Olympus OM-D E-M5 MK III Silver with 12-45mm F/4 PRO
- Highly Compact and Lightweight
- AF Performance that can Compete with High-End Models
- Compact Image Stabilization
- Outstanding OLED Viewfinder
- Versatile Shooting Features
- OM-D Movie
- Excellent Basic Features
- Perfect for everyday photographers who want high-image-quality shots
- Comes with Olympus PRO 12-45mm f/4 Lens
Everyday photography has never been this exciting with the all-new Olympus OM-D E-M5 Mark III interchangeable lens camera. It is a combination of a lightweight, compact, and high-performance design equipped with the Micro Four Thirds System. Both AF performance and image quality can easily compete with its high-end rivals. Its new powerful in-body 5-axis image stabilization, as well as versatile shooting features, will give users the ability to record 4K video of the highest quality. Now, shooting authentic footage of various subjects and scenes has never been this easy. Read on for more detailed information.
Product Features in Detail
Highly Compact and Lightweight
This new model has an incredibly compact system that is one full size smaller compared to full-frame interchangeable lens cameras. All the while offering high resolution, rich tonal expressions, and superb image quality. It is splashproof, dustproof, and freezeproof up to -10°C. This means users can still shoot even in the most challenging environments.
AF Performance that can Compete with High-End Models
The new E-M5 Mark III boasts of a high-performance On-chip Phase Detection AF. This means its AF performance can easily compete with other high-end models. It has an improved tracking performance and AF precision for shooting moving subjects with ease. It also has other convenient functions like the C-AF Centre Priority and Centre Start.
Compact Image Stabilization
The camera's new 5-axis IS unit has been optimised for a more lightweight and compact body that can deliver compensation effects greater than the E-M5 Mark II. The 5-axis sync IS feature combined with the in-lens IS guarantees the most powerful image stabilisation.
Outstanding OLED Viewfinder
This high-performance Viewfinder lets users concentrate on shooting by minimising distortion to the edges of the image. Its long eyepoint gives excellent visibility even when users are wearing glasses.
Versatile Shooting Features
Loads of Olympus shooting features are packed into this interchangeable lens camera. There's the Live Composite, Live Bulb as well as Live Time for easy, long exposures. Pro Capture will also come in handy when recording decisive moments.
OM-D Movie
The Olympus OM-D E-M5 Mark III has a powerful image stabilisation capable of shooting both stills and videos. Its stable 4K video that puts shaking to a minimum allows ease during handheld shooting.
Excellent Basic Features
The E-M5 Mark III's high-speed mechanical shutter is capable of up to 1/8000 second, paired with its traditional Olympus high-performance dust reduction system, are just some of the basic features that make this camera superior. There are also plenty of accessories to choose from to expand your shooting possibilities.
For Olympus OM-D E-M5 MK III:
Product type | |
Product type | Micro Four Thirds interchangeable lens system camera |
Memory | SD, SDHC[*], SDXC[*] |
UHS-I, UHS-II Compatible | |
Sensor size | 17.4 mm (H) x 13.0 mm (V) |
Lens mount | Micro Four Thirds mount |
Image sensor | |
Product type | 4/3 Live Mos sensor |
Number of pixels / Aspect ratio | Number of effective pixels : 20.4M |
Aspect ratio : 1.33 (4:3) | |
Dust reduction | Supersonic Wave filter (Image sensor dust reduction system) |
Still photo recording | |
Recording format | DCF2.0, Exif2.31 |
File format | RAW (12bit lossless compression), Jpeg, RAW+Jpeg |
Image size | [RAW] 5184 x 3888 |
[JPEG] 5184 x 3888 - 1024 x 768 | |
Image Stabilization System | |
Type | Built-in 5-axis sensor-shift image stabilisation for movie and still photos |
yaw / pitch / roll / vertical shift / horizontal shift | |
Mode | 4 modes |
S-IS Auto, S-IS1, S-IS2, S-IS3, off | |
Focul length setting | 11 settings : 10 programmable settings (10 lens), 1 open setting |
Lens IS priority | With |
5-Axis sync IS | With[*] |
When using M.ZUIKO Digital lenses equipped with image stabilisation | |
Stabilization performance | 5.5 EV[*] |
Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-40mm F2.8 PRO (focal length =40mm (35mm equivalent: 80mm)) | |
6.5 EV[*] | |
Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-100mm F4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), halfway release image stabilisation Off, | |
Finder | |
Finder type | Eye-level electronic viewfinder (OLED), approx. 2.36M dots |
Field of view / Viewfinder magnification | Approx. 100% / Approx. 1.20x[1] - 1.37x[2] (-1m-1, 50mm lens, Infinity) |
1: Finder Style 1, 2 (aspect ratio 4:3) | |
2: Finder Style 3 (aspect ratio 4:3) | |
Eye point / Dioptre adjustment range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
Preview | Live View preview with depth of field preview lock |
Display Grid | Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid |
grid colour is selectable | |
Level Gauge | 2-axis (horizontal / vertical) level gauge |
Monitor | |
Monitor type | 3.0-inch vari-angle monitor[*] |
Approx. 1.04M dots (3:2), electrostatic capacitance touch panel | |
Tilting capability | With (mirror display when monitor is in self portrait position) |
Brightness / Colour temperature control | ±7 levels / ±7 levels |
Colour tone select | Vivid / Natural |
Focusing | |
AF system | High-speed imager AF: |
Imager phase detection AF and imager contrast AF used in combination. | |
When a Micro Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled. | |
Focusing point / Focusing point selection mode | 121-point cross-type phase detection AF and 121-point contrast AF |
All target, single target (normal / small), group target (5-area / 9-area / 25-area) | |
Focus mode | Single AF (S-AF) |
Continuous AF (C-AF) | |
Manual Focus (MF) | |
S-AF + MF | |
AF tracking (C-AF + TR) | |
Preset MF[*] | |
Distance setting values are rough estimates and not compatible lens except the AF lens. | |
AF performance | C-AF lock (5 steps), AF scanner (3 types), C-AF Center Priority, C-AF Center Start |
AF Limiter | With (to be assigned to the button, On / Off and up to 3 distance settings can be saved.)[*] |
Distance setting values are rough estimates. | |
AF targeting pad | With (activate / deactivate with double tap on rear monitor) |
Magnified frame AF | 3x, 5x, 7x, 10x, 14x |
Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800. | |
Super spot AF | With[*] (Contrast AF in center of the monitor when magnified) |
Available only when a Micro Four Thirds lens is attached. | |
Face detection AF / Eye detection AF | With |
Eye Detection AF mode: off, nearer-eye priority, right-eye priority, left-eye priority | |
Manual focus assist | Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode |
Peaking function | Activate with to be assigned to the button or focus ring |
Change peaking settings using the "Info" button | |
Colour selection: white, black, red, yellow | |
Intensity selection: high, normal, low | |
Back light effect: on, off | |
AF Focus Adj. | Adjust all, adjust by lens (for Phase detection AF only) |
AF illuminator | With |
Exposure Control (Still) | |
Metering system (TTL Image sensor metering) | Digital ESP metering (324-area multi pattern metering) |
centre-weighted average metering | |
spot metering[*] | |
spot metering with highlight control | |
spot metering with shadow control | |
Also available AF target spot metering | |
Metering range | EV -2 - 20 (ISO approx.100, with a F2.8 lens) |
Exposure mode / Shooting mode | AUTO |
Program AE (Program shift can be performed) | |
Aperture priority AE | |
Shutter priority AE | |
Manual | |
Bulb (Live Bulb, Live Time and Live Composite are available) | |
Custom | |
Scene select AE | |
Art Filter | |
Underwater wide / macro[*] | |
Custom settings from menu | |
Scene select AE | [Scene] |
Portrait, e-Portrait, Landscape + Portrait, Night + Portrait, Children, Night scape, Sport, Hand-held Starlight[2], Fireworks, Light trails, Sports, Panning, Landscape, Sunset, Beach & Snow, Backlight HDR[1], Candlelight, Silent, Macro, Nature Macro, Documents, Multi Focus Shot | |
1: 4 images automatically shot and combined into a single image composite | |
2: 8 images automatically shot and combined into a single image composite | |
ISO sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) |
Manual ISO: LOW (approx.64), 200 - 25600 (adjustable in 1/3 or 1 EV steps) | |
Exposure compensation | ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps |
When shooting in HDR or in video, only adjustable up to ±3 EV steps | |
Live View only reflects up to ±3 EV steps | |
AE lock | Locks with a half-press of the shutter button (can be set to AEL / AFL button as well) |
Anti-Flicker Shooting | With |
Shutter | |
Shutter type | Focal-plane shutter: 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1) |
Live Bulb / Live Time: selectable exposure time (1 / 2 / 4 / 8 / 15 / 20 / 25 / 30 min.), with 8-min. default setting. Live Composite: maximum shooting time 3 hours | |
Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec. | |
Electronic shutter (Silent mode) : 1/32000 - 60 sec. | |
(still) Flicker scan: 1/7634 - 1/50.0 sec. | |
(movie) Flicker scan: 1/250 - 1/30.0[*] sec. | |
50fps movie: 1/50.0 sec., 60fps movie: 1/60.0sec., Highspeed video: 1/120.0sec. | |
Drive | |
Sequential shooting maximum speed | [Sequential shooting H] approx. 10 fps with selectable 5 -10 fps |
[Sequential shooting L] approx. 6 fps with selectable 1 -6 fps | |
[Anti-shock sequential shooting L] approx. 5.5 fps | |
[Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps | |
[Silent sequential shooting L] approx. 10 fps with selectable 1-10 fps | |
[Pro Capture H] approx. 30 fps with selectable 15, 20, 30 fps | |
[Pro Capture L] approx. 10 fps | |
When using the M.ZUIKO Digital ED 12-40mm f/2.8 PRO | |
Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting. | |
When in Pro Capture mode, slower shutter speeds and flash cannot be used. | |
Pro Capture L is available when an M.ZUIKO lens or lens without communication capability is attached. (Auto-focus is not available for lenses without communication capability). | |
In Pro Capture Sequential L, the minimum aperture is f/8. | |
When ISO is 8000 or above, the maximum sequential shooting speed is 30 fps, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above. | |
Focus and exposure are fixed at the values of the first shot when using sequential shooting H. | |
Sequential shooting frame count | 1- 99 frames |
Pre-shutter Frames (For Pro Capture mode only) | Number of frames recorded prior to full-press of the shutter button can be set from 0 to 14 frames. |
Sequential shooting maximum recordable frames[*] | [Sequential shooting H 10fps] RAW: Max. 150 frames, JPEG (LF): Until card is full |
[Sequential shooting L 6fps] RAW, JPEG (LF): Until card is full | |
[Silent sequential shooting H 30fps] RAW: Max. 23 frames, JPEG (LF): Max. 26 frames | |
[Silent sequential shooting L 10fps] RAW: Max. 152 frames, JPEG (LF): Until card is full | |
When using the M.ZUIKO Digital ED 12-40mm f/2.8 PRO and the Toshiba SDXU-D032G memory card | |
Self-timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5 / 1 / 2 / 3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Flash | |
Flash intensity control method | TTL Auto, Auto[*], Manual, Super FP[*] (FP-TTL AUTO, FP-MANUAL) |
Available on the external flash | |
Bundled standard flash | FL-LM3 (dustproof and splashproof flash) |
GN = 9.1 (ISO100・m) / GN = 12.9 (ISO200・m) | |
Bounce Capability (up and down: 45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree) | |
Powered by the camera | |
Flash mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
Synchronisation speed | 1/250 sec. |
When using Super FP: 1/125-1/8000 sec. | |
When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing | |
Flash intensity control | Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable |
Compatible external flash | FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR |
Wireless Flash Control | |
Compatible external flash | FL-50R, FL-36R, FL-300R, FL-600R, FL-900R, FL-700WR |
Control method | Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R, FL-900R, STF-8 and FL-700WR |
External Flash intensity type | TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL |
Channel | 4 channels |
Group No. | 4 groups (External flash 3 groups + commander flash) |
Radio wireless control | With |
White Balance | |
White balance mode | Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting) |
White balance compensation | ±7 steps along A-B / G-M axis |
Colour mode | |
Colour matrix | sRGB, Adobe RGB |
Picture mode | |
Mode | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e-Portrait, Underwater, Colour Creator, Art Filters |
Gradation | Auto, Normal, High Key, Low Key [except i-Enhance, Art Filters, colour creator] |
Hilight and shadow control | ±7 steps each for highlight, shadow, midtone |
Art Filter | |
Art Filter | Pop Art (I, II / a, b, c, d, e, f) |
(Variation / Art Effect) | Soft Focus (- / c, e) |
Pale & Light Colour (I, II / a, b, c, d, f) | |
Light Tone (- / d, f) | |
Grainy Film (I, II / b, c, d, g, h) | |
Pin Hole (I, II, III / d) | |
Diorama (I,II / d) | |
Cross Process (I, II / b, c, d, f) | |
Gentle Sepia (- / a, b, c, d, f) | |
Dramatic Tone (I / b, c, d, e, f) (II / b, c, d, e, f, g, h) | |
Key Line (I, II / a, b, c, d, e) | |
WaterColour (I, II / a, b, c, d) | |
Vintage (I, II, III / a, b, c, d, e, f, i) | |
Partial Colour (I, II, III / a, b, c, d, e, f) | |
Bleach Bypass (I, II / a, b, c, d, e, f, i) | |
Instant Film (- / a, b, c, d, e, f, i) | |
Detail of Art Effect | a. Soft Focus Effect |
b. Pin-Hole Effect | |
c. White Edge Effect | |
d. Frame Effect | |
e. Star Light Effect | |
f. Blur Effect (Top & bottom, Left & Right) | |
g. B&W Effect (None, Yellow, Orange, Red, Green) | |
h. Pict. Tone (None, Sepia, Blue, Purple, Green) | |
i. Shade Effect (Top & bottom, Left & Right) | |
Colour Ring (for partial color) | 18 colour selectable |
Colour Creator | |
Colour Creator | Colour pattern : 30 colours / Saturation setting -4 ~ +3 |
Bracketing | |
Exposure bracketing | 2, 3 or 5 frames in 0.3 / 0.7 / 1.0 EV steps selectable, 7 frames in 0.3 / 0.7EV steps selectable |
ISO bracketing | 3 frames in 0.3 / 0.7 / 1.0 EV steps selectable |
White balance bracketing | 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis. |
Flash bracketing | 3 frames in 0.3 / 0.7 / 1.0 EV step selectable |
Art Filter bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Colour Creator selectable |
Focus bracketing | 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses) |
Focus stacking | 8 shots are taken at different focus points and automatically composited together into a single image |
Angle of view becomes slightly smaller | |
Compatible with: | |
M.ZUIKO Digital ED 60mm F2.8 Macro | |
M.ZUIKO Digital ED 12-40mm F2.8 PRO | |
M.ZUIKO Digital ED 40-150mm F2.8 PRO | |
M.ZUIKO Digital ED 30mm F3.5 Macro | |
M.ZUIKO Digital ED 7-14mm F2.8 PRO | |
M.ZUIKO Digital ED 8mm F1.8 Fisheye PRO | |
M.ZUIKO Digital ED 300mm F4.0 IS PRO | |
M.ZUIKO Digital ED 12-100mm F4.0 IS PRO | |
HDR Function | |
HDR (Auto composite) | HDR1, HDR2 (painting-like) |
ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. | |
Exposure compensation can be performed. | |
Bracketing for HDR post process | 3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps. |
This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC. | |
Keystone Compensation | |
Keystone Compensation | With (can be confirmed in Live View) Horizontal and vertical compensation can be performed simultaneously. |
Fisheye Compensation | |
Fisheye Compensation | Available (angle : 1-3) |
High Res Shot | |
Resolution | Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift) |
Available in P/A/S/M mode, RAW+JPEG or JPEG. | |
JPEG: 8160 x 6120 (50M) 5760 x 4320 (25M) / RAW: 10368 x 7776 | |
RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC. | |
Shutter Type / Shutter Speed | Electronic shutter / 1/8000 - 60 sec. |
Shutter start delay / Charge Time | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30sec. / 0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30sec. |
Anti-shock Mode | |
Shutter Type / Shutter Speed | Electronic first curtain shutter / 1/320 - 60 sec.[*] |
For speeds over 1/320 sec., mechanical shutter will automatically be selected. | |
Shutter start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec. |
Silent Mode | |
Shutter Type / Shutter Speed | Electronic shutter / 1/32000 - 60 sec. |
Shutter start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec. |
Silent Mode Settings | Settings for sound, AF illuminator, and flash can be customised (default setting is Off for all three) |
Flicker Scan | Available M mode, S mode, and silent mode. (can be confirmed in Live View) |
Live Bulb / Live Time | |
Update interval time | 0.5 sec. - 60 sec. |
Live Composite | |
Update interval time / composite method | 0.5 sec. - 60 sec. / Lighten Mode (Bright area prioritisation) |
Interval Mode | |
Interval Mode | Interval Time 1 sec. - 24 hours, |
Max 999 framesAutomatic creation of time-lapse movies possible | |
Multi Exposure | |
Number of picture / Function | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
Multi Aspect | |
Aspect Ratio | 4:3 (Default) / 3:2 / 16:9 / 1:1 / 3:4 |
One push Tele-converter | |
Magnification | x2 |
Movie | |
Recording format | MOV (MPEG-4AVC / H.264) |
Mode / frame rate / compression method | [MOV] |
4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps) | |
3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps) | |
1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) | |
1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N) | |
1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) | |
60p: 59.94 fps | |
50p: 50.00 fps | |
30p: 29.97 fps | |
25p: 25.00 fps | |
24p: 23.98 fps | |
C4K 24.00 fps | |
FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps), | |
FHD IPB (SF: Super Fine / approx. 52 Mbps, F: Fine / approx. 30 Mbps, N: Normal / approx. 18 Mbps) | |
HD ALL-I (A-I:ALL-Intra / approx. 102 Mbps), | |
HD IPB (SF: SuperFine / approx. 26 Mbps, F: Fine / approx. 14 Mbps, N: Normal / approx. 10 Mbps) | |
Frame rates may drop when particular Art Filters and Movie Effects are used. | |
Speed Class 10 SD card is recommended for shooting movies. | |
UHS-II or UHS-I Speed Class 3 card is recommended for 4K, C4K, ALL-I shooting. | |
Maximum recording time | Approx. 29 min |
Image Stabilisation for Movie | M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS), |
M-IS2 (Image sensor shift with multi motion IS), Off | |
While using M-IS1, field of view may be affected. | |
High speed Movie | 120 fps (FHD,MOV) |
Live View Output via HDMI | Monitor Mode (outputs video and info display to a connected monitor)[1] |
Record Mode (outputs video only, with no info display)[2] | |
1: Info display is not shown on the camera while recording. Footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). However, the image cannot be enlarged on the camera when a movie is being recorded. | |
2: Movie quality is set to YCbCr 4:2:2, frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded. | |
Movie Picture Mode | Flat (LUT file available for download from website) |
Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual Flicker scan[1] (1/250 - 1/30.0[2]) |
1: Available only when in S, M mode. Selectable from minimum increment of 0.1. | |
2: 50 fps movie: 1/50.0 sec., 60 fps movie: 1/60.0 sec. | |
Recording (Sound) | |
Recording format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
High quality sound recording (Stereo linear PCM / 24-bit, Sampling frequency 96kHz) | |
Microphone / Speaker | Built-in stereo microphone / built-in mono speaker |
External stereo microphone can be attached | |
Microphone function | Wind noise reduction, recording volume, microphone volume limiter, |
Audio dubbing possible for still pictures (up to 30 sec.) May affect audio quality. | |
IC recorder linkage | Slate Tone / Synchronised Audio Rec-Movie Rec |
LS-100 compatible | |
Playback | |
Playback mode | Single-frame, |
information display, | |
index display (4 / 9 / 25 / 100 frames), | |
calendar, | |
enlargement (equally value, 2x - 14x), | |
movie (with sound, FF / REW / Pause), | |
picture rotation (auto), | |
Light Box display | |
Information display | Histogram (independent luminance / RGB available), Highlight / Shadow point warning, AF frame, Photographic information, OFF |
Menu | |
Languages | 34 languages selectable: |
English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai | |
Custom | |
Mode dial my set | 1 type (Mode C can be accessed by mode dial) |
Menu my set | Modes C2, and C3 can be accessed via the menu |
Some items including shooting mode may not be called up | |
Dial customization | Dial function and dial direction are customizable for both dials |
Lever Customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
Button Customization | Buttons can be customized (select from 35 functions) |
Buttons on lenses can also be customized from the camera | |
Some buttons may have restrictions to what functions can be assigned | |
Copyright Settings / Lens info Settings | With / With (save up to 10 lenses) |
Input / Output | |
USB / Remote controller connector | USB Micro-B / Ø2.5Pin Jack (when using separately available RM-CB2) |
HDMI connector | Micro HDMI (type D) |
Flash attachment | Hot shoe |
Wireless LAN | Built-in (IEEE 802.11a / b / g / n) |
Bluetooth® | Built-in (Bluetooth® Ver.4.2 Bluetooth Low Energy) |
Microphone input jack | Ø3.5 stereo mini jack (plug-in power on / off) |
PC interface | USB2.0 Hi-Speed |
Power Requirements | |
Battery | BLS-50 Li-ion battery (included) |
Battery status display | Remaining power (4 steps) |
USB charging | Built-in battery is charged with USB |
When the camera power is off | |
Performance varies depending on differnet USB devices | |
Number of recordable images | Approx. 310 shots (using Toshiba SDXU D032G with IS ON, with no flashes attached, based on CIPA test standards) |
Battery life for movie recording | Approx. 60 minutes (under standard JEITA testing) |
Approx. 110 minutes (when zoom and other operational functions are not used) | |
When repeatedly recording at the maximum time of 29 minutes | |
Dimensions / Weight | |
Dimensions | W: 125.3 mm, H: 85.2 mm, D: 49.7 mm |
(based on CIPA standards: excludes protrusions) | |
Weight | Approx. 414 g (with battery and Memory card, based on CIPA standards) |
Approx. 366 g (body only) | |
Operating Environment | |
Temperature | -10℃ - +40℃ (when in operation) / -20℃ - +60℃ (when stored) |
Humidity | 30% - 90% (when in operation) / 10% - 90% (when stored) |
Box contents | |
Box contents | Body, USB cable, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLS-50 Li-ion battery, BCS-5 rapid Li-ion battery charger |
For Olympus PRO 12-45mm f/4 Lens:
Focal Length | 12-45 mm (35 mm Equivalent Focal Length: 24-90 mm) |
Lens Construction | 12 elements in 9 groups (2 HR lenses, 1 DSA lens, 1 Super HR lens, 2 Aspherical lenses, 2 ED lenses) |
Splashproof Type / Dustproof | IEC Standard publication 60529 |
IPX1 (applies when the lens is used with Olympus splashproof Body) / | |
Dustproof construction | |
Angle of View | 84 degrees (Wide) - 27 degrees (Tele) |
Closest Focusing Distance | 0.12 m (wide) / 0.23 m (tele) |
Maximum Image Magnification | 0.25x (Wide / Tele) |
35mm Equivalent Max. Image Magnification | 0.5x (Wide / Tele) |
Minimum Field Size | 69.2 x 52.0 mm (Wide / Tele) |
Number of Blades | 7 (Circular aperture diaphragm) |
Maximum Aperture | F4.0 |
Minimum Aperture | F22 |
Filter Size | Diameter 58 mm |
Dimensions | Ø63.4 x 70.0 mm |
Weight | 254 g |
This product comes with Limited 1 Year Warranty with Olympus Australia.
Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty.
Camera Warehouse does not participate in 'Grey Market' or 'PAarallel Import' activities.
Olympus OM-D E-M5 MK III Silver with 12-45mm F/4 PRO
USB cable
Shoulder strap
Instruction manual
Warranty card
FL-LM3 flash
BLS-50 Li-ion battery
BCS-5 rapid Li-ion battery charger
