FujiFilm GFX100S II Mirrorless Camera
- 102MP CMOS II sensor
- X-Processor 5 Image Processing Engine
- 4K 30p video recording
- Ultra Sonic Vibration Sensor Cleaning System
- Continuous shooting of up to 5 fps
- 425 phase-detection AF points
- Approx. 5.76 million Dots Electronic Viewfinder
- 3.76 Million Phase Detection Pixels
- 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
- 8 Stops In-Body Image Stabilization
- Film Simulation Modes
- 16-bit RAW Imagery
The Fujifilm GFX100S II is a mirrorless camera that offers impressive features and capabilities. The GFX100S II features a 102MP CMOS II sensor, which delivers high-resolution images with excellent detail and dynamic range. The camera is equipped with Fujifilm's X-Processor 5 image processing engine, which ensures fast and efficient performance for image processing tasks. It supports 4K video recording at up to 30 frames per second, allowing you to capture high-quality video footage with fine details and accurate colors. This camera features an Ultra Sonic Vibration sensor cleaning system, which helps keep the image sensor free from dust particles for cleaner and clearer images. The camera offers continuous shooting at up to 5 frames per second, enabling you to capture fast-moving subjects with precision.
With 425 phase-detection autofocus (AF) points, the GFX100S II delivers fast and accurate autofocus performance, even in low-light situations. The camera is equipped with an approximately 5.76 million dots electronic viewfinder (EVF), providing a high-resolution and detailed view of the scene. The 3.2-inch tilt-type touch screen color LCD monitor allows for easy and flexible shooting, offering different viewing angles to suit your needs. The GFX100S II provides 8 stops of in-body image stabilization, compensating for camera shake and enabling sharper images, particularly in low-light situations.
Fujifilm's renowned film simulation modes are included, allowing you to apply different looks and styles to your images for a unique aesthetic. This camera supports capturing images in 16-bit RAW format, which offers greater color depth and flexibility for post-processing. The Fujifilm GFX100S II is a high-resolution mirrorless camera that combines advanced features, robust performance, and a range of creative options for photographers who require exceptional image quality and versatility.
Product Features in Detail
The NEW GFX100S II
Introducing the NEW Fujifilm GFX100S II: Equipped with a newly developed 102MP sensor and the latest high-speed image processing engine. Experience high-quality image capture with up to eight-stop IBIS and advanced AI-based subject detection AF. Ideal for capturing moving subjects with precision.
102MP Large Format CMOS II Sensor
Featuring the 102MP CMOS II sensor, the FUJIFILM GFX100S II delivers extraordinary image quality in a compact mirrorless body, enabling enhanced image capture with breathtaking resolution.
X Processor 5 with AI Subject Detection AF
Explore the GFX100S II with the latest X-Processor 5 and AI-based subject detection AF, capturing moving subjects with high precision and speed in a compact body.
Up to 8 Stop IBIS
The The GFX100S II offers up to eight-stop IBIS for exceptional image stabilisation. Enjoy the freedom to shoot handheld in low-light scenes with confidence.
The FUJINON GF500mmF5.6 R LM OIS WR Lens
Lightweight and Portable
The FUJINON GF500mmF5.6 R LM OIS WR lens, weighing approximately 1,375g*1, merges lightweight design with powerful image stabilisation and high-precision autofocus.
Dust and Weather Resistant
Experience the FUJINON GF500mmF5.6 R LM OIS WR lens, designed for durability with its weather-resistant structure and fluorine-coated front element, ensuring reliable performance in adverse weather conditions.
Broad Compatibility
'Always-on Bluetooth' supported by GFX100 II, X-T5, X-S20, X100VI with firmware updates rolled out as of April 23rd. RAW transfer supported by those models as well as X-H2S and X-H2.
Simplified Connectivity
Quickly connect and manage images with the redesigned Connect Page.
Enhanced Image Management
Easily manage daily images with updated Image Transfer filtering.
Equipment Monitoring
Check shutter count directly on XApp’s Equipment Page.
Seamless RAW Transfers
Transfer RAW files directly from camera to XApp, enhancing your workflow. Tip: select 5GHz frequency in Bluetooth/Smartphone Settings for the fastest RAW transfer speeds.
Always-on Bluetooth
Maintain a Bluetooth connection and initiate image transfer/remote capture, even when cameras are off.
Model name |
FUJIFILM GFX100S II |
||
Lens Mount | FUJIFILM G mount | ||
Image sensor | 43.8mm×32.9mm GFX 102MP CMOS II with primary color filter | ||
Number of effective pixels | 102 million pixels | ||
Sensor Cleaning System | Ultra Sonic Vibration | ||
Image Processing Engine | X-Processor 5 | ||
Storage media | SD Card (-2GB) | ||
SDHC Card (-32GB) | |||
SDXC Card (-2TB) | |||
UHS-I | |||
UHS-II | |||
Video Speed Class V90 | |||
SSD (-2TB) | |||
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | |||
File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) | |
JPEG | Exif Ver.2.32 | ||
HEIF | 4:2:2 10bit | ||
RAW | 14bit / 16bit RAW (RAF original format) | ||
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | ||
*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing | |||
Number of recorded pixels | [L] | 4:03 | 11648 x 8736 |
3:02 | 11648 x 7768 | ||
16:09 | 11648 x 6552 | ||
1:01 | 8736 x 8736 | ||
65:24:00 | 11648 x 4304 | ||
5:04 | 10928 x 8736 | ||
7:06 | 10192 x 8736 | ||
[M] | 4:03 | 8256 x 6192 | |
3:02 | 8256 x 5504 | ||
16:09 | 8256 x 4640 | ||
1:01 | 6192 x 6192 | ||
65:24:00 | 8256 x 3048 | ||
5:04 | 7744 x 6192 | ||
7:06 | 7232 x 6192 | ||
[S] | 4:03 | 4000 x 3000 | |
3:02 | 4000 x 2664 | ||
16:09 | 4000 x 2248 | ||
1:01 | 2992 x 2992 | ||
65:24:00 | 4000 x 1480 | ||
5:04 | 3744 x 3000 | ||
7:06 | 3504 x 3000 | ||
Panorama | [L] | vertical | |
Horizontal | |||
[M] | Vertical | ||
Horizontal | |||
Lens | Type | ||
Focal length | |||
Max. aperture | |||
Lens configuration | |||
ND filter | |||
Aperture | |||
Focus range | |||
Conversion lens | |||
Digital Tele-Converter | |||
Sensitivity | Still Image | Standard Output | AUTO1 |
AUTO2 | |||
AUTO3 | |||
ISO80~12800 (1/3 step) | |||
Extended Output | ISO40 | ||
ISO25600 | |||
ISO51200 | |||
ISO102400 | |||
Movie | Standard Output | AUTO | |
ISO100~12800 (1/3 step) | |||
Extended Output | ISO25600 | ||
Exposure control | TTL 256-zone metering | ||
Multi | |||
Spot | |||
Average | |||
Center Weighted | |||
Exposure mode | P (Program AE) | ||
A (Aperture Priority AE) | |||
S (Shutter Speed Priority AE) | |||
M (Manual Exposure) | |||
Exposure compensation | Still | -5.0EV~+5.0EV 1/3EV step | |
Movie | -2.0EV~+2.0EV 1/3EV step | ||
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation | |
Compensation Effect | 8.0 stops | ||
*based on CIPA standard | |||
*Pitch/yaw shake only | |||
*With GF63mmF2.8 R WR lens mounted | |||
Digital Image Stabilization | Yes (movie mode only) | ||
IS MODE BOOST | Yes (movie mode only) | ||
Shutter type | Focal Plane Shutter | ||
Shutter speed | Mechanical shutter | P mode | 30sec. to 1/4000sec. |
A mode | 30sec. to 1/4000sec. | ||
S/M mode | 60min. to 1/4000sec. | ||
Bulb | up to 60min. | ||
Electronic shutter | P mode | 30sec. to 1/16000sec. | |
A mode | 30sec. to 1/16000sec. | ||
S/M mode | 60min. to 1/16000sec. | ||
Bulb | up to 60min. | ||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |||
Electronic front curtain shutter | P mode | ||
A mode | |||
S/M mode | |||
Bulb | |||
Mechanical + Electronic shutter | P mode | 30sec. to 1/16000sec. | |
A mode | 30sec. to 1/16000sec. | ||
S/M mode | 60min. to 1/16000sec. | ||
Bulb | up to 60min. | ||
*Mechanical shutter works until 1/4000sec. | |||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |||
E-front + Mechanical shutter | P mode | 30sec. to 1/4000sec. | |
(GFX: Electronic Front Curtain Shutter) | A mode | 30sec. to 1/4000sec. | |
S/M mode | 60min. to 1/4000sec. | ||
Bulb | up to 60min. | ||
*Electronic front curtain shutter works until 1/1250sec. | |||
*When using the electronic front curtain shutter, the continuous shooting supports CL only | |||
E-front + Mechanical + Electronic shutter | P mode | 30sec. to 1/16000sec. | |
(GFX: E-Front + Electronic Shutter) | A mode | 30sec. to 1/16000sec. | |
S/M mode | 60min. to 1/16000sec. | ||
Bulb | up to 60min. | ||
*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. | |||
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |||
*When using the electronic front curtain shutter, the continuous shooting supports CL only | |||
Movie | 8K/DCI8K | ||
6.2K | |||
5.8K | |||
5.4K | |||
4.8K | |||
4.6K(ANAMOR) | |||
4K/DCI4K | 1/4000sec. to 1/8 sec. | ||
FHD | 1/4000sec. to 1/8 sec. | ||
*Cannot choose slower shutter speed than framerate for some settings. | |||
Synchronized shutter speed for flash | Mechanical shutter | 1/125sec. or slower | |
Electronic shutter | |||
Continuous shooting | CH | Electronic shutter | Approx. 4.1fps (35mm Format Mode ON) |
No. of recordable frames | JPEG | 1000+ frames | |
Compressed RAW | 1000+ frames | ||
Lossless compressed RAW | 96 frames | ||
Uncompressed RAW | 24 frames | ||
Compressed RAW + JPEG | 95 frames | ||
Lossless compressed RAW + JPEG | 51 frames | ||
Uncompressed RAW + JPEG | 15 frames | ||
CH | Electronic shutter | ||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
Compressed RAW + JPEG | |||
Lossless compressed RAW + JPEG | |||
Uncompressed RAW + JPEG | |||
CH | Electronic shutter | ||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
Compressed RAW + JPEG | |||
Lossless compressed RAW + JPEG | |||
Uncompressed RAW + JPEG | |||
Continuous shooting | CH | Electronic shutter | Approx. 3.0fps |
No. of recordable frames | JPEG | 1000+ frames | |
Compressed RAW | 508 frames | ||
Lossless compressed RAW | 45 frames | ||
Uncompressed RAW | 20 frames | ||
Compressed RAW+JPEG | 41 frames | ||
Lossless compressed RAW+JPEG | 29 frames | ||
Uncompressed RAW+JPEG | 16 frames | ||
CH | Electronic shutter | ||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
Compressed RAW+JPEG | |||
Lossless compressed RAW+JPEG | |||
Uncompressed RAW+JPEG | |||
CH | Electronic shutter | ||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
Compressed RAW+JPEG | |||
Lossless compressed RAW+JPEG | |||
Uncompressed RAW+JPEG | |||
CH | Electronic shutter | ||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
Compressed RAW+JPEG | |||
Lossless compressed RAW+JPEG | |||
Uncompressed RAW+JPEG | |||
CH | Electronic Front Curtain Shutter | ||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
CH | Mechanical shutter | Approx. 7.0fps | |
No. of recordable frames | JPEG | 184 frames | |
Compressed RAW | 30 frames | ||
Lossless compressed RAW | 19 frames | ||
Uncompressed RAW | 16 frames | ||
Compressed RAW+JPEG | 16 frames | ||
Lossless compressed RAW+JPEG | 14 frames | ||
Uncompressed RAW+JPEG | 12 frames | ||
CH | Mechanical shutter | Approx. 5.0fps | |
No. of recordable frames | JPEG | 526 frames | |
Compressed RAW | 46 frames | ||
Lossless compressed RAW | 22 frames | ||
Uncompressed RAW | 17 frames | ||
Compressed RAW+JPEG | 20 frames | ||
Lossless compressed RAW+JPEG | 16 frames | ||
Uncompressed RAW+JPEG | 12 frames | ||
CL | Mechanical shutter | Approx. 2.0fps | |
No. of recordable frames | JPEG | 1000+ frames | |
Compressed RAW | 1000+ frames | ||
Lossless compressed RAW | 337 frames | ||
Uncompressed RAW | 26 frames | ||
Compressed RAW+JPEG | 312 frames | ||
Lossless compressed RAW+JPEG | 42 frames | ||
Uncompressed RAW+JPEG | 20 frames | ||
CL | |||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
CL | |||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
CL | |||
No. of recordable frames | JPEG | ||
Compressed RAW | |||
Lossless compressed RAW | |||
Uncompressed RAW | |||
Pre-shot | Electronic shutter, 1.25 x Crop | ||
No. of recordable frames | While half press | ||
After full press | |||
Total | |||
Pre-shot | Electronic shutter, 1.25 x Crop | ||
No. of recordable frames | While half press | ||
After full press | |||
Total | |||
Pre-shot | Electronic shutter, 1.25 x Crop | ||
No. of recordable frames | While half press | ||
After full press | |||
Total | |||
Pre-shot | Electronic shutter | ||
No. of recordable frames | While half press | ||
After full press | |||
Total | |||
Pre-shot | Electronic shutter | ||
No. of recordable frames | While half press | ||
After full press | |||
Total | |||
Pre-shot | Electronic shutter | ||
No. of recordable frames | While half press | ||
After full press | |||
Total | |||
Pre-shot | Electronic shutter | ||
No. of recordable frames | While half press | ||
After full press | |||
Total | |||
Pre-shot | Electronic shutter | ||
No. of recordable frames | While half press | ||
After full press | |||
Total | |||
*Electronic Front Curtain Shutter support CL only. | |||
*No. of recordable frames are calculated based on a cold start | |||
*Recordable frames depends on recording media | |||
*Speed of continuous shooting depends on shooting environment and shooting frames | |||
Drive Mode | AE Bracketing | 2 frames | |
3 frames | |||
5 frames | |||
7 frames | |||
9 frames | |||
*by 1/3EV step, up to ±3EV steps | |||
Filmsimulation bracketing | Any 3 types of film simulation selectable | ||
Dynamic Range Bracketing | 100% | ||
200% | |||
400% | |||
ISO sensitivity Bracketing | ±1/3EV | ||
±2/3EV | |||
±1EV | |||
White Balance Bracketing | ±1 | ||
±2 | |||
±3 | |||
Focus Bracketing | AUTO | ||
MANUAL | |||
Multiple Exposure | Yes (Max. 9 frames) | ||
Additive | |||
Average | |||
Bright | |||
Dark | |||
HDR Mode | |||
Advanced filter | |||
Pixel Shift Multi Shot | HIGH RESOLUTION + ACCURATE COLOR | Yes | |
ACCURATE COLOR | Yes | ||
Focus | Mode | Single AF | |
Continuous AF | |||
MF | |||
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | ||
Low-light Performance | Contrast | -2.5EV | |
GF80mmF1.7 attached | |||
Phase Detection | -5.5EV | ||
GF80mmF1.7 attached | |||
AF frame selection | Single point AF | 13x9 / 25x17 (Changeable size of AF frame) | |
Zone AF | 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid | ||
Wide/Tracking AF | Yes (AF-S: Wide / AF-C: Tracking) | ||
All | Yes | ||
Face/eye detection | Yes | ||
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | ||
Flash | Built-in flash | ||
Guide Number | |||
Effective range(ISO1600) | |||
Sync. Mode | |||
Flash Mode | |||
Flash | EF-X8 | Guide Number | |
Sync. Mode | |||
Flash Mode | |||
Shoe mount flash | Sync. Mode | 1st Curtain | |
2nd Curtain | |||
AUTO FP (HSS) | |||
Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) | ||
MANUAL | |||
MULTI *When EF-X500 is set | |||
OFF | |||
Synchronized terminal | Sync. Mode | 1st Curtain | |
2nd Curtain | |||
Flash Mode | MANUAL | ||
Hot shoe | Yes (Dedicated TTL Flash compatible) | ||
Viewfinder (Hybrid viewfinder) | OVF | ||
Coverage of Frame Area v.s. Capturing Area | |||
Magnification | |||
Viewfinder | EVF | 0.5 inch OLED Color Viewfinder | |
Approx. 5.76 million dots | |||
Coverage of Viewing Area vs. Capturing Area | Approx. 100% | ||
Eyepoint | Approx. 24mm (from the Rear End of the Camera's Eyepiece) | ||
Diopter Adjustment | -5~+3m-1 | ||
Magnification | 0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 | ||
Diagonal Angle of View | approx. 40° (Horizontal angle of view: approx. 32° ) | ||
Built-In Eye Sensor | |||
LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor | ||
Aspect Ratio | 4:03 | ||
Dots | Approx. 2.36 million dots | ||
Touch Screen Mode | Shooting Mode | ||
AF | |||
Focus Area | |||
OFF | |||
Double Tap Setting (ON/OFF) | |||
Touch Function Setting (ON/OFF) | |||
EVF Touch Screen Area Setting | |||
Playback Mode | Swipe | ||
Pinch-in / Pinch-out | |||
Double-tap | |||
Drag | |||
Sub LCD monitor | 1.80 inch Monochrome LCD Monitor | ||
Aspect Ratio | 4:03 | ||
Dots | 303x230-dot | ||
Rear sub monitor | |||
Aspect Ratio | |||
Dots | |||
Movie recording | File format | MOV | Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||
MP4 | MPEG-4 AVC/H.264, AAC | ||
Movie compression | All Intra | ||
Long GOP | |||
8K(17:9) | File size | ||
Frame rate | |||
Bitrate | |||
8K(16:9) | File size | ||
Frame rate | |||
Bitrate | |||
8K(2.76:1) | File size | ||
Frame rate | |||
Bitrate | |||
6.2K(3:2) | File size | ||
Frame rate | |||
Bitrate | |||
6.2K(16:9) | File size | ||
Frame rate | |||
Bitrate | |||
5.8K(2.35:1) | File size | ||
Frame rate | |||
Bitrate | |||
5.4K(17:9) | File size | ||
Frame rate | |||
Bitrate | |||
4.8K(3:2) | File size | ||
Frame rate | |||
Bitrate | |||
4.8K(16:9) | File size | ||
Frame rate | |||
Bitrate | |||
4.6K(1.38:1) | File size | ||
Frame rate | |||
Bitrate | |||
DCI4K HQ(17:9) | File size | ||
Frame rate | |||
Bitrate | |||
4K HQ(16:9) | File size | ||
Frame rate | |||
Bitrate | |||
DCI4K(17:9) | File size | 4096 x 2160 | |
Frame rate | |||
29.97p | |||
25p | |||
24p | |||
23.98p | |||
Bitrate | 720Mbps | ||
360Mbps | |||
200Mbps | |||
100Mbps | |||
50Mbps | |||
Recording time | |||
4K(16:9) | File size | 3840 x 2160 | |
Frame rate | |||
29.97p | |||
25p | |||
24p | |||
23.98p | |||
Bitrate | 720Mbps | ||
360Mbps | |||
200Mbps | |||
100Mbps | |||
50Mbps | |||
Recording time | |||
Full HD(17:9) | File size | 2048 x 1080 | |
Frame rate | 59.94p | ||
50p | |||
29.97p | |||
25p | |||
24p | |||
23.98p | |||
Bitrate | 720Mbps | ||
360Mbps | |||
200Mbps | |||
100Mbps | |||
50Mbps | |||
Recording time | |||
Full HD(16:9) | File size | 1920 x 1080 | |
Frame rate | 59.94p | ||
50p | |||
29.97p | |||
25p | |||
24p | |||
23.98p | |||
Bitrate | 720Mbps | ||
360Mbps | |||
200Mbps | |||
100Mbps | |||
50Mbps | |||
Recording time | |||
Full HD LP(17:9) | File size | ||
Frame rate | |||
Bitrate | |||
Recording time | |||
Full HDLP(16:9) | File size | ||
Frame rate | |||
Bitrate | |||
Recording time | |||
DCI4K(17:9) High speed rec. | File size | ||
Frame rate | |||
Bitrate | |||
Recording time | |||
4K(16:9) High speed rec. | File size | ||
Frame rate | |||
Bitrate | |||
Recording time | |||
Full HD(17:9) High speed rec. | File size | ||
Frame rate | |||
Bitrate | |||
Recording time | |||
Full HD(16:9) High speed rec. | File size | ||
Frame rate | |||
Bitrate | |||
Recording time | |||
HD(16:9) | File size | ||
Frame rate | |||
Bitrate | |||
Recording time | |||
*Selectable mode will be changed depending on the "Image Format" setting. | |||
*For recording movies, use a SD memory card with UHS Speed Class 3 or higher. | |||
*For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. | |||
*For recording movies in 720Mbps, use a SD memory card with Video Speed Class 90 or higher. | |||
*Selectable bitrate will be changed depends on the setting. | |||
*Apple ProRes codec can be only recorded to SSD | |||
*Bitrate for Apple ProRes codec is not selectable. | |||
*Recording time can become short depending on the temperature and/or shooting conditions | |||
Scene Position mode | |||
Film simulation mode | 20 modes | ||
PROVIA/Standard | |||
Velvia/Vivid | |||
ASTIA/Soft | |||
Classic Chrome | |||
REALA ACE | |||
PRO Neg.Hi | |||
PRO Neg.Std | |||
Classic Neg. | |||
Nostalgic Neg. | |||
ETERNA/Cinema | |||
ETERNA BLEACH BYPASS | |||
ACROS | |||
ACROS + Ye Filter | |||
ACROS + R Filter | |||
ACROS + G Filter | |||
Black & White | |||
Black & White + Ye Filter | |||
Black & White + R Filter | |||
Black & White + G Filter | |||
Sepia | |||
Monochromatic Color | Yes | ||
B & W ADJ. (Warm/Cool) | |||
Grain Effect | Roughness | STRONG, WEAK, OFF | |
Size | LARGE, SMALL | ||
Color Chrome Effect | STRONG, WEAK, OFF | ||
Color chrome Blue | STRONG, WEAK, OFF | ||
Smooth Skin Effect | STRONG, WEAK, OFF | ||
Dynamic range setting | Still | AUTO / 100% / 200% / 400% | |
ISO restriction | DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more | ||
Movie | 100% / 200% / 400% | ||
ISO restriction | DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more | ||
White balance | Auto | White Priority | |
Auto | |||
Ambience Priority | |||
Custom | Custom1 - 3 | ||
Color temperature selection | 2500K~10000K | ||
Preset | Daylight | ||
Shade | |||
Fluorescent Light-1 | |||
Fluorescent Light-2 | |||
Fluorescent Light-3 | |||
Incandescent Light | |||
Underwater | |||
Clarity setting | ±5 steps | ||
Self-timer | Still | 10sec. | |
2sec. | |||
Movie | 10sec. | ||
5sec. | |||
3sec. | |||
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | ||
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) | |
Encryption | WPA/WPA2 mixed mode, WPA3 | ||
Access mode | Infrastructure | ||
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) | |
Operating frequency (Center frequency) | 2402〜2480MHz | ||
Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) | |
HDMI output | HDMI Micro connector (Type D) | ||
LAN Terminal | |||
Others | ø3.5mm, stereo mini connector (Microphone) | ||
ø3.5mm, stereo mini connector (Headphone) | |||
ø2.5mm, Remote Release Connector | |||
Hot shoe | |||
Synchronized terninal | |||
Power supply | NP-W235 Li-ion battery (included) | ||
Battery life for still images | Economy Mode | ||
Normal Mode | Approx. 530 frames | ||
*Auto power save ON | |||
*When GF63mmF2.8 R WR is set | |||
Actual battery life of movie capture | 8K | ||
6.2K | |||
4K | Approx. 80min. (29.97p) | ||
Full HD | Approx. 70min. (59.94p) | ||
*Face detection is set to OFF | |||
Continuance battery life of movie capture | 8K | ||
6.2K | |||
4K | Approx. 120min. (29.97p) | ||
Full HD | Approx. 120min. (59.94p) | ||
*Face detection is set to OFF | |||
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. | |||
Dimensions | Width | 150.0mm | |
Height | 104.2mm | ||
Depth | 87.2mm | ||
(Minimum Depth) | 44.0mm | ||
Excluding EVF | Width | ||
Height | |||
Depth | |||
(Minimum Depth) | |||
Weight | including battery and memory card | Approx. 883g | |
excluding battery and memory card | Approx. 802g | ||
Operation Environment | Operating Temperature | -10℃~+40℃ | |
Operating Humidity | 10%~80% (no condensation) | ||
Starting up period | Approx. 0.5sec. | ||
Accessories included | |||
Li-ion battery NP-W235 | |||
AC power adapter AC-5VJ | |||
Plug adapter | |||
USB cable | |||
Shoulder strap | |||
Body cap | |||
Hot shoe cover | |||
Memory card slot cover | |||
Cable protector | |||
This product comes with 3 years Australian Manufacturer Warranty with Fujifilm. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.
FujiFilm GFX100S II Mirrorless Camera
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
Memory card slot cover
Cable protector

SKU: FujiFilm 74476
UPC: 4547410522105