FujiFilm X-H2S Camera Body Only
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- 26.16 Megapixel (APS-C) X-Trans CMOS 5 HS with Primary Color Filter
- X-Processor 5
- DCI 4K Internal Video
- 325-point Hybrid Intelligent AF System
- 5.76 Million Dot Electronic Viewfinder
- 3.0 inch Vari-Angle Touch Screen Color LCD Monitor
- 5-Axis in-body Image Stabilization
- In-Camera RAW Conversion
- ETERNA Film Simulation Modes
- Advanced Filters and Film Simulations
- Wi-Fi and Bluetooth Connectivity
- Weather-Resistant Design
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Stacked Sensor and 64-Bit Processing
X-Trans 5 Stacked BSI Sensor
The first X Series camera to feature a stacked sensor, the X-H2S sports an APS-C-format 26.1MP X-Trans 5 stacked BSI sensor, which ups the readout speeds and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the stacked design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo photo applications.
X-Processor 5
Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at up to 6.2K with high bitrates like ProRes 422 HQ or at high speeds, like with 240 fps recording at Full HD.
On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 40 fps is possible, with a buffer of 140 consecutive uncompressed raw frame. With the mechanical shutter, shooting speeds up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.
Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables a broad sensitivity range from ISO 160-12800.
Powerful Video Capabilities
4K 120p and 6.2K 30p Internal Recording
With a penchant for video, the X-H2S has a well-rounded recording system that places this camera squarely in the 'hybrid' category and performs equally well for video as it does for video. Internal 4:2:2 10-bit recording is possible in both DCI/UHD 4K at up to 120p and Full HD at up to 240p as well as an open-gate 3:2 6.2K setting that's suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.
External Raw Recording
Using the full-size HDMI port, raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.
Improved Autofocus and Image Stabilization
Hybrid AF with Deep Learning AI
Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types. Compared to previous focusing systems, the X-H2S's Face and Eye Detection capabilities have been refined for greater accuracy and to account for unique features, like glasses, face coverings, and hairlines. Also, the range of recognized subjects types has been expanded to include cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more.
In-Body Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Body Design
Practical and Durable Design
- Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
- Rear 3.0" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
- 1.28" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
- Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
- NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.
Connectivity
- Full-size HDMI Type A port for outputting video to an external recorder or monitor.
- USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.
- 3.5mm headphone and external microphone ports for greater control over audio recording.
- PC sync port for flash sync.
- 2.5mm remote port for using wired remote controllers.
- Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.
| Model name | FUJIFILM X-H2S | ||
| Lens Mount | FUJIFILM X mount | ||
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HS with primary color filter | ||
| Number of effective pixels | 26.16 millions pixels | ||
| Sensor Cleaning System | Ultra Sonic Vibration | ||
| Image Processing Engine | X-Processor 5 | ||
| Storage media | SD Card (-2GB) | ||
| SDHC Card (-32GB) | |||
| SDXC Card (-2TB) | |||
| UHS-I | |||
| UHS-II | |||
| Video Speed Class V90 | |||
| CFexpress Type B Card (-2TB) | |||
| *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | |||
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) | |
| JPEG | Exif Ver.2.32 | ||
| HEIF | 4:2:2 10bit | ||
| RAW | 14bit RAW (RAF original format) | ||
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | ||
| *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing | |||
| Number of recorded pixels | [L] | 4:03 | |
| 3:02 | 6240 x 4160 | ||
| 16:09 | 6240 x 3512 | ||
| 1:01 | 4160 x 4160 | ||
| 65:24:00 | |||
| 5:04 | |||
| 7:06 | |||
| [M] | 4:03 | ||
| 3:02 | 4416 x 2944 | ||
| 16:09 | 4416 x 2488 | ||
| 1:01 | 2944 x 2944 | ||
| 65:24:00 | |||
| 5:04 | |||
| 7:06 | |||
| [S] | 4:03 | ||
| 3:02 | 3120 x 2080 | ||
| 16:09 | 3120 x 1760 | ||
| 1:01 | 2080 x 2080 | ||
| 65:24:00 | |||
| 5:04 | |||
| 7:06 | |||
| Panorama | [L] | vertical | 9600 x 2160 |
| Horizontal | 9600 x 1440 | ||
| [M] | Vertical | 6400 x 2160 | |
| Horizontal | 6400 x 1440 | ||
| Sensitivity | Still Image | Standard Output | AUTO1 |
| AUTO2 | |||
| AUTO3 | |||
| ISO160～12800 (1/3 step) | |||
| ISO80 | |||
| ISO100 | |||
| ISO125 | |||
| ISO25600 | |||
| ISO51200 | |||
| Movie | Standard Output | AUTO | |
| ISO160～12800 (1/3 step) | |||
| Extended Output | ISO25600 | ||
| Exposure control | TTL 256-zone metering | ||
| Multi | |||
| Spot | |||
| Average | |||
| Center Weighted | |||
| Exposure mode | P (Program AE) | ||
| A (Aperture Priority AE) | |||
| S (Shutter Speed Priority AE) | |||
| M (Manual Exposure) | |||
| Exposure compensation | Still | -5.0EV～+5.0EV 1/3EV step | |
| Movie | -2.0EV～+2.0EV 1/3EV step | ||
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation | |
| Compensation Effect | 7.0 stops | ||
| *based on CIPA standard | |||
| *Pitch/yaw shake only | |||
| *With XF35mmF1.4 R lens mounted | |||
| Digital Image Stabilization | Yes (movie mode only) | ||
| IS MODE BOOST | Yes (movie mode only) | ||
| Shutter type | Focal Plane Shutter | ||
| Shutter speed | Mechanical shutter | P mode | 4sec. to 1/8000sec. |
| A mode | 30sec. to 1/8000sec. | ||
| S/M mode | 15min. to 1/8000sec. | ||
| Bulb | up to 60min. | ||
| Electronic shutter | P mode | 4sec. to 1/32000sec. | |
| A mode | 30sec. to 1/32000sec. | ||
| S/M mode | 15min. to 1/32000sec. | ||
| Bulb | 1sec. Fixed | ||
| Electronic front curtain shutter | P mode | 4sec. to 1/8000sec. | |
| A mode | 30sec. to 1/8000sec. | ||
| S/M mode | 15min. to 1/8000sec. | ||
| Bulb | up to 60min. | ||
| Mechanical + Electronic shutter | P mode | 4sec. to 1/32000sec. | |
| A mode | 30sec. to 1/32000sec. | ||
| S/M mode | 15min. to 1/32000sec. | ||
| Bulb | up to 60min. | ||
| *Mechanical shutter works until 1/8000sec. | |||
| E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter) |
P mode | 4sec. to 1/8000sec. | |
| A mode | 30sec. to 1/8000sec. | ||
| S/M mode | 15min. to 1/8000sec. | ||
| Bulb | up to 60min. | ||
| *Electronic front curtain shutter works until 1/2000sec. | |||
| E-front + Mechanical + Electronic shutter (GFX: E-Front + Electronic Shutter) |
P mode | 4sec. to 1/32000sec. | |
| A mode | 30sec. to 1/32000sec. | ||
| S/M mode | 15min. to 1/32000sec. | ||
| Bulb | up to 60min. | ||
| *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. | |||
| Movie | 6.2K | 1/8000sec. to 1/24 sec. | |
| DCI4K/4K | 1/8000sec. to 1/4 sec. | ||
| FHD | 1/8000sec. to 1/4 sec. | ||
| *Cannot choose slower shutter speed than framerate for some settings. | |||
| Synchronized shutter speed for flash | Mechanical shutter | 1/250sec. or slower | |
| Electronic shutter | 1/125sec. or slower | ||
| Continuous shooting | CH | Electronic shutter | Approx. 40fps |
| No. of recordable frames | JPEG | 184 frames | |
| Compressed RAW | 175 frames | ||
| Lossless compressed RAW | 170 frames | ||
| Uncompressed RAW | 140 frames | ||
| CH | Electronic shutter | Approx. 30fps | |
| No. of recordable frames | JPEG | 1000+ frames | |
| Compressed RAW | 270 frames | ||
| Lossless compressed RAW | 250 frames | ||
| Uncompressed RAW | 180 frames | ||
| CH | Electronic shutter | Approx. 20fps | |
| No. of recordable frames | JPEG | 1000+ frames | |
| Compressed RAW | 1000+ frames | ||
| Lossless compressed RAW | 1000+ frames | ||
| Uncompressed RAW | 800 frames | ||
| CH | Electronic shutter | Approx. 15fps | |
| No. of recordable frames | JPEG | 1000+ frames | |
| Compressed RAW | 1000+ frames | ||
| Lossless compressed RAW | 1000+ frames | ||
| Uncompressed RAW | 1000 frames | ||
| CH | Mechanical shutter | Approx. 15fps | |
| No. of recordable frames | JPEG | 1000+ frames | |
| Compressed RAW | 1000+ frames | ||
| Lossless compressed RAW | 1000+ frames | ||
| Uncompressed RAW | 1000 frames | ||
| CH | Mechanical shutter | Approx. 10fps | |
| No. of recordable frames | JPEG | 1000+ frames | |
| Compressed RAW | 1000+ frames | ||
| Lossless compressed RAW | 1000+ frames | ||
| Uncompressed RAW | 1000+ frames | ||
| CL | Mechanical shutter | Approx. 8.0fps | |
| No. of recordable frames | JPEG | 1000+ frames | |
| Compressed RAW | 1000+ frames | ||
| Lossless compressed RAW | 1000+ frames | ||
| Uncompressed RAW | 1000+ frames | ||
| Pre-shot | Electronic shutter | Approx. 40fps | |
| No. of recordable frames | While half press | 40 frames | |
| After full press | 110 frames | ||
| Total | 150 frames | ||
| Pre-shot | Electronic shutter | Approx. 30fps | |
| No. of recordable frames | While half press | 30 frames | |
| After full press | 1000+ frames | ||
| Pre-shot | Electronic shutter | Approx. 20fps | |
| No. of recordable frames | While half press | 20 frames | |
| After full press | 1000+ frames | ||
| Pre-shot | Electronic shutter | Approx. 15fps | |
| No. of recordable frames | While half press | 15 frames | |
| After full press | 1000+ frames | ||
| *No. of recordable frames are calculated based on CFexpress Type B card in a cold start | |||
| *Recordable frames depends on recording media | |||
| *Speed of continuous shooting depends on shooting environment and shooting frames | |||
| Drive Mode | AE Bracketing | 2 frames | |
| 3 frames | |||
| 5 frames | |||
| 7 frames | |||
| 9 frames | |||
| *by 1/3EV step, up to ±3EV steps | |||
| Filmsimulation bracketing | Any 3 types of film simulation selectable | ||
| Dynamic Range Bracketing | 100% | ||
| 200% | |||
| 400% | |||
| ISO sensitivity Bracketing | ±1/3EV | ||
| ±2/3EV | |||
| ±1EV | |||
| White Balance Bracketing | ±1 | ||
| ±2 | |||
| ±3 | |||
| Focus Bracketing | AUTO | ||
| MANUAL | |||
| Multiple Exposure | Yes (Max. 9 frames) | ||
| Additive | |||
| Average | |||
| Bright | |||
| Dark | |||
| HDR Mode | AUTO | ||
| 200% | |||
| 400% | |||
| 800% | |||
| 800% + | |||
| Advanced filter | Toy camera | ||
| Miniature | |||
| Pop color | |||
| High-key | |||
| Low-key | |||
| Dynamic tone | |||
| Soft focus | |||
| Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |||
| Focus | Mode | Single AF | |
| Continuous AF | |||
| MF | |||
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | ||
| Low-light Performance | Contrast | -4.0EV | |
| XF50mmF1.0 attached | |||
| Phase Detection | -7.0EV | ||
| XF50mmF1.0 attached | |||
| AF frame selection | Single point AF | 13x9 / 25x17 (Changeable size of AF frame) | |
| Zone AF | 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid | ||
| Wide/Tracking AF | Yes (AF-S: Wide / AF-C: Tracking) | ||
| All | Yes | ||
| Face/eye detection | Yes | ||
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | ||
| Flash | EF-X8 | Guide Number | approx. 11 (ISO200・m) / approx. 8 (ISO100・m) |
| Sync. Mode | 1st Curtain | ||
| 2nd Curtain | |||
| Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) | ||
| MANUAL | |||
| COMMANDER | |||
| OFF | |||
| Shoe mount flash | Sync. Mode | 1st Curtain | |
| 2nd Curtain | |||
| AUTO FP (HSS) | |||
| Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) | ||
| MANUAL | |||
| MULTI *When EF-X500 is set | |||
| OFF | |||
| Synchronized terminal | Sync. Mode | 1st Curtain | |
| 2nd Curtain | |||
| Flash Mode | MANUAL | ||
| Hot shoe | Yes (Dedicated TTL Flash compatible) | ||
| Viewfinder | EVF | 0.5 inch OLED Color Viewfinder | |
| Approx. 5.76 million dots | |||
| Coverage of Viewing Area vs. Capturing Area | Approx. 100% | ||
| Eyepoint | Approx. 24mm (from the Rear End of the Camera's Eyepiece) | ||
| Diopter Adjustment | -5～+3m-1 | ||
| Magnification | 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 | ||
| Diagonal Angle of View | approx. 40° (Horizontal angle of view: approx. 32° ) | ||
| Built-In Eye Sensor | |||
| LCD monitor | 3.0 inch vari-angle Touch Screen Color LCD Monitor | ||
| Aspect Ratio | 3:02 | ||
| Dots | Approx. 1.62 million dots | ||
| Touch Screen Mode | Shooting Mode | Shooting | |
| AF | |||
| Focus Area | |||
| OFF | |||
| Double Tap Setting (ON/OFF) | |||
| Touch Function Setting (ON/OFF) | |||
| EVF Touch Screen Area Setting | |||
| Playback Mode | Swipe | ||
| Pinch-in / Pinch-out | |||
| Double-tap | |||
| Drag | |||
| Sub LCD monitor | 1.28 inch Monochrome LCD Monitor | ||
| Aspect Ratio | 1:01 | ||
| Dots | 128x128-dot | ||
| Movie recording | File format | MOV | Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
| Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||
| Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||
| HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||
| MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||
| MP4 | MPEG-4 AVC/H.264, AAC | ||
| Movie compression | All Intra | ||
| Long GOP | |||
| 6.2K(3:2) | File size | 6240 x 4160 | |
| Frame rate | 29.97p | ||
| 25p | |||
| 24p | |||
| 23.98p | |||
| Bitrate | 720Mbps | ||
| 360Mbps | |||
| 200Mbps | |||
| 100Mbps | |||
| 50Mbps | |||
| DCI4K(17:9) | File size | 4096 x 2160 | |
| Frame rate | 59.94p | ||
| 50p | |||
| 29.97p | |||
| 25p | |||
| 24p | |||
| 23.98p | |||
| Bitrate | 720Mbps | ||
| 360Mbps | |||
| 200Mbps | |||
| 100Mbps | |||
| 50Mbps | |||
| 4K(16:9) | File size | 3840 x 2160 | |
| Frame rate | 59.94p | ||
| 50p | |||
| 29.97p | |||
| 25p | |||
| 24p | |||
| 23.98p | |||
| Bitrate | 720Mbps | ||
| 360Mbps | |||
| 200Mbps | |||
| 100Mbps | |||
| 50Mbps | |||
| Full HD(17:9) | File size | 2048 x 1080 | |
| Frame rate | 59.94p | ||
| 50p | |||
| 29.97p | |||
| 25p | |||
| 24p | |||
| 23.98p | |||
| Bitrate | 720Mbps | ||
| 360Mbps | |||
| 200Mbps | |||
| 100Mbps | |||
| 50Mbps | |||
| Full HD(16:9) | File size | 1920 x 1080 | |
| Frame rate | 59.94p | ||
| 50p | |||
| 29.97p | |||
| 25p | |||
| 24p | |||
| 23.98p | |||
| Bitrate | 720Mbps | ||
| 360Mbps | |||
| 200Mbps | |||
| 100Mbps | |||
| 50Mbps | |||
| DCI4K(17:9) High speed rec. | File size | 4096 x 2160 | |
| Frame rate | 120p | ||
| 100p | |||
| Bitrate | 720Mbps (recording) | ||
| 360Mbps (recording) | |||
| 200Mbps (recording) | |||
| 4K(16:9) High speed rec. | File size | 3840 x 2160 | |
| Frame rate | 120p | ||
| 100p | |||
| Bitrate | 720Mbps (recording) | ||
| 360Mbps (recording) | |||
| 200Mbps (recording) | |||
| Full HD(17:9) High speed rec. | File size | 2048 x 1080 | |
| Frame rate | 240p | ||
| 200p | |||
| 120p | |||
| 100p | |||
| Bitrate | 720Mbps (recording) | ||
| 360Mbps (recording) | |||
| 200Mbps (recording) | |||
| Full HD(16:9) High speed rec. | File size | 1920 x 1080 | |
| Frame rate | 240p | ||
| 200p | |||
| 120p | |||
| 100p | |||
| Bitrate | 720Mbps (recording) | ||
| 360Mbps (recording) | |||
| 200Mbps (recording) | |||
| *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. | |||
| *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. | |||
| *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. | |||
| *Selectable bitrate will be changed depends on the setting. | |||
| *Apple ProRes codec can be only recorded to CFexpress Type B card | |||
| *Bitrate for Apple ProRes codec is not selectable. | |||
| *Recording time can become short depending on the temperature and/or shooting conditions | |||
| Film simulation mode | 19 modes | ||
| PROVIA/Standard | |||
| Velvia/Vivid | |||
| ASTIA/Soft | |||
| Classic Chrome | |||
| PRO Neg.Hi | |||
| PRO Neg.Std | |||
| Classic Neg. | |||
| Nostalgic Neg. | |||
| ETERNA/Cinema | |||
| ETERNA BLEACH BYPASS | |||
| ACROS | |||
| ACROS + Ye Filter | |||
| ACROS + R Filter | |||
| ACROS + G Filter | |||
| Black & White | |||
| Black & White + Ye Filter | |||
| Black & White + R Filter | |||
| Black & White + G Filter | |||
| Sepia | |||
| Monochromatic Color | Yes | ||
| Grain Effect | Roughness | STRONG, WEAK, OFF | |
| Size | LARGE, SMALL | ||
| Color Chrome Effect | STRONG, WEAK, OFF | ||
| Color chrome Blue | STRONG, WEAK, OFF | ||
| Smooth Skin Effect | |||
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ | |
| ISO restriction | DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more | ||
| Movie | 100％ / 200％ / 400％ | ||
| ISO restriction | DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more | ||
| White balance | Auto | White Priority | |
| Auto | |||
| Ambience Priority | |||
| Custom | Custom1 - 3 | ||
| Color temperature selection | 2500K～10000K | ||
| Preset | Daylight | ||
| Shade | |||
| Fluorescent Light-1 | |||
| Fluorescent Light-2 | |||
| Fluorescent Light-3 | |||
| Incandescent Light | |||
| Underwater | |||
| Clarity setting | ±5 steps | ||
| Self-timer | 10sec. | ||
| 2sec. | |||
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | ||
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) | |
| Encryption | WEP/WPA/WPA2 mixed mode | ||
| Access mode | Infrastructure | ||
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) | |
| Operating frequency (Center frequency) | 2402〜2480MHz | ||
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) | |
| HDMI output | HDMI connector (Type A) | ||
| Others | ø3.5mm, stereo mini connector (Microphone) | ||
| ø3.5mm, stereo mini connector (Headphone) | |||
| ø2.5mm, Remote Release Connector | |||
| Hot shoe | |||
| Synchronized terninal | |||
| Power supply | NP-W235 Li-ion battery (included) | ||
| Battery life for still images | Economy Mode | Approx. 720 frames | |
| Normal Mode | Approx. 580 frames | ||
| *When XF35mmF1.4 R is set | |||
| Actual battery life of movie capture | 6.2K | Approx. 90min. (29.97p) | |
| 4K | Approx. 70min. (59.94p), Approx. 60min (120p) | ||
| Full HD | Approx. 95min. (59.94p) | ||
| *Face detection is set to OFF | |||
| Continuance battery life of movie capture | 6.2K | Approx. 120min. (29.97p) | |
| 4K | Approx. 105min. (59.94p) | ||
| Full HD | Approx. 165min. (59.94p) | ||
| *Face detection is set to OFF | |||
| *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. | |||
| Dimensions | Width | 136.3mm | |
| Height | 92.9mm | ||
| Depth | 84.6mm | ||
| (Minimum Depth) | (42.8mm) | ||
| Weight | including battery and memory card | Approx. 660g | |
| excluding battery and memory card | Approx. 579g | ||
| Operation Environment | Operating Temperature | -10℃～+40℃ | |
| Operating Humidity | 10% - 80% (no condensation) | ||
| Starting up period | Approx. 0.49sec. | ||
This product comes with 12 Months Australian Manufacturer Warranty with Fujifilm. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.
FujiFilm X-H2S Camera Body Only
Li-ion battery NP-W235S
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
File transmitter/vertical battery grip connector cover
Memory card slot cover
Sync terminal cover
Cooling fan connector cover
Cable protector
Owner's manual
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FujiFilm X-H2S Camera Body Only
SKU: FujiFilm 74442
UPC: 4547410469172
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