Canon EOS C50 Body Only

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  • 7K FF Back-Illuminated CMOS Sensor
  • 7K 3:2 Open Gate, UHD 4K120, 2K180
  • Dual-Base ISO: 800 and 6400
  • Full-Size HDMI Output, DIN Timecode Port
  • Dual-Pixel CMOS AF II
  • Top Handle with XLR Audio Inputs
  • Adjustable-Speed Zoom Rocker
  • Simultaneous Crop Recording
  • 32MP Still Photo Capture in Photo Mode
  • Frame.io Camera-to-Cloud Integration
  • CFexpress Type-B and SD Card Slots
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The Canon EOS C50 brings cutting-edge imaging performance to filmmakers, creators, and production teams seeking uncompromising quality in a compact cinema body. Equipped with a 7K full-frame back-illuminated CMOS sensor, the C50 delivers exceptional detail, dynamic range, and low-light performance. With 7K 3:2 open-gate capture, as well as UHD 4K at up to 120 fps and 2K at up to 180 fps, it offers filmmakers creative flexibility across formats and frame rates.

The dual-base ISO (800 and 6400) ensures outstanding results in both controlled studio lighting and challenging low-light environments, while Canon’s Dual Pixel CMOS AF II provides reliable and precise autofocus with intelligent subject tracking.

Built for professional workflows, the EOS C50 features dual media slots for CFexpress Type-B and SD cards, enabling simultaneous crop recording and flexible redundancy options. The full-size HDMI output, DIN timecode port, and Frame.io Camera-to-Cloud integration make it production-ready for both on-set and remote collaboration.

For audio, the C50 includes a top handle with professional XLR inputs and an adjustable-speed zoom rocker for smooth lens control. Photographers can also capture 32MP stills in photo mode, making the C50 a hybrid powerhouse for both motion and stills.


Product Features in Detail

 

Canon EOS C50
The EOS C50 camera is designed to maximize creative freedom. The compact, full-featured camera body includes Canon's newly developed 7K full frame CMOS sensor with 3:2 open gate internal recording capabilities, 4K/120P and Cinema RAW Light up to 7K/60P. The EOS C50 features Canon’s next-generation Dual Pixel CMOS AF II, simultaneous 2K crop recording, built-in Frame.io Camera-to-Cloud integration, and supports XC protocol which allows for remote control over IP via Wi-Fi® or a compatible third-party USB-C ethernet adapter. The included detachable top handle adds two full-size XLR audio inputs, a start-stop button, and a zoom rocker. In addition, this camera can capture 32MP still images in Photo mode. The EOS C50 seamlessly integrates into almost any production environment, delivering flexibility and outstanding image quality in a package that practically fits in the palm of your hand.


Newly Developed 7K Full Frame CMOS Sensor
The EOS C50 features a newly developed 7K full-frame CMOS sensor. The sensor offers exceptionally low noise, enabling it to excel in a wide variety of lighting situations and maximizing the camera’s full dynamic range. The high resolution and realism of 7K enable richer creative expression as well as greater flexibility in workflows, including oversampled 4K 60P.


Full Frame 3:2 “Open Gate” Sensor Mode
The EOS C50 is the first Cinema EOS camera to feature open gate recording options, utilizing the full dimensions of the sensor. By selecting Full Frame 3:2 from the Sensor Mode section of the main menu, you can shoot using the full area of the sensor and then use that information in post to crop and re-frame your footage to the aspect ratio of your choice. This is especially valuable when shooting with full-frame anamorphic lenses.


Support for Anamorphic Lens Desqueeze
Anamorphic lenses have an elongated rear element that makes it possible to utilize flare and bokeh effects that cannot be achieved with ordinary lenses. The EOS C50 provides desqueeze magnification options including OFF/2x/1.8x/1.5x/1.3x.


Dual Base ISO
The full-frame 7K sensor of the EOS C50 offers dual base ISO, which allows the camera to deliver stunning imagery in a wide range of lighting conditions. With base ISOs of 800 and 6400 in Canon Log 2, you will be able to maximize the full dynamic range of the sensor in almost any shooting scenario. The camera also features Auto Selection, which automatically switches from one of the two base ISO levels to another level while maintaining the dynamic range.


7K 60P Internal RAW Recording and 4K 120P High Frame Rate Recording
The EOS C50 can record up to 7K 60P Cinema RAW Light with an additional three 12-bit Cinema RAW Light recording modes: HQ, ST and LT.

Other recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2, creating rich detail and smooth imagery at frame rates up to 120P, without cropping the image from the sensor. For slow or fast motion recording, the EOS C50 can support up to 4K 120P and 2K 180P.

Additionally, the C50 features the XF-AVC S and XF-HEVC S recording codecs. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.


High Frame Rate Recording with Auto Focus and Subject Detection
The camera’s Dual Pixel CMOS AF II enables you to keep your subject in focus during slow or fast shooting at speeds up to 4K/120P or 2K/150P. This will help to ensure that even at high frame rates, your subject will remain in clear focus.


Simultaneous Crop Recording
When shooting for social media, an added benefit of the camera is that it allows for simultaneous crop recording when shooting in 4K DCI or UHD, allowing you to record at your chosen aspect ratio while also recording a cropped portion of the frame in 2K. When shooting in simultaneous crop mode, you have up to three format options, depending on your shooting mode: 9:17, 9:16, or 1:1. This will help to reduce turnaround time when formatting videos for different deliverables.


Dual Card Slots
CFexpress (type B) and SD card slots on the EOS C50 allow for simultaneous recording even when shooting RAW. All recording options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available on the SD card slot.


Dual Pixel CMOS AF II
The EOS C50 supports the next generation of Canon’s acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The camera’s sensor provides superb light-capturing efficiency, widening the area of the sensor that can be used for AF to approximately 100% by 100%.

The subject detection algorithm utilizes deep learning technology. The face/eye detection can now be set with either left or right eye priority in both humans and animals. Additionally, the animal detection AF now also includes birds.


Vertical Shooting UI
When shooting vertically, the display on the EOS C50 can be switched to a UI that supports vertical shooting. It also supports touch controls for recording start/stop from the vertical screen mode.

Along with the shooting UI, menu settings and LCD brightness adjustments are also reoriented for vertical shooting to provide an easy-to-read layout.


Light and Compact Body Design Including Detachable Handle with Built-in XLR Inputs, REC and Zoom Control
The EOS C50 is the smallest and lightest Cinema EOS camera to date. The light and compact body makes shooting in tight spaces easier with greater freedom in angles and movement, and it reduces fatigue even during long hand-held shots.

Thanks to its flat and linear design with few protruding parts, you can easily attach a mic, rig, gimbal, or other accessories to customize the camera in multiple ways to fit your shooting style.

The included handle unit can also be attached to shoot subjects from a low or crooked angle, enabling more diverse and flexible visual capabilities. The handle also contains two built-in, full-sized 3-pin XLR inputs with 48V phantom power to record high-quality audio with an external mic. Additionally, the handle comes with a start/stop button and a zoom rocker.


Ethernet, and Wi-Fi® Control
The built-in Wi-Fi® enables Canon's IP-based remote control XC Protocol. Compatible third-party USB-to-Ethernet adapters will also provide additional options for connectivity.

XC Protocol maximizes operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 and RC-IP100 controllers (sold separately), and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera.

Additionally, Canon’s Remote Control Camera Application and Multi-Camera Control App can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.


Adobe Frame.io Camera-to-Cloud Integration
The camera has native compatibility with Frame.io’s Camera-to-Cloud (C2C) technology. This feature enables you to send proxy files immediately after recording internally, directly from the camera, for a faster and more secure path from production to post. The efficient proxy files don’t require additional processing or conversion, and are available to view, share, and edit remotely between teams in different locations.


Virtual Production Support
The EOS C50 is able to output CV Protocol to multiple devices for virtual productions. Lens metadata can be utilized by running our CV Metadata Extraction plugin on compatible computers, greatly enhancing usability in virtual set environments.


Mount Adapter PL-RF with Cooke/i® Technology Compatibility
The Mount Adapter PL-RF unlocks a broad assortment of PL mount lenses for the EOS C50 camera. The adapter is compatible with Cooke/i® Technology’s metadata protocol which enables real-time output of lens metadata (focus/zoom/iris position, and other data in addition to lens model information). Additionally, the robust adapter features locking plates that attach to the camera with four screws for a secure and stable lens mount.


Full-featured Mirrorless Photo Mode with Dedicated Menu and UI
With a flip of the switch, the EOS C50 transforms from a powerful cinema camera to a professional-class stills camera, utilizing the familiar menu system of the EOS R series. Meeting both needs with a single camera saves you the hassle of having to carry two cameras and makes editing processes smoother, helping to streamline your workflow.

The full-frame sensor offers a shallow depth of field that enables impressive shots that fully utilize bokeh, and shots can be taken with standard ISO of up to 64,000, enabling high-quality images for a wide range of shooting situations and subjects.

- 35mm full-frame up to approx. 32MP
- Max. 40 shots/sec. high-speed continuous shooting
- Still image sensitivity: standard ISO 64000
- Supports Dual Pixel CMOS AF II

Lens
Lens Mount Canon RF mount
PL mount support via PL-RF Mount Adapter
EF mount support via EF-EOS R Mount Adapter
Lens Magnification Factor Full Frame 3:2;
6960x4640: Actual focal length x Approx. 1.00
Full Frame;
6960x3672, 4096x2160 or 2048x1080: Actual focal length x Approx. 1.06
3840x2160 or 1920x1080: Actual focal length x Approx.1.12
Super 35mm (Crop);
5036x2656, 4096x2160 or 2048x1080: Actual focal length x Approx.1.47
3840x2160 or 1920x1080: Actual focal length x Approx.1.54
Super 16mm (Crop);
2524x1332 or 2048x1080: Actual focal length x Approx.2.92
1920x1080: Actual focal length x Approx.3.08
Digital Lens Correction Peripheral Illumination Correction
Chromatic Aberration Correction
Diffraction Correction
Distortion Correction (RF lenses only)
Focus Breathing Correction (Supported RF lenses only)
ND Filter No
Iris Control (EF Mount Lenses) 1/2-stop, 1/3-stop or FINE control
Auto Iris
Cooke /i Technology™ Support Only when equipped with Mount Adapter PL-RF
Anamorphic Lens Support x2.0 / x1.8 / x1.5 / x1.3
Image Stabilization System 5-Axis Combination IS (Optical and Digital) with supported lenses
Digital 5-Axis IS for non IS lenses
Recording
Internal Recording Media 1x Cfexpress 2.0 (Type-B)
1x SD Card (SD / SDHC / SDXC)1
Recording Time Cinema RAW Light LT:
FF 3:2 6960 x 4640 976 Mbps approx. 65 Mins
FF 6960 x 3672 773 Mbps: approx. 81 Mins
Cinema RAW Light ST:
FF 3:2 6960 x 4640 1510 Mbps approx. 42 Mins
FF 6960 x 3672 1190 Mbps: approx. 55 Mins
Cinema RAW Light HQ:
FF 6960 x 3672 2420 Mbps: approx. 26 Mins
XF-AVC:
FF 4096 x 2160 or 3840 x 2160 500 Mbps: approx. 136 Mins
XF-AVC S:
FF 4096 x 2160 or 3840 x 2160 500 Mbps: approx. 136 Mins
XF-HEVC S:
FF 3:2 6912 x 4608 1350 Mbps: approx. 50 Mins
FF 4096 x 2160 or 3840 x 2160 135 Mbps: approx. 505 Mins2
Recording Formats Video Mode:
Cinema RAW Light (CRM) / XF-AVC (MXF) / XF-AVC S (MP4) / XF-HEVC S (MP4)
Photo Mode:
RAW / C-RAW / Dual Pixel RAW / HEIF / JPEG
Relay Recording Yes3
Double Slot (Simultaneous) Recording Yes
Simultaneous Recording in Multiple Formats Yes
System Frequency / Frame Rates 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
50.00Hz mode (50.00P / 50.00i / 25.00P)
24.00 Hz mode (24.00P)
Cinema RAW Light Bit Rate / Bit Depth (PAL) 12-bit Cinema RAW Light LT:
FF 3:2 / 6960 x 4640 / 25P [976 Mbps]
FF / 6960 x 3672 / 50P [1550 Mbps]
FF / 6960 x 3672 / 25P [773 Mbps]
S35 / 5036 x 2656 / 50P [811 Mbps]
S35 / 5036 x 2656 / 25P [406 Mbps]
S16 / 2524 x 1332 / 50P [206 Mbps]
S16 / 2524 x 1332 / 25P [103 Mbps]
12-bit Cinema RAW Light ST:
FF 3:2 / 6960 x 4640 / 25P [1510 Mbps]
FF / 6960 x 3672 / 50P [2380 Mbps]
FF / 6960 x 3672 / 25P [1190 Mbps]
S35 / 5036 x 2656 / 50P [1250 Mbps]
S35 / 5036 x 2656 / 25P [624 Mbps]
S16 / 2524 x 1332 / 50P [316 Mbps]
S16 / 2524 x 1332 / 25P [158 Mbps]
12-bit Cinema RAW Light HQ:
FF / 6960 x 3672 / 25P [2420 Mbps]
S35 / 5036 x 2656 / 25P [1270 Mbps]
S16 / 2524 x 1332 / 50P [642 Mbps]
S16 / 2524 x 1332 / 25P [321 Mbps]
XF-AVC Recording Bit Rate / Sampling (PAL / MXF) 4:2:2 10-bit (Intra-frame):
4096x2160 or 3840x2160 / 50P [1000 / 750 / 500 Mbps]
4096x2160 or 3840x2160 / 25P [500 / 375 / 250 Mbps]
2048x1080 or 1920x1080 / 50P [250 Mbps]
2048x1080 or 1920x1080 / 25P [150 Mbps]
1920x1080 / 50i [125 Mbps]
4:2:2 10-bit (Long GOP):
4096x2160 or 3840x2160 / 50P [250 Mbps]
4096x2160 or 3840x2160 / 25P [150 Mbps]
2048x1080 or 1920x1080 / 50P [50 Mbps]
2048x1080 or 1920x1080 / 25P [50 Mbps]
1920x1080 / 50i [50 / 25 Mbps]
XF-AVC S Recording Bit Rate / Sampling (PAL / MP4) 4:2:2 10-bit (Intra-frame):
4096x2160 or 3840x2160 / 50P [1000 / 750 / 500 Mbps]
4096x2160 or 3840x2160 / 25P [500 / 375 / 250 Mbps]
2048x1080 or 1920x1080 / 50P [250 Mbps]
2048x1080 or 1920x1080 / 25P [150 Mbps]
4:2:2 10-bit (Long GOP):
4096x2160 or 3840x2160 / 50P [250 Mbps]
4096x2160 or 3840x2160 / 25P [150 Mbps]
2048x1080 or 1920x1080 / 50P [50 Mbps]
2048x1080 or 1920x1080 / 25P [50 Mbps]
4:2:0 8-bit (Long GOP):
4096x2160 or 3840x2160 / 50P [150 Mbps]
4096x2160 or 3840x2160 / 25P [100 Mbps]
2048x1080 or 1920x1080 / 50P [35 Mbps]
2048x1080 or 1920x1080 / 25P [35 Mbps]
XF-HEVC S Recording Bit Rate / Sampling (PAL / MP4) 4:2:2 10-bit (Intra-frame):
6912x4608 / 25P [1350 / 900 Mbps]
4:2:2 10-bit (Long GOP):
6912x4608 / 25P [486 Mbps]
4096x2160 or 3840x2160 / 50P [225 Mbps]
4096x2160 or 3840x2160 / 25P [135 Mbps]
2048x1080 or 1920x1080 / 50P [50 Mbps]
2048x1080 or 1920x1080 / 25P [50 Mbps]
4:2:0 10-bit (Long GOP):
4096x2160 or 3840x2160 / 50P [150 Mbps]
4096x2160 or 3840x2160 / 25P [100 Mbps]
2048x1080 or 1920x1080 / 50P [35 Mbps]
2048x1080 or 1920x1080 / 25P [35 Mbps]
Proxy Recording Bit Rate / Sampling (PAL) 4:2:0 8-bit (Long GOP):
2048x1080 or 1920x1080 [35 / 16 / 9 Mbps]
1280 x 720 [6 Mbps]
4:2:0 10-bit (Long GOP):
2048x1080 or 1920x1080 [16 / 9 Mbps]4
Slow / Fast Motion 7K 3:2 RAW: up to 30FPS
7K 17:9 RAW: up to 60FPS
5K RAW (S35 Crop): up to 60FPS
2.5K RAW (S16 Crop): up to 150FPS
4K recording: up to 120FPS
2K recording: up to 180 FPS
Interval Record Yes
Frame Record Yes
Pre Record (Cache Record) 3 Seconds5
Continuous Recording Yes6
Simultaneous Crop Recording 1080 x 1920 or 1080 x 1080
Digital Tele-converter 1.5x, 2x, 2.5x, 3x, Digital Zoom, Off
Photo Recording Size 3:2 ratio:
(L, RAW, C-RAW) 6960x4640, (M) 4800x3200, (S1) 3472x2320, (S2) 2400x1600
1.6x (crop):
(L, RAW, C-RAW) 4320x2880, (S2) 2400x1600
4:3 ratio:
(L) 6160x4640, (M) 4256x3200, (S1) 3072x2320, (S2) 2112x1600
16:9 ratio:
(L) 6960x3904, (M) 4800x2688, (S1) 3472x1952, (S2) 2400x1344
1:1 ratio:
(L) 4640x4640, (M) 3200x3200, (S1) 2320x2320, (S2) 1600x1600
System
Display Type 3.0 inch LCD Touch Panel
Display Resolution approx. 1.62 million dots (900xRGBx600)
Display Touch Screen Functions Focus Point Selection
Touch Screen UI for Shooting Settings
OSD for Vertical Shooting Yes
Wave Form Monitor Yes (Line / Line + Spot / RGB Parade / YPrPb Parade)
False Colour Display (Exposure Indication) Yes (6 Colour Index)
Colour Bars SMPTE / EBU / ARIB
Peaking Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)
Zebra Level 1; Level 2; Both
Markers On/Off selectable: centre, horizontal / verstical, grid, aspect, safe area and user marker. Colour selectable
EVF
Built-In EVF No
Inputs / Outputs
Audio In 2x XLR 3-pin jack (Handle Unit)
1x 3.5 mm stereo mini jack
Built in Stereo microphones on camera body
Headphone Output 1x 3.5mm stereo mini jack
Video Monitor Output No
HDMI 1x HDMI (Type-A)
USB 1x USB-C Data Terminal (USB3.2 Gen2)
SDI Output No
Time Code 1x DIN1.0/2.3 (Input / Output)
Genlock No
Sync No
DC Input Yes, via DR-E6P / DR-E6C DC Coupler
Multi-Accessory Shoe Yes (via camera body)
Remote Control Terminal 1x E3 2.5mm remote jack
Lens Terminal No
Ethernet Terminal No, requires a compatible USB-C Ethernet Adapter7
IP Streaming / FTP IP Streaming via Network connection
9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i)
UDP / RTP / SRT / RTP+FEC / RTSP+RTP
UVC Output USB Video Class Support:
2048x1080 / 1920x1080 / 1620x1080 (depending on recording resolution)
25P / 30P / 50P / 60P
UAC Output USB Audio Class Support:
Linear PCM (16-bit / 48 kHz, 2 channels)
User LUT Input Yes, in-built LUTs available for monitoring.
Custom LUTs can be applied directly to internal recordings via Look File function (compatible with 17 or 33 grid .cube files)
Tally Signal Yes, via Network using XC Protocol
Return Signal Input No
Default Function Button Settings 1. AF-ON
2. MAGN.
3. MENU
4. DISP
5. PUSH AUTO IRIS
6. (unassigned)
7. REC
8. LOCK
9. PEAKING
10. WFM
11. FUNC
12. AF LOCK
13. REC
14. (unassigned)
User Assignable Buttons 14x Assignable Buttons
Miscellaneous
Tally Lamp Yes, 2x (body) 1x (top handle)
Zoom Rocker Yes, Optical and Digital Zoom8
Custom Dial Yes, 3x
Software Application Support Cinema RAW Development
XF Utility
RAW Plugin for Avid Media Access
RAW Plugin for Final Cut Pro
XF Plugin for Avid Media Access
Remote Camera Control Application
Multi-Camera Management Application
EOS VR Utility
EOS VR Plugin for Adobe Premiere Pro
CV Metadata Plugin for Adobe After Effects
Live Link Plugin for Unreal Engine
CV Metadata Extraction Tool
MP4 Join Tool
HEVC Activator
Frame.io Camera to Cloud
Smartphone Application Support Canon Multi-Camera Control
Content Transfer Professional
Browser Remote Control
Exposure
Exposure Metering Video Mode:
Standard, Backlight, Spotlight
Photo Mode:
Evaluative, Partial, Spot, Centre weighted average
Exposure Compensation Yes
Auto Exposure Mode Yes (Video mode: Auto Iris / ISO)
Push Auto Iris Yes
Exposure Lock Yes
Auto Gain Control Setting Yes
ISO Sensitivity ISO 100 to ISO 25,600 / 102,400* (increments of 1 or 1/3 stop)9
* When the sensitivity is expanded
Auto Focus System Dual Pixel CMOS AF II
AF Frame Sizes Full: approx. 100% (Vertical) x approx. 100% (Horizontal)
Small Zone: Video display range approx. 14.7% (Vertical) x 12.2% (Horizontal)
Flexible Zone 1: Video display range approx. 38% (Vertical) x 26% (Horizontal)
Flexible Zone 2: Video display range approx. 85% (Vertical) x 26% (Horizontal)
Flexible Zone 2: Video display range approx. 38% (Vertical) x 77% (Horizontal)
Auto Focus Modes Continuous AF / One-Shot AF
Face Detection AF Yes (Eye / Face / Head / Body)
Animal Detection AF Video Mode:
Dogs / Cats / Birds
Photo Mode:
Dogs / Cats / Birds / Horses / Motorsports / Aircrafts / Trains
Focus Guide Yes, with compatible Canon lenses
Gain Setting -6dB*, -3dB*, -2dB**~48dB, 51dB*, 54dB*10
*when ISO Extended Range is set to ON
**when ISO Extended Range is set to OFF
Shutter
Control Modes Video Mode:
Off; Speed; Angle; Clear Scan; Slow
Photo Mode:
Electronic
Shutter Speed Video Mode:
1 sec to 1/2000 (1/3 or 1/4 stop increments), 47 options
Photo Mode:
30 sec to 1/8000 (1 stop increments)
15 sec to 1/16000 (1 stop increments)
Bulb (Total shutter speed range. Available range varies by shooting mode)
Shutter Angle 11.25º to 360º
Slow Shutter (SLS) 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
Clear Scan approx. 24 Hz~2000 Hz depending on frame rate
Custom Picture
Stored Configurations Video Mode:
C1: Canon 709
C2: Canon Log 2
C3: Canon Log 3
C4: BT.709 Wide DR
C5: BT.709 Standard
C6: PQ
C7: HLG
C8: EOS Standard
C9: EOS Neutral
C10: User10 ~User20
HDR-HLG Profile BT.2100: Corresponds to ITU-R BT.2100
Vivid: Corresponds to Traditional Colour in ITU-R BT.2390
Colour Matrix Neutral: Accurate colour reproduction
Production Camera: Colour reproduction for use in movie production
Video: Colour reproduction with contrast for TV broadcasts
Image Adjustment Parameters Master Pedestal
Master Black
Black Gamma
Low Key Saturation
Knee
Sharpness
Noise Reduction
Skin Detail
Colour Matrix Tuning
White Balance
Colour Correction
Wi-Fi & GPS Specifications
Wi-Fi (Optional Third Party Accessory) In-built (2.4 / 5GHz bands)
Supporting 802.11a/b/g/n/ac
GPS Information (Optional Accessory) Only when equipped with GP-E2 GPS Receiver
White Balance
Auto Yes
Preset Video Mode:
Daylight (5600K), Tungsten (3200K), Kelvin (2000K-15000K, 100K or 5-mired increments), Set A, Set B
Photo Mode:
AWB, Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash, Manual, Color Temp (100K increments)
White Balance Shift Video Mode:
-20CC~+20CC
Photo Mode:
-9 to +9 (Blue/Amber)
-9 to +9 (Magenta/Green)
Time Code
Count Up System Regen / RecRun / Free Run / External
Audio
Recording Format RAW / XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels)
XF-AVC S / XF-HEVC S: Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16 bit 48kHz) 2 channels
Accessories
Supplied Handle Unit
LP-E6P Battery Pack
Battery Charger LC-E6E
Microphone Holder
Shoulder Strap
USB-C Cable
AC Cable
Optional DR-E6P DC Coupler
DR-E6C DC Coupler + AC Adapter CA-946
PD-E111 / PD-E2 USB Power Adapter
BG-R20 Battery Grip
PL-RF Mount Adapter
EF-EOS R Mount Adapter
EF-EOS R Control Ring Mount Adapter
EF-EOS R Drop-In Filter Mount Adapter
EF-EOS R 0.71x Mount Adapter
RC-IP100 Remote Camera Controller
RC-IP1000 Remote Camera Controller
DM-E1D Multi-Function Shoe Directional Stereo Microphone
DM-E1 Directional Stereo Microphone
BR-E1 Wireless Remote Control
RS-80E3 / RS-60E3 / RS-80N312 Remote Switch
GP-E2 GPS Receiver
OC-E4A Off-Camera Shoe Cord
IFC-100U / IFC-400U Interface Cable
Third Party Accessories Tascam CA-XLR2d XLR Microphone Adapter
Power Source
Power Supply (Battery) LP-E6P Battery Pack (Supplied)
LP-E6NH13 Battery Pack (Optional)
Power supply (Mains) DR-E6P DC Coupler
DR-E6C DC Coupler14 + AC Adapter CA-946
USB-C Power Adapter PD-E2
Physical Specifications
Dimensions (Main Body Only) approx. W 142 x H 88 x D 95 mm
Weight (Body Only) approx. 670 g
Weight (Accessories) Handle unit: approx. 300g
Microphone holder + 2 screws: approx. 60g
LP-E6P Battery Pack: approx. 82g
LC-E6 Battery Charger: approx. 110g
LC-E6E Battery Charger: approx. 100g
Operating Temperature Range Approx. 0 to 40°C, (85% relative humidity)
Approx. -5 to 45°C, (60% relative humidity)

1. Recording above 600Mbps only available via Cfexpress
2. Based on 25P recording on a 512GB card at maximum bitrate
3. Relay Recording not available during RAW Recording
4. Proxy recording available in XF-AVC, XF-AVC S and XF-HEVC S (depending on the main format selected). Not available in S&F mode above 60FPS
5. Pre Record not available during RAW or S&F Recording
6. Continuous Recording not available during RAW or XF-AVC Recording
7. Use of an Ethernet adapter requires the DR-E6P DC Coupler
8. Optical Servo Zoom requires a compatible RF Lens
8. All values available when Base ISO is set to Automatic
9. All values available when Base ISO is set to Automatic
10. PD-E1 Limited to charging only in video mode
11. RA-E3 Remote Controller Adapter required to connect RS-80N3
12. Some functionality such as Network communication, LCD Luminance boost, HDR Assist and lens functionality may become limited when using LP-E6NH battery packs instead of LP-E6P
13. Some functionality such as Network communication, LCD Luminance boost, HDR Assist and lens functionality may become limited when using the DR-E6C DC Coupler

This product comes with 12 Months Australian Manufacturer Warranty. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.

Canon EOS C50 Full Frame Cinema Camera Body Only
Handle Unit
Canon LP-E6P Lithium-Ion Battery
Canon LC-E6 Charger
Microphone Holder
Shoulder Strap
Screw for Microphone Holder Unit

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Canon EOS C50 Body Only
Canon EOS C50 Body Only
Regular Price A$5,899.00 Special Price A$4,604.20 save: A$1,294.80

Check Stock

Please contact us to check the ETA for this product

SKU: Canon C50

UPC: 4549292254600