Canon RF 400mm f/2.8L IS USM Lens

Sports and wildlife photography enthusiasts will enjoy the Canon RF 400mm f/2.8L IS USM Lens because of its versatile focal length that can be programmed through two focus presets. It also sports an impressively bright design courtesy of its Super UD glass component that prevents chromatic aberrations. This Canon RF lens also has an Optical Image Stabilizer with 5.5 stops of camera shake while its USM focusing system ensures its steady AF. You can also use its programmable AF presets for faster performance. This dust and water-resistant lens also sport a customizable focus ring and a nine-blade circular aperture for stunning out-of-focus effects.

Product Features in Detail

High image quality

The RF 400mm f/2.8 L IS USM inherits the superior optics of it's EF counterpart and displays both high-image quality and light mobility. It delivers clear and sharp images, expressing the detail from the centre to the edge of the frame at maximum aperture.

Durable and reliable

The high durability, shock, dust, and drip-resistant construction, helps the RF 400mm f/2.8 L IS USM withstand even the most rugged shooting locations.

Artistic bokeh

This Canon RF lens has a minimum focusing distance of 2.5m allowing you to get closer to your subject compared to the EF equivalent. Take full advantage of the f/2.8 aperture, which offers smooth bokeh that beautifully draws your subject out from the background.

Never miss a moment

It supports the EOS R system’s high-speed continuous shooting. Shoot up to 30 frames per second when using the EOS R3's electronic shutter. Capture the action with fast-moving subjects, such as sports or wild animals, without missing a beat.

Steady shooting

The lens' powerful 5.5 stop Image Stabilization (IS), when used with the EOS R or EOS R5, counters camera shake that may occur when using a large telephoto lens. It makes for stable shooting even when handheld. Select from 3 IS modes that are optimised to match the subject's movement.

Movie recording adjustments

Aperture control during movie shooting can be set with a resolution of 1/8 step. The brightness can be changed smoothly, even when there is a sudden change in brightness, allowing for natural-looking footage.