Atomos Sumo PRO-19 4K HDR DCI-P3 Monitor, Recorder and Switcher

Regular Price A$4,399.00 Special Price A$4,179.05 save: A$219.95

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Item is currently In Stock with our Supplier in Australia. Generally ships within 3-5 business day

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  • 19-inch, 4K HDR DCI-P3 monitor-recorder-switcher
  • Record in ProRes, ProRes RAW, Avid DNx & H.265 formats
  • Up to 8Kp30 recording via SDI & HDMI
  • CFexpress and external USB-C recording options
  • Touchscreen control over key parameters including start/stop, ISO, shutter, aperture, and white balance, as well as touch to focus for supported cameras
  • Record up to four isolated camera feeds (ISOs) plus a fifth program output
  • Quad-view and multi-camera monitoring
  • 2 x 12G-SDI + 2 x 3G-SDI in, 12G-SDI out, HDMI in/out with XLR audio
  • Comprehensive technical monitoring tools including EL Zone™ false color, focus peaking, waveform & more
  • Transmit and receive NDI® HX3 over Wi-Fi or Ethernet
  • Direct upload to ATOMOSphere, Frame.io, Dropbox and more
  • User-definable function buttons
  • AirGlu™ RF and Bluetooth timecode sync
  • Dual XLR audio inputs with phantom power
  • Over-the-air (OTA) firmware updates
Sale

The Atomos Sumo PRO-19 is a powerful all-in-one production solution that combines a 19-inch HDR monitor, multi-channel recorder, and live switcher into a single, professional-grade device—ideal for broadcast, cinema, and multi-camera workflows.

Featuring a large 19-inch 4K HDR display with DCI-P3 color support, the Sumo PRO-19 delivers accurate, high-contrast monitoring for critical on-set evaluation. Its intuitive touchscreen interface provides direct control over key camera parameters such as start/stop, ISO, shutter, aperture, white balance, and even touch-to-focus for supported cameras.

Built for high-end recording, it supports industry-standard codecs including Apple ProRes, ProRes RAW, Avid DNx, and H.265, with recording capabilities of up to 8Kp30 via SDI and HDMI inputs. Flexible media options include CFexpress cards and external USB-C drives, ensuring fast and reliable data handling.

The Sumo PRO-19 excels in multi-camera production, allowing you to record up to four isolated camera feeds (ISOs) while simultaneously capturing a fifth program output. Its quad-view and multi-view monitoring make it easy to manage multiple sources in real time, while built-in switching functionality streamlines live production workflows.

For advanced monitoring, it includes professional tools such as EL Zone™ false color, waveform, focus peaking, and more, ensuring precise exposure and focus control on set.

Modern workflow integration is enhanced with NDI® HX3 support over Wi-Fi or Ethernet, enabling seamless IP-based video transmission. It also supports direct uploads to ATOMOSphere, Frame.io, Dropbox, and other cloud platforms, accelerating post-production and collaboration.

Additional features like AirGlu™ RF and Bluetooth timecode sync, user-definable function buttons, and over-the-air firmware updates further enhance flexibility and future-proof the system.

Robust, versatile, and designed for demanding productions, the Atomos Sumo PRO-19 is the ultimate tool for professionals who need high-quality monitoring, recording, and switching in one integrated powerhouse.


Product Features in Detail

 

On-set 4K monitoring you can trust
Sumo PRO-19 is our next generation, 19-inch 4K HDR monitor-recorder-switcher, built for real-world on-set workflows. This is not just a monitor for the video village. It’s the control center, providing directors, clients, and talent with an on‑set viewing station for rapid decision‑making.


Built for connected workflows
With built in Wi-Fi and Ethernet connectivity for remote collaboration you can upload directly to camera to cloud platforms like ATOMOSphere, Frame.io, Dropbox, and more. Transmit or receive high quality NDI HX3 video over IP streams. With AirGlu™ wireless timecode you can sync multiple cameras and devices frame-accurately over Bluetooth® or RF.


Camera control & touch to focus
Sumo PRO-19 offers touchscreen control over key camera parameters including start/stop, ISO, shutter, aperture, and white balance for supported cameras, as well as touch to focus. The ability to control cameras remotely is especially valuable in situations where the camera itself is difficult to access during shooting, for example when mounted on cranes, jibs, or ceiling rigs. Now, the director doesn’t just watch the shot. From the comfort of their chair, they can directly control the camera via the touchscreen. Adjust settings, refine the image, and shape the shot in real-time without needing to step onto the set. Faster decisions, tighter feedback, better results. Control is available for most Canon, Fujifilm, Nikon, Panasonic, and Sony mirrorless cameras.


Customizable control buttons
Get instant access to up to six frequently-used features – for example exposure, framing and monitoring tools, playback modes, LUTs, anamorphic desqueeze – all at the touch of a button. Turn Sumo PRO‑19 into a professional control surface, optimized for speed, reliability, and personalized workflows in real production conditions.


CFexpress – built for speed
Capture 8K RAW and high‑bitrate codecs with confidence, thanks to ultra‑fast write speeds designed for sustained performance. CFexpress Type B media is compact, durable, and built to withstand the rigours of video production. With rapid offload speeds, your footage moves into post or the cloud without slowing down your pipeline. Alternatively, you can capture to external, cost‑effective USB‑C storage.
*Storage media purchased separately. Minimum performance / certification requirements apply.


10-bit industry-standard codecs
Sumo PRO-19 records 10-bit, 4:2:2 Apple ProRes, ProRes RAW or Avid DNx from SDI or HDMI sources, for immediate post-event turnaround. It can also record in 10-bit H.265 up to 30Mbps, giving you complete flexibility to master at the highest quality for colour correction and finishing, or proxy recording for dailies in a faster turnaround production workflow.


Professional monitoring tools
Sumo PRO-19 offers a comprehensive suite of simple, one-touch monitoring tools for focus, framing, and exposure, including focus peaking, zoom (2:1, 1:1), zebras, EL Zone™ false color, frame guides, SMPTE safe areas, grid markers, waveforms, an RGB parade, vectorscope, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads). It also offers anamorphic de-squeeze monitoring to correct the ratio for anamorphic lens setups, and 16:9 framing for social media.


EL Zone
Sumo PRO-19 supports EL Zone, a professional false color exposure tool that helps you see exactly how bright or dark different parts of your image are. Unlike traditional false color systems that use rough IRE ranges, EL Zone assigns specific colors to exact exposure values — based on stops of light, in the same way your camera sees exposure. It’s a precise and consistent way to expose your image correctly every time.


LUTS
Sumo PRO-19 can receive LOG signals from the camera and provide real-time LUT (Look‑Up Table) preview to approximate what the final graded image will look like in Rec.709 — all while recording in high‑quality ProRes, DNxHR, or ProRes RAW. Custom LUTs (.cube files) can be loaded from CFexpress card or external USB‑C media (or SSD drive in the case of Sumo 19SE) and used in conjunction with the built‑in monitoring tools for precise exposure control.


On-set review
Confidently manage complex productions with a large, color-accurate 19-inch display that’s ideal for directors, technical directors, and camera operators.


Technical monitoring
Bright, 19-inch display with comprehensive technical monitoring tools including false color, focus peaking, waveform vectorscope & more.


Live switching & routing
Live switcher capable of playing and recording up to four ISO camera feeds, plus a fifth program channel, all while cueing and switching in real‑time.


Connectivity at its core
Sumo PRO-19 supports demanding production workflows with comprehensive SDI and HDMI I/O, audio connectivity, timecode, and power options.

A – Audio: XLR inputs for line-level or mic sources, with selectable 48 V phantom power for compatible mics. XLR outputs for monitoring.

B – Power: 1 x 4-pin XLR for DC power supply included, or single battery (purchased separately).

C – HDMI & SDI: 2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G‑SDI inputs. Level A & B supported. 1 x 12G-SDI out. 1 x HDMI in/out up to 4K60P.

D – Networking: RJ45 Ethernet port unlocks powerful IP workflows with a single, standard network cable, including NDI and cloud connectivity.

E – Sync: Supports reference signal input to lock to an external source. Can also be used as a LTC timecode input for multi-camera setups.

F – USB: 2 x USB-C ports for attaching external storage media, camera control, and other accessories.


Color precision
The monitor can be calibrated with Calibrite Display Pro HL and Plus HL probes via the Atomos Calibrator app, using the Atomos calibration cable (ATOMCAB018, sold separately). This ensures consistently accurate HDR and Rec.709 monitoring, so what you see on screen is exactly what you deliver.


Pro audio, fully integrated
Sumo PRO-19 supports 24-bit/48 kHz PCM audio, accepts two balanced XLR inputs with 48V phantom power for external mics or line sources, and has gain controls, meters, and per-channel delay adjustment. You also get balanced XLR outputs, embedded HDMI/SDI audio, built-in speakers, and a headphone jack for direct monitoring and sync with video.


Durable, lightweight chassis
Crafted from high-quality aluminium, Sumo PRO-19 combines strength with a refined, professional look. The chassis is engineered to withstand the rigours of daily production while remaining lightweight and easy to handle. Its sleek finish gives the monitor a premium feel that reflects the performance and reliability inside.


Built-in handle
The integrated carry handle makes moving the Sumo PRO-19 around set effortless and secure. Ergonomically designed for comfort and balance, it allows you to quickly reposition your monitor between shots or locations without additional accessories. A practical feature that keeps your workflow moving smoothly.


Removable feet
Adapt your setup in seconds. Keep the feet attached for stable desktop or DIT cart monitoring, or remove them for rig integration. With multiple strategically placed mounting points, Sumo can easily be attached to stands, cages, arms, or integrated into custom setups.


Camera to Cloud
Camera to Cloud (C2C) is a revolutionary new workflow that lets you upload your video files directly from your Atomos monitor-recorder to the cloud, from wherever you’re shooting. There’s no time lost transporting and copying drives. Sumo PRO-19 has everything you need to do C2C built in, and supports direct upload to our own cloud platform – ATOMOSphere – as well as third-party platforms, including Frame.io and Dropbox.


NDI 6 HX3 transmit and receive
NDI can send and receive video over ordinary networks (including Wi‑Fi) in high quality, but with very low bandwidth requirements. It’s used increasingly in live production and events. Sumo PRO‑19 can be an NDI source, visible to all other authorized devices on the network, or an NDI receiver, with all the monitoring functionality you expect from an Atomos device.
Using NDI, you can send a video stream from a Ninja TX to a Sumo PRO‑19 over a local network without any video cables. This setup is ideal for flexible on-set monitoring, remote viewing, or multi-device production workflows.


Wireless timecode for multicam shoots
Timecode is a unique digital “timestamp” assigned to each frame of video. It ensures that all your devices—cameras, audio recorders, and monitors — are in perfect sync. Sumo PRO‑19 includes AirGlu timecode sync over RF or Bluetooth to act as a powerful timecode hub.

Physical
Dimensions (W x H x D mm) 474mm x 315mm x 62mm
Weight 7.1 Kg
Mounting Points Top: 4 x 1/4"20, 2 x 3/8″, Bottom: 6 x 1/4"20, 3 x 3/8″ Right: 4 x 1/4"20, 2 x 3/8″, Left: 2 x 1/4"20, 1 x 3/8″
VESA Mount 100 x 100
Environmental
Ambient Operating Temperature Up to 40 Degrees Celsius
Construction
Body Aluminium with ABS plastic
Cooling Actively controlled fan and heat sink
Touch Screen Capacitive touch
Tally Light LED on rear
Multi-Function Button Power + 6 assignable
Power
Input voltage DC 12V to 16.8V DC
Operating Power 75W
Compatible Batteries 95Wh+ V-Lock / Anton Bauer Gold Mount via XLR terminal (optional mounting plates available)
Battery Voltage 14.4V nominal
Battery power Dual battery input via dedicated 4-pin XLR
DC-In Connector 1 x 4-pin XLR for included DC power supply
D-Tap Via third-party D-Tap to 4-pin XLR cable
Display
Size 19-inch
Resolution 3840 x 2160 4K UHD
Bit Depth 10-bit (8+2 FRC)
Backlight Type Double Edge Lit
Brightness (cd/m²/ nits) 1200
Aspect Ratio 16:09
Color Gamut 100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020
Calibration Support Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately)
Color Pipeline
Gamma Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
Gamut DCI P3, DCI P3+, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema / Panasonic V Gamut /ARRI Alexa Wide Gamut / JVC LS300. RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display .Cube Format (17 & 33 points supported)
3D LUT Output Loop out
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR Output Conversion Log / HDR to HLG / PQ
Video Input
HDMI 1 x HDMI (2.0) up to 4K60P
Locking port No
SDI 2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G-SDI
Wi-Fi Wi-Fi 6E
Bit Depth 8/10-bit for video / up to 12-bit for RAW
Video Chroma Subsampling YCbCr 4:2:0 & 4:2:2
HDR output conversion HDMI auto detection
Video Output
HDMI 1 x HDMI (2.0) up to 4K60P
Locking port No
SDI loop through 1 x 12G-SDI
Wi-Fi Wi-Fi 6E
Bit Depth 8/10-bit video
Video Chroma Subsampling 4:02:02
Metadata
SDI File name – ARRI & RED. RAW – white balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut
File naming - standard Scene/shot/take & rolling scene/shot/take
File naming - over SDI Auto-matched filenames from supported ARRI, RED, Sony, Canon Cameras
Network
Wi-Fi Wi-Fi 6E
Ethernet 1 x RJ45 connector
Connectivity
USB 2 x USB-C 2.0/3.0
Bluetooth Yes
LANC Yes
Video Signal Conversion
HDMI to SDI Yes
SDI to HDMI Yes
Audio In/Out
Audio Quality 24-Bit / 48kHz
Audio Codec PCM
HDMI 8-channel, 24-bit (input dependent)
SDI 12-channel, 24-bit (input dependent)
Analog Audio In 2 x 3-pin XLR (female)
Analog Audio Out 2 x 3-pin XLR (male)
Speakers Mono confidence up to 1.5W
Headphone Out 3.5mm headphone jack, 2-channel
Timecode
Embedded HDMI & SDI
Time of Day Yes
Reference / Genlock input Yes (playback mode only)
LTC LTC via dedicated BNC input (record mode only)
Wireless AirGlu RF Server and Client Yes
Wireless AirGlu BT Server Yes
Resolution and Frame Rates (Record, Monitor & Play)
8K RAW Up to 8Kp30
6K RAW Up to 6Kp30
4K RAW Up to 4Kp60
2K RAW Up to 2Kp240
4K DCI Up to 4Kp60
4K UHD Up to UHDp60
2K DCI 2048 x 1080 Up to 2Kp60
1080p Up to 1080p120
1080 PsF Only via pulldown to progressive
1080i 1080i50 / 1080i60
720p Up to 720p60
Supported Media
CF Express Atomos certified CF Express Type B media
USB Atomos certified USB 3.0 media
File System ExFAT
Codecs
Apple ProRes RAW ProRes RAW, ProRes RAW HQ
Apple ProRes LT, 422, 422 HQ
Avid DNxHD DNxHD 220x, 220, 145, 36
Avid DNxHR LB, SQ, HQ, HQX
H.265 LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0
H.264 Not supported
Playback
Playlist Yes - create customer playlists from full or sub-clips
Loop Yes, with user-customizable in/out markers
Apple ProRes Raw Yes - recorded clips
Apple ProRes HQ, 422, LT (linear PCM audio only)
Avid DNx DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (linear PCM audio only)
H.265 Yes
Recording
Pre-roll 8s HD / 2s 4K - ProRes, DNxHD only
Timelapse Yes
ISO Recording 4 x ISO up to 1080p60 (3G SDI Level A & B)
Switched program record Yes
Multi-input switching
Dual Input Display Via multi ISO input mode
Multiple SDI Input Up to 4 x 1080p60 (3G SDI Level A)
Multiview Display via Multi ISO input mode
Input switching Yes
On-screen monitoring tools
Waveform 3 sizes – adjustable opacity & brightness
RGB parade 3 sizes – adjustable opacity & brightness
Vectorscope 2 sizes – adjustable opacity & brightness
2 x Zoom Yes
Focus Peaking Color selected / threshold setting / color / mono / edges only
Atomos False Color Yes, with scale
ARRI False Color Yes
EL Zone Yes
Zebra Yes, adjustable
Isolate color channel Blue only
Cine Frame Guides Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides Presets for 9:16, 1:1, 191:1, 4:5
Onion skin Yes
Safe areas Action and graphic
Grid markers 9 grid
Anamorphic desqueeze 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Display Flip Vertical only
Onboard Signal Processing
4K UHD Downscale for HD Loop out - 4K UHD to FHD
DCI Crop Loop out - 17:9 to 16:9 crop
Pulldown removal 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
Remote Control
HDMI Auto HDMI trigger, supported protocols - Canon, Sony, Atomos
SDI SDI trigger camera selectable
Serial 2.5mm Jack Calibration via optional USB to serial cable
AirGlu BT Yes
AirGlu RT Yes
Accessories
AC to DC Power Adaptor Yes, sold separately (ATOMPWR024)
Sun Hood Yes, sold separately by third party
Camera to Cloud
ATOMOSphere Direct progressive upload supported (20GB free storage) over Wi-Fi or Ethernet
Adobe Frame.io Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet
Dropbox Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet
What’s in the box
Box Contents Sumo PRO-19 monitor-recorder-switcher, 2 x Wi-Fi antennas, 5 x antenna tips (black, white, yellow, green, red), AirGlu antenna, 3 x antenna caps, desktop feet & screws, battery plate mount & screws, XLR 4 power supply, 5 x international IEC power cables, screen cloth, HEX key, Quick Start Guide
Box dimensions (W x H x D mm) 595mm x 385mm x 172mm
Box weight 11 Kg

This product comes with 12 Months Australian Manufacturer Warranty. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.

Atomos Sumo PRO-19 4K HDR DCI-P3 Monitor, Recorder and Switcher
4-Pin XLR Power Supply
Antenna Tip Set (Black, White, Yellow, Green, Red)
2 x Wi-Fi Antenna
AirGlu Antenna
3 x Antenna Cap
Desktop Feet Set
Hex Wrench
Cleaning Cloth
Screw Set

Atomos Sumo PRO-19 4K HDR DCI-P3 Monitor, Recorder and Switcher
Atomos Sumo PRO-19 4K HDR DCI-P3 Monitor, Recorder and Switcher
Regular Price A$4,399.00 Special Price A$4,179.05 save: A$219.95

In Stock with Suppliers

Item is currently In Stock with our Supplier in Australia. Generally ships within 3-5 business day

SKU: Atomos ATOMSMPR19

UPC: 814164023375