Fujifilm GFX100S Mirrorless Camera Body Only
- 3 Year Australian Manufacturer Warranty
- 102-megapixel back-illuminated image sensor
- X-Processor 4 processing engine
- 4K 30p video recording
- Continuous shooting of up to 5 fps
- 425 phase-detection AF points
- 3.69M-dot electronic viewfinder
- 3.76 million phase detection pixels
- 2.36M-dot tiltable rear touchscreen LCD
- Five-axis, in-body image stabilization
- Film Simulation modes
- 16-bit RAW imagery
- Two SD card slots
Talk about a game-changer in medium format photography. The Fujifilm GFX100S Digital Mirrorless Camera has an eye-popping 102MP sensor that works with the “X-Processor 4” imaging engine to deliver superb photo and video resolution. This combination also provides a wide dynamic range and ISO sensitivity of up to 12800 which helps reproduce colors accurately.
Autofocus won't be a problem as well because its 425 phase-detection points cover almost the entire frame. You can use these points to lock onto a subject's face or eye. Video-wise, the GFX100S can record 4K video of up to 30 fps. You can enhance color grading at post-production by using the F-log gamma setting.
The Fujifilm GFX100S negates camera shake caused by hand-held shooting through its five-axis in-body image stabilization. Meanwhile, the electronic viewfinder helps you find the perfect frame while the tiltable touchscreen LCD enables settings adjustments as well.
This portable Fujifilm mirrorless camera can operate well at temperatures as low as -10℃. Through intense heat or rain, the GFX100S will perform well because of its dust and weather-resistant construction.
Product Features in Detail
Image Processing Engine
Resolving power is nothing without control and X-Processor 4 is the perfect engine to reliably deliver stunning, high-quality images time and time again. Amazingly, it does all of this blazingly fast, while applying decades of experience in color know-how to every image. At the end of the day, it doesn’t matter if GFX100S is faithfully reproducing colors or applying Film Simulations, to deliver a unique view of a scene, because it will always deliver an image in a way that will enhance your creative process.
Fujifilm G Mount
Engineered to keep pace with 100MP+ imaging sensors, G Mount lenses are optimized to provide a lifetime of service. With a short flange focal distance, which helps keep GFX system cameras compact, G Mount lenses are designed to prevent peripheral light falloff. When combined with a large CMOS imaging sensor, this approach results in stunning edge-to-edge sharpness.
Focal Plane Shutter
Designed to work in harmony with GFX100S, the camera’s redesigned shutter unit is 15% lighter than the one found in the original GFX100, but its smaller size doesn’t compromise its performance in any way. In fact, durability and performance are almost assured, since it’s guaranteed to reach over 150,000 actuations over its lifetime. Five shutter types are also available, including a silent electronic shutter, so it doesn’t matter if it’s at a quiet wedding or an ear-splitting concert, image makers everywhere can choose the option that makes the best of the conditions they are working with.
Shock Absorber
Ultra-high resolution images need all the help they can get when it comes to eliminating unintended vibrations since even the slightest movement can be seen in the image’s finest details. This is why the GFX100S’ shutter unit is equipped with a dedicated shock absorber. Not only does it provide a quicker shutter response to enhance performance, but it also minimizes any hint of shutter shock, which means those perfect moments will always be within your grasp, vibration reduced.
Image Stabilization
GFX100S features a redesigned, powerful in-body image stabilization (IBIS) system that is 20% smaller and 10% lighter than the version found in the GFX100. Amazingly, despite this reduction in size and weight, it is still able to provide up to six stops of five-axis stabilization, which dramatically broadens the possibilities for image-makers everywhere to confidently create handheld images in a multitude of circumstances and a variety of lighting conditions.
Pixel Shift Multi Shot
When nothing but the best will do, GFX100S rises to the challenge. Its Pixel Shift Multi-Shot function combines 16 RAW files to create a single 400MP image that reproduces the finest details with ultimate color accuracy. Images are created by moving the imaging sensor to record red, green, and blue data from every pixel. This process results in unparalleled color reproduction, minimal false colors, and is perfect for archiving works of art, preserving cultural assets, or for any application that requires immense color fidelity and sumptuous detail.
Film Simulation
Fujifilm’s expertise in color science is legendary among image makers. For more than 85 years, it has been responsible for some of the world’s most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color, instantly, straight out of the camera, and with a new Film Simulation mode to explore – Nostalgic Neg. – it may just be worth it to spend a little more time here than you originally thought.
Image Effects
You can choose the white balance setting from Auto, Custom, Color Temperature, and Preset. The white balance can be fine tuned in the WB Shift feature with RB color coordinates. In the Custom mode, which measures the ambient light to determine white balance, you can also adjust size and location settings and register three presets.
Face/Eye Detection AF
GFX100S uses an advanced Face and Eye Detection autofocus algorithm to ensure portrait images are perfectly in focus, even when using wide apertures to create images with shallow depth-of-field. For ultimate precision, use Eye Detection AF and prioritize which eye to focus on, or use Face Detection AF in combination with GFX100S’ touchscreen or Focus Lever to select, track, and perfectly expose one face in a crowd of people.
4K Movie Recording
GFX100S’s large format imaging sensor isn’t just limited to still imagery. Switched to movie mode, filmmakers can create naturally cinematic footage and record richly detailed 4K/30p movies with a shallow depth-of-field, wide tonal gradation, and impressive ISO sensitivity in either 10-bit F-log or 12-bit ProRes RAW. This is all possible thanks to X-Processor 4, which also facilitates a bit rate of up to 400 Mbps, the commonly used 17:9 aspect ratio, and support for common compression codecs, like H.265 and H.264.
RAW Recording
For maximum flexibility with image-based adjustments and color grading options, GFX100S can also record 4K/30P footage in 12-bit RAW, via HDMI, directly to an Atomos Ninja V Monitor Recorder to be recorded as Apple ProRes RAW files. This allows for all decisions about the image to be made after production, in post, free from in-camera processing. Simultaneous output of RAW footage and footage in F-Log or Hybrid Log Gamma (HLG) with a Film Simulation mode applied is also possible.
Compact size
FUJIFILM GFX system cameras have set new standards for portability and operation when it comes to large format cameras and GFX100S continues this modern-day legacy. Its high-resolution 102MP sensor is housed in a body that weighs just 900g (1.98lbs) and measures a remarkably compact 150x104x87mm (5.90×4.09×3.42in). It features a redesigned shutter unit, a five-axis in-body image stabilization system, and fits comfortably in-hand thanks to its contoured grip. At its size, it may provide an image-making experience similar to other full-frame cameras, but make no mistake, GFX100S produces images far more superior in quality.
Sub LCD Monitor
Instantly check the status of key camera functions with the top-plate LCD monitor on GFX100S. The 1.8in black & white monitor is crystal clear and displays the all-important information, including shutter speed, aperture, ISO sensitivity, and remaining frames. The display is also fully programmable, so you can choose what information you have to hand at all times.
Tiltable main LCD
Some of the greatest images are made when a camera is positioned at a dramatic or unusual angle. The rear 3.2in, 2.36 million dot LCD panel on GFX100S encourages you to explore different viewpoints with its 100% coverage and three tilting directions: 90° upward, 45° downward, and 60° to the right. Use this flexibility with touchscreen control to push your compositions to the next level.
Lightweight, weather-resistant body
Incredibly light, yet impressively durable, the camera body is made from magnesium alloy and designed to meet the demands of day to day use. It is also thicker by 1mm around the lens mount to provide additional rigidity and support, which is essential when using larger G Mount prime and zoom lenses.
Meanwhile, thanks to a camera body that is sealed in 60 different places, GFX100S can easily shrug off the most challenging weather and environments. It can operate in temperatures as low as -10°C (14°F) and is both dust- and moisture-resistant.
Model name | FUJIFILM GFX100S | ||
Lens Mount | FUJIFILM G mount | ||
Image sensor | 43.8mm×32.9mm Bayer array with primary color filter | ||
Number of effective pixels | 102 million pixels | ||
Sensor Cleaning System | Ultra Sonic Vibration | ||
Image Processing Engine | X-Processor 4 | ||
Storage media | SD Card (-2GB) | ||
SDHC Card (-32GB) | |||
SDXC Card (-2TB) | |||
UHS-I | |||
UHS-II | |||
Video Speed Class V90 | |||
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | |||
File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) | |
JPEG | Exif Ver.2.3.2 | ||
RAW | 16bit / 14bit RAW (RAF original format) | ||
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | ||
*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing | |||
Number of recorded pixels | [L] | 4:3 | 11648 x 8736 |
3:2 | 11648 x 7768 | ||
16:9 | 11648 x 6552 | ||
1:1 | 8736 x 8736 | ||
65:24 | 11648 x 4304 | ||
5:4 | 10928 x 8736 | ||
7:6 | 10192 x 8736 | ||
[M] | 4:3 | 8256 x 6192 | |
3:2 | 8256 x 5504 | ||
16:9 | 8256 x 4640 | ||
1:1 | 6192 x 6192 | ||
65:24 | 8256 x 3048 | ||
5:4 | 7744 x 6192 | ||
7:6 | 7232 x 6192 | ||
[S] | 4:3 | 4000 x 3000 | |
3:2 | 4000 x 2664 | ||
16:9 | 4000 x 2248 | ||
1:1 | 2992 x 2992 | ||
65:24 | 4000 x 1480 | ||
5:4 | 3744 x 3000 | ||
7:6 | 3504 x 3000 | ||
Sensitivity | Still Image | Standard Output | AUTO1 |
AUTO2 | |||
AUTO3 | |||
ISO100~12800 (1/3 step) | |||
Extended Output | ISO50 | ||
ISO25600 | |||
ISO51200 | |||
ISO102400 | |||
Movie | Standard Output | AUTO | |
ISO200~12800 (1/3 step) | |||
Extended Output | ISO25600 | ||
Exposure control | TTL 256-zone metering | ||
Multi | |||
Spot | |||
Average | |||
Center Weighted | |||
Exposure mode | P (Program AE) | ||
A (Aperture Priority AE) | |||
S (Shutter Speed Priority AE) | |||
M (Manual Exposure) | |||
Exposure compensation | Still | -5.0EV~+5.0EV 1/3EV step | |
Movie | -2.0EV~+2.0EV 1/3EV step | ||
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation | |
Compensation Effect | 6.0 stops | ||
*based on CIPA standard | |||
*Pitch/yaw shake only | |||
*With GF63mmF2.8 R WR lens mounted | |||
Digital Image Stabilization | Yes (movie mode only) | ||
IS MODE BOOST | Yes (movie mode only) | ||
Shutter type | Focal Plane Shutter | ||
Shutter speed | Mechanical shutter | P mode | 4sec. to 1/4000sec. |
A mode | 30sec. to 1/4000sec. | ||
S/M mode | 60min. to 1/4000sec. | ||
Bulb | up to 60min. | ||
Electronic shutter | P mode | 4sec. to 1/16000sec. | |
A mode | 30sec. to 1/16000sec. | ||
S/M mode | 60min. to 1/16000sec. | ||
Bulb | up to 60min. | ||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |||
Mechanical + Electronic shutter | P mode | 4sec. to 1/16000sec. | |
A mode | 30sec. to 1/16000sec. | ||
S/M mode | 60min. to 1/16000sec. | ||
Bulb | up to 60min. | ||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |||
E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter) |
P mode | 4sec. to 1/4000sec. | |
A mode | 30sec. to 1/4000sec. | ||
S/M mode | 60min. to 1/4000sec. | ||
Bulb | up to 60min. | ||
*Electronic front curtain shutter works until 1/1250sec. | |||
*When using the electronic front curtain shutter, the continuous shooting supports CL only | |||
E-front + Mechanical + Electronic shutter (GFX: Electronic Front Curtain Shutter + Electronic Shutter) |
P mode | 4sec. to 1/16000sec. | |
A mode | 30sec. to 1/16000sec. | ||
S/M mode | 60min. to 1/16000sec. | ||
Bulb | up to 60min. | ||
*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. | |||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |||
*When using the electronic front curtain shutter, the continuous shooting supports CL only | |||
Movie | DCI4K/4K | 1/4000sec. - 1/4sec. | |
FHD | 1/4000sec. - 1/4sec. | ||
*Cannot choose slower shutter speed than framerate with LongGOP recording. | |||
Synchronized shutter speed for flash | 1/125sec. or slower | ||
CH | Electronic shutter | 2.9fps | |
JPEG | 64 frames | ||
Compressed RAW | 23 frames | ||
Lossless compressed RAW | 18 frames | ||
Uncompressed RAW | 15 frames | ||
CH | 5.0fps | ||
JPEG | 42 frames | ||
Compressed RAW | 16 frames | ||
Lossless compressed RAW | 15 frames | ||
Uncompressed RAW | 14 frames | ||
CL | 2.0fps | ||
JPEG | Endless | ||
Compressed RAW | 45 frames | ||
Lossless compressed RAW | 22 frames | ||
Uncompressed RAW | 16 frames | ||
*Electronic Front Curtain Shutter support CL only. | |||
*Recordable frames depends on recording media | |||
*Speed of continuous shooting depends on shooting environment and shooting frames | |||
Drive Mode | AE Bracketing | 2 frames | |
3 frames | |||
5 frames | |||
7 frames | |||
9 frames | |||
*by 1/3EV step, up to ±3EV steps | |||
Film simulation bracketing | Any 3 types of film simulation selectable | ||
Dynamic Range Bracketing | 100% | ||
200% | |||
400% | |||
ISO sensitivity Bracketing | ±1/3EV | ||
±2/3EV | |||
±1EV | |||
White Balance Bracketing | ±1 | ||
±2 | |||
±3 | |||
Focus Bracketing | AUTO | ||
MANUAL | |||
Multiple Exposure | Yes (Max. 9 frames) | ||
Additive | |||
Average | |||
Bright | |||
Dark | |||
Pixel Shift Multi Shot | Yes | ||
Focus | Mode | Single AF | |
Continuous AF | |||
MF | |||
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | ||
Low-light Performance | Contrast | -2.5EV | |
GF80mmF1.7 attached | |||
Phase Detection | -5.5EV | ||
GF80mmF1.7 attached | |||
AF frame selection | Single point AF | 13x9 / 25x17 (Changeable size of AF frame) | |
Zone AF | 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid | ||
Wide/Tracking AF | Yes (AF-S: Wide / AF-C: Tracking) | ||
All | Yes | ||
Face/eye detection | Yes | ||
Flash | Sync. Mode | 1st Curtain | |
2nd Curtain | |||
AUTO FP (HSS) | |||
When SHOE MOUNT FLASH is set | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) | ||
MANUAL | |||
MULTI | |||
OFF | |||
Hot shoe | Yes (Dedicated TTL Flash compatible) | ||
Viewfinder | EVF | 0.5 inch OLED Color Viewfinder | |
Approx. 3.69 million dots | |||
Coverage of Viewing Area vs. Capturing Area | Approx. 100% | ||
Eyepoint | Approx. 23mm (from the Rear End of the Camera's Eyepiece) | ||
Diopter Adjustment | -4~+2m-1 | ||
Magnification | 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 | ||
Diagonal Angle of View | approx. 38° (Horizontal angle of view: approx. 30° ) | ||
Built-In Eye Sensor | |||
LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor | ||
Aspect Ratio | 4:3 | ||
Dots | Approx. 2.36 million dots | ||
Touch Screen Mode | Shooting Mode | ||
AF | |||
Focus Area | |||
OFF | |||
Double Tap Setting | |||
Touch Function Setting | |||
EVF Touch Screen Area Setting | |||
Playback Mode | Swipe | ||
Pinch-in / Pinch-out | |||
Double-tap | |||
Drag | |||
Sub LCD monitor | 1.80 inch Monochrome LCD Monitor | ||
Aspect Ratio | 4:3 | ||
Dots | 303x230-dot | ||
Movie recording | File format | Video | MOV |
MP4 | |||
MPEG-4 AVC/H.264 | |||
HEVC/H.265 | |||
Audio | Linear PCM / Stereo sound 24bit / 48KHz sampling | ||
AAC | |||
Movie compression | All Intra / Long GOP | ||
※All Intra can be used with following settings. | |||
DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps | |||
Full HD(2048x1080) / Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps | |||
DCI4K(17:9) | File size | 4096×2160 | |
Frame rate | 29.97p | ||
25p | |||
24p | |||
23.98p | |||
Bitrate | 400Mbps | ||
200Mbps | |||
100Mbps | |||
Recording time | Up to Approx. 120min. | ||
4K(16:9) | File size | 3840×2160 | |
Frame rate | |||
29.97p | |||
25p | |||
24p | |||
23.98p | |||
Bitrate | 400Mbps | ||
200Mbps | |||
100Mbps | |||
Recording time | Up to Approx. 120min. | ||
Full HD(17:9) | File size | 2048×1080 | |
Frame rate | 59.94p | ||
50p | |||
29.97p | |||
25p | |||
24p | |||
23.98p | |||
Bitrate | 200Mbps | ||
100Mbps | |||
50Mbps | |||
Recording time | Up to Approx. 120min. | ||
Full HD(16:9) | File size | 1920×1080 | |
Frame rate | 59.94p | ||
50p | |||
29.97p | |||
25p | |||
24p | |||
23.98p | |||
Bitrate | 200Mbps | ||
100Mbps | |||
50Mbps | |||
Recording time | Up to Approx. 120min. | ||
*For recording movies, use a SD memory card with UHS Speed Class 3 or higher. | |||
*For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher. | |||
*Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p. | |||
*Recording time can become short depending on the temperature and/or shooting conditions | |||
Film simulation mode | 19 modes | ||
PROVIA/Standard | |||
Velvia/Vivid | |||
ASTIA/Soft | |||
Classic Chrome | |||
PRO Neg.Hi | |||
PRO Neg.Std | |||
Classic Neg. | |||
Nostalgic Neg. | |||
ETERNA/Cinema | |||
ETERNA BLEACH BYPASS | |||
ACROS | |||
ACROS + Ye Filter | |||
ACROS + R Filter | |||
ACROS + G Filter | |||
Black & White | |||
Black & White + Ye Filter | |||
Black & White + R Filter | |||
Black & White + G Filter | |||
Sepia | |||
Monochromatic Color | Yes | ||
Grain Effect | Roughness | STRONG, WEAK, OFF | |
Size | LARGE, SMALL | ||
Color Chrome Effect | STRONG, WEAK, OFF | ||
Color chrome Blue | STRONG, WEAK, OFF | ||
Smooth Skin Effect | STRONG, WEAK, OFF | ||
Dynamic range setting | Still | AUTO / 100% / 200% / 400% | |
ISO restriction | DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more | ||
Movie | 100% / 200% / 400% | ||
ISO restriction | DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more | ||
White balance | Auto | White Priority | |
Auto | |||
Ambience Priority | |||
Custom | Custom1 - 3 | ||
Color temperature selection | 2500K~10000K | ||
Preset | Fine | ||
Shade | |||
Fluorescent Light-1 | |||
Fluorescent Light-2 | |||
Fluorescent Light-3 | |||
Incandescent Light | |||
Underwater | |||
Clarity setting | ±5 steps | ||
Self-timer | 10sec. | ||
2sec. | |||
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | ||
Wireless transmitter | Standard | IEEE802.11b/g/n (standard wireless protocol) | |
Encryption | WEP/WPA/WPA2 mixed mode | ||
Access mode | Infrastructure | ||
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) | |
Operating frequency (Center frequency) | 2402〜2480MHz | ||
Terminal | Digital interface | USB Type-C (USB3.2 Gen1x1) | |
HDMI output | HDMI Micro connector (Type D) | ||
Others | ø3.5mm, stereo mini connector (Microphone) | ||
ø3.5mm, stereo mini connector (Headphone) | |||
ø2.5mm, Remote Release Connector | |||
Hot shoe | |||
Synchronized terninal | |||
Power supply | NP-W235 Li-ion battery (included) | ||
Battery life for still images | |||
Normal Mode | Approx. 460 frames | ||
*When GF63mmF2.8 R WR is set | |||
Actual battery life of movie capture | 4K | Approx. 60min. (29.97p) | |
Full HD | Approx. 65min. (59.94p) | ||
*Face detection is set to OFF | |||
Continuance battery life of movie capture | 4K | Approx. 95min. (29.97p) | |
Full HD | Approx. 110min. (59.94p) | ||
*Face detection is set to OFF | |||
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. | |||
Dimensions | Width | 150.0mm | |
Height | 104.2mm | ||
Depth | 87.2mm | ||
(Minimum Depth) | 44.0mm | ||
Weight | including battery and SD memory card | Approx. 900g | |
excluding battery and SD memory card | Approx. 821g | ||
Operation Environment | Operating Temperature | -10°C - +40°C | |
Operating Humidity | 10% - 80% (no condensation) | ||
Starting up period | Approx. 0.5sec. | ||
Accessories included | |||
Li-ion battery NP-W235 | |||
AC power adapter AC-5VJ | |||
Plug adapter | |||
USB cable | |||
Shoulder strap | |||
Body cap | |||
Hot shoe cover | |||
Cable protector | |||
Owner's manual |
This product comes with 3 years Australian Manufacturer Warranty with Fujifilm. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.
Fujifilm GFX 100S Mirrorless Camera (Body Only)
Fujifilm NP-W235 Lithium-Ion Battery (7.2V, 2200mAh)
AC-5VJ AC Power Adapter
Plug Adapter
USB Cable
Shoulder Strap
FUJIFILM BCP-002 Body Cap
Hot Shoe Cover
Cable Protector
