various shooting conditions.

Post-Production Flexibility
The film’s compatibility with digital post-production processes allows filmmakers to seamlessly integrate analog footage into workflows that may primarily be digital, combining the best of both worlds.

Detail and Dynamic Range
The fine grain, sharpness, and dynamic range make it possible to capture detailed, nuanced images that are both rich in color and depth, accommodating a wide range of cinematic styles and preferences.