Canon EOS C50 Body Only
- 7K FF Back-Illuminated CMOS Sensor
- 7K 3:2 Open Gate, UHD 4K120, 2K180
- Dual-Base ISO: 800 and 6400
- Full-Size HDMI Output, DIN Timecode Port
- Dual-Pixel CMOS AF II
- Top Handle with XLR Audio Inputs
- Adjustable-Speed Zoom Rocker
- Simultaneous Crop Recording
- 32MP Still Photo Capture in Photo Mode
- Frame.io Camera-to-Cloud Integration
- CFexpress Type-B and SD Card Slots
The Canon EOS C50 brings cutting-edge imaging performance to filmmakers, creators, and production teams seeking uncompromising quality in a compact cinema body. Equipped with a 7K full-frame back-illuminated CMOS sensor, the C50 delivers exceptional detail, dynamic range, and low-light performance. With 7K 3:2 open-gate capture, as well as UHD 4K at up to 120 fps and 2K at up to 180 fps, it offers filmmakers creative flexibility across formats and frame rates.
The dual-base ISO (800 and 6400) ensures outstanding results in both controlled studio lighting and challenging low-light environments, while Canon’s Dual Pixel CMOS AF II provides reliable and precise autofocus with intelligent subject tracking.
Built for professional workflows, the EOS C50 features dual media slots for CFexpress Type-B and SD cards, enabling simultaneous crop recording and flexible redundancy options. The full-size HDMI output, DIN timecode port, and Frame.io Camera-to-Cloud integration make it production-ready for both on-set and remote collaboration.
For audio, the C50 includes a top handle with professional XLR inputs and an adjustable-speed zoom rocker for smooth lens control. Photographers can also capture 32MP stills in photo mode, making the C50 a hybrid powerhouse for both motion and stills.
Product Features in Detail
Canon EOS C50
The EOS C50 camera is designed to maximize creative freedom. The compact, full-featured camera body includes Canon's newly developed 7K full frame CMOS sensor with 3:2 open gate internal recording capabilities, 4K/120P and Cinema RAW Light up to 7K/60P. The EOS C50 features Canon’s next-generation Dual Pixel CMOS AF II, simultaneous 2K crop recording, built-in Frame.io Camera-to-Cloud integration, and supports XC protocol which allows for remote control over IP via Wi-Fi® or a compatible third-party USB-C ethernet adapter. The included detachable top handle adds two full-size XLR audio inputs, a start-stop button, and a zoom rocker. In addition, this camera can capture 32MP still images in Photo mode. The EOS C50 seamlessly integrates into almost any production environment, delivering flexibility and outstanding image quality in a package that practically fits in the palm of your hand.
Newly Developed 7K Full Frame CMOS Sensor
The EOS C50 features a newly developed 7K full-frame CMOS sensor. The sensor offers exceptionally low noise, enabling it to excel in a wide variety of lighting situations and maximizing the camera’s full dynamic range. The high resolution and realism of 7K enable richer creative expression as well as greater flexibility in workflows, including oversampled 4K 60P.
Full Frame 3:2 “Open Gate” Sensor Mode
The EOS C50 is the first Cinema EOS camera to feature open gate recording options, utilizing the full dimensions of the sensor. By selecting Full Frame 3:2 from the Sensor Mode section of the main menu, you can shoot using the full area of the sensor and then use that information in post to crop and re-frame your footage to the aspect ratio of your choice. This is especially valuable when shooting with full-frame anamorphic lenses.
Support for Anamorphic Lens Desqueeze
Anamorphic lenses have an elongated rear element that makes it possible to utilize flare and bokeh effects that cannot be achieved with ordinary lenses. The EOS C50 provides desqueeze magnification options including OFF/2x/1.8x/1.5x/1.3x.
Dual Base ISO
The full-frame 7K sensor of the EOS C50 offers dual base ISO, which allows the camera to deliver stunning imagery in a wide range of lighting conditions. With base ISOs of 800 and 6400 in Canon Log 2, you will be able to maximize the full dynamic range of the sensor in almost any shooting scenario. The camera also features Auto Selection, which automatically switches from one of the two base ISO levels to another level while maintaining the dynamic range.
7K 60P Internal RAW Recording and 4K 120P High Frame Rate Recording
The EOS C50 can record up to 7K 60P Cinema RAW Light with an additional three 12-bit Cinema RAW Light recording modes: HQ, ST and LT.
Other recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2, creating rich detail and smooth imagery at frame rates up to 120P, without cropping the image from the sensor. For slow or fast motion recording, the EOS C50 can support up to 4K 120P and 2K 180P.
Additionally, the C50 features the XF-AVC S and XF-HEVC S recording codecs. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.
High Frame Rate Recording with Auto Focus and Subject Detection
The camera’s Dual Pixel CMOS AF II enables you to keep your subject in focus during slow or fast shooting at speeds up to 4K/120P or 2K/150P. This will help to ensure that even at high frame rates, your subject will remain in clear focus.
Simultaneous Crop Recording
When shooting for social media, an added benefit of the camera is that it allows for simultaneous crop recording when shooting in 4K DCI or UHD, allowing you to record at your chosen aspect ratio while also recording a cropped portion of the frame in 2K. When shooting in simultaneous crop mode, you have up to three format options, depending on your shooting mode: 9:17, 9:16, or 1:1. This will help to reduce turnaround time when formatting videos for different deliverables.
Dual Card Slots
CFexpress (type B) and SD card slots on the EOS C50 allow for simultaneous recording even when shooting RAW. All recording options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available on the SD card slot.
Dual Pixel CMOS AF II
The EOS C50 supports the next generation of Canon’s acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The camera’s sensor provides superb light-capturing efficiency, widening the area of the sensor that can be used for AF to approximately 100% by 100%.
The subject detection algorithm utilizes deep learning technology. The face/eye detection can now be set with either left or right eye priority in both humans and animals. Additionally, the animal detection AF now also includes birds.
Vertical Shooting UI
When shooting vertically, the display on the EOS C50 can be switched to a UI that supports vertical shooting. It also supports touch controls for recording start/stop from the vertical screen mode.
Along with the shooting UI, menu settings and LCD brightness adjustments are also reoriented for vertical shooting to provide an easy-to-read layout.
Light and Compact Body Design Including Detachable Handle with Built-in XLR Inputs, REC and Zoom Control
The EOS C50 is the smallest and lightest Cinema EOS camera to date. The light and compact body makes shooting in tight spaces easier with greater freedom in angles and movement, and it reduces fatigue even during long hand-held shots.
Thanks to its flat and linear design with few protruding parts, you can easily attach a mic, rig, gimbal, or other accessories to customize the camera in multiple ways to fit your shooting style.
The included handle unit can also be attached to shoot subjects from a low or crooked angle, enabling more diverse and flexible visual capabilities. The handle also contains two built-in, full-sized 3-pin XLR inputs with 48V phantom power to record high-quality audio with an external mic. Additionally, the handle comes with a start/stop button and a zoom rocker.
Ethernet, and Wi-Fi® Control
The built-in Wi-Fi® enables Canon's IP-based remote control XC Protocol. Compatible third-party USB-to-Ethernet adapters will also provide additional options for connectivity.
XC Protocol maximizes operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon’s RC-IP1000 and RC-IP100 controllers (sold separately), and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera.
Additionally, Canon’s Remote Control Camera Application and Multi-Camera Control App can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.
Adobe Frame.io Camera-to-Cloud Integration
The camera has native compatibility with Frame.io’s Camera-to-Cloud (C2C) technology. This feature enables you to send proxy files immediately after recording internally, directly from the camera, for a faster and more secure path from production to post. The efficient proxy files don’t require additional processing or conversion, and are available to view, share, and edit remotely between teams in different locations.
Virtual Production Support
The EOS C50 is able to output CV Protocol to multiple devices for virtual productions. Lens metadata can be utilized by running our CV Metadata Extraction plugin on compatible computers, greatly enhancing usability in virtual set environments.
Mount Adapter PL-RF with Cooke/i® Technology Compatibility
The Mount Adapter PL-RF unlocks a broad assortment of PL mount lenses for the EOS C50 camera. The adapter is compatible with Cooke/i® Technology’s metadata protocol which enables real-time output of lens metadata (focus/zoom/iris position, and other data in addition to lens model information). Additionally, the robust adapter features locking plates that attach to the camera with four screws for a secure and stable lens mount.
Full-featured Mirrorless Photo Mode with Dedicated Menu and UI
With a flip of the switch, the EOS C50 transforms from a powerful cinema camera to a professional-class stills camera, utilizing the familiar menu system of the EOS R series. Meeting both needs with a single camera saves you the hassle of having to carry two cameras and makes editing processes smoother, helping to streamline your workflow.
The full-frame sensor offers a shallow depth of field that enables impressive shots that fully utilize bokeh, and shots can be taken with standard ISO of up to 64,000, enabling high-quality images for a wide range of shooting situations and subjects.
- 35mm full-frame up to approx. 32MP
- Max. 40 shots/sec. high-speed continuous shooting
- Still image sensitivity: standard ISO 64000
- Supports Dual Pixel CMOS AF II
| Lens | |
| Lens Mount | Canon RF mount |
| PL mount support via PL-RF Mount Adapter | |
| EF mount support via EF-EOS R Mount Adapter | |
| Lens Magnification Factor | Full Frame 3:2; |
| 6960x4640: Actual focal length x Approx. 1.00 | |
| Full Frame; | |
| 6960x3672, 4096x2160 or 2048x1080: Actual focal length x Approx. 1.06 | |
| 3840x2160 or 1920x1080: Actual focal length x Approx.1.12 | |
| Super 35mm (Crop); | |
| 5036x2656, 4096x2160 or 2048x1080: Actual focal length x Approx.1.47 | |
| 3840x2160 or 1920x1080: Actual focal length x Approx.1.54 | |
| Super 16mm (Crop); | |
| 2524x1332 or 2048x1080: Actual focal length x Approx.2.92 | |
| 1920x1080: Actual focal length x Approx.3.08 | |
| Digital Lens Correction | Peripheral Illumination Correction |
| Chromatic Aberration Correction | |
| Diffraction Correction | |
| Distortion Correction (RF lenses only) | |
| Focus Breathing Correction (Supported RF lenses only) | |
| ND Filter | No |
| Iris Control (EF Mount Lenses) | 1/2-stop, 1/3-stop or FINE control |
| Auto Iris | |
| Cooke /i Technology™ Support | Only when equipped with Mount Adapter PL-RF |
| Anamorphic Lens Support | x2.0 / x1.8 / x1.5 / x1.3 |
| Image Stabilization System | 5-Axis Combination IS (Optical and Digital) with supported lenses |
| Digital 5-Axis IS for non IS lenses | |
| Recording | |
| Internal Recording Media | 1x Cfexpress 2.0 (Type-B) |
| 1x SD Card (SD / SDHC / SDXC)1 | |
| Recording Time | Cinema RAW Light LT: |
| FF 3:2 6960 x 4640 976 Mbps approx. 65 Mins | |
| FF 6960 x 3672 773 Mbps: approx. 81 Mins | |
| Cinema RAW Light ST: | |
| FF 3:2 6960 x 4640 1510 Mbps approx. 42 Mins | |
| FF 6960 x 3672 1190 Mbps: approx. 55 Mins | |
| Cinema RAW Light HQ: | |
| FF 6960 x 3672 2420 Mbps: approx. 26 Mins | |
| XF-AVC: | |
| FF 4096 x 2160 or 3840 x 2160 500 Mbps: approx. 136 Mins | |
| XF-AVC S: | |
| FF 4096 x 2160 or 3840 x 2160 500 Mbps: approx. 136 Mins | |
| XF-HEVC S: | |
| FF 3:2 6912 x 4608 1350 Mbps: approx. 50 Mins | |
| FF 4096 x 2160 or 3840 x 2160 135 Mbps: approx. 505 Mins2 | |
| Recording Formats | Video Mode: |
| Cinema RAW Light (CRM) / XF-AVC (MXF) / XF-AVC S (MP4) / XF-HEVC S (MP4) | |
| Photo Mode: | |
| RAW / C-RAW / Dual Pixel RAW / HEIF / JPEG | |
| Relay Recording | Yes3 |
| Double Slot (Simultaneous) Recording | Yes |
| Simultaneous Recording in Multiple Formats | Yes |
| System Frequency / Frame Rates | 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P) |
| 50.00Hz mode (50.00P / 50.00i / 25.00P) | |
| 24.00 Hz mode (24.00P) | |
| Cinema RAW Light Bit Rate / Bit Depth (PAL) | 12-bit Cinema RAW Light LT: |
| FF 3:2 / 6960 x 4640 / 25P [976 Mbps] | |
| FF / 6960 x 3672 / 50P [1550 Mbps] | |
| FF / 6960 x 3672 / 25P [773 Mbps] | |
| S35 / 5036 x 2656 / 50P [811 Mbps] | |
| S35 / 5036 x 2656 / 25P [406 Mbps] | |
| S16 / 2524 x 1332 / 50P [206 Mbps] | |
| S16 / 2524 x 1332 / 25P [103 Mbps] | |
| 12-bit Cinema RAW Light ST: | |
| FF 3:2 / 6960 x 4640 / 25P [1510 Mbps] | |
| FF / 6960 x 3672 / 50P [2380 Mbps] | |
| FF / 6960 x 3672 / 25P [1190 Mbps] | |
| S35 / 5036 x 2656 / 50P [1250 Mbps] | |
| S35 / 5036 x 2656 / 25P [624 Mbps] | |
| S16 / 2524 x 1332 / 50P [316 Mbps] | |
| S16 / 2524 x 1332 / 25P [158 Mbps] | |
| 12-bit Cinema RAW Light HQ: | |
| FF / 6960 x 3672 / 25P [2420 Mbps] | |
| S35 / 5036 x 2656 / 25P [1270 Mbps] | |
| S16 / 2524 x 1332 / 50P [642 Mbps] | |
| S16 / 2524 x 1332 / 25P [321 Mbps] | |
| XF-AVC Recording Bit Rate / Sampling (PAL / MXF) | 4:2:2 10-bit (Intra-frame): |
| 4096x2160 or 3840x2160 / 50P [1000 / 750 / 500 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [500 / 375 / 250 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [250 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [150 Mbps] | |
| 1920x1080 / 50i [125 Mbps] | |
| 4:2:2 10-bit (Long GOP): | |
| 4096x2160 or 3840x2160 / 50P [250 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [150 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [50 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [50 Mbps] | |
| 1920x1080 / 50i [50 / 25 Mbps] | |
| XF-AVC S Recording Bit Rate / Sampling (PAL / MP4) | 4:2:2 10-bit (Intra-frame): |
| 4096x2160 or 3840x2160 / 50P [1000 / 750 / 500 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [500 / 375 / 250 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [250 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [150 Mbps] | |
| 4:2:2 10-bit (Long GOP): | |
| 4096x2160 or 3840x2160 / 50P [250 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [150 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [50 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [50 Mbps] | |
| 4:2:0 8-bit (Long GOP): | |
| 4096x2160 or 3840x2160 / 50P [150 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [100 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [35 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [35 Mbps] | |
| XF-HEVC S Recording Bit Rate / Sampling (PAL / MP4) | 4:2:2 10-bit (Intra-frame): |
| 6912x4608 / 25P [1350 / 900 Mbps] | |
| 4:2:2 10-bit (Long GOP): | |
| 6912x4608 / 25P [486 Mbps] | |
| 4096x2160 or 3840x2160 / 50P [225 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [135 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [50 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [50 Mbps] | |
| 4:2:0 10-bit (Long GOP): | |
| 4096x2160 or 3840x2160 / 50P [150 Mbps] | |
| 4096x2160 or 3840x2160 / 25P [100 Mbps] | |
| 2048x1080 or 1920x1080 / 50P [35 Mbps] | |
| 2048x1080 or 1920x1080 / 25P [35 Mbps] | |
| Proxy Recording Bit Rate / Sampling (PAL) | 4:2:0 8-bit (Long GOP): |
| 2048x1080 or 1920x1080 [35 / 16 / 9 Mbps] | |
| 1280 x 720 [6 Mbps] | |
| 4:2:0 10-bit (Long GOP): | |
| 2048x1080 or 1920x1080 [16 / 9 Mbps]4 | |
| Slow / Fast Motion | 7K 3:2 RAW: up to 30FPS |
| 7K 17:9 RAW: up to 60FPS | |
| 5K RAW (S35 Crop): up to 60FPS | |
| 2.5K RAW (S16 Crop): up to 150FPS | |
| 4K recording: up to 120FPS | |
| 2K recording: up to 180 FPS | |
| Interval Record | Yes |
| Frame Record | Yes |
| Pre Record (Cache Record) | 3 Seconds5 |
| Continuous Recording | Yes6 |
| Simultaneous Crop Recording | 1080 x 1920 or 1080 x 1080 |
| Digital Tele-converter | 1.5x, 2x, 2.5x, 3x, Digital Zoom, Off |
| Photo Recording Size | 3:2 ratio: |
| (L, RAW, C-RAW) 6960x4640, (M) 4800x3200, (S1) 3472x2320, (S2) 2400x1600 | |
| 1.6x (crop): | |
| (L, RAW, C-RAW) 4320x2880, (S2) 2400x1600 | |
| 4:3 ratio: | |
| (L) 6160x4640, (M) 4256x3200, (S1) 3072x2320, (S2) 2112x1600 | |
| 16:9 ratio: | |
| (L) 6960x3904, (M) 4800x2688, (S1) 3472x1952, (S2) 2400x1344 | |
| 1:1 ratio: | |
| (L) 4640x4640, (M) 3200x3200, (S1) 2320x2320, (S2) 1600x1600 | |
| System | |
| Display Type | 3.0 inch LCD Touch Panel |
| Display Resolution | approx. 1.62 million dots (900xRGBx600) |
| Display Touch Screen Functions | Focus Point Selection |
| Touch Screen UI for Shooting Settings | |
| OSD for Vertical Shooting | Yes |
| Wave Form Monitor | Yes (Line / Line + Spot / RGB Parade / YPrPb Parade) |
| False Colour Display (Exposure Indication) | Yes (6 Colour Index) |
| Colour Bars | SMPTE / EBU / ARIB |
| Peaking | Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable) |
| Zebra | Level 1; Level 2; Both |
| Markers | On/Off selectable: centre, horizontal / verstical, grid, aspect, safe area and user marker. Colour selectable |
| EVF | |
| Built-In EVF | No |
| Inputs / Outputs | |
| Audio In | 2x XLR 3-pin jack (Handle Unit) |
| 1x 3.5 mm stereo mini jack | |
| Built in Stereo microphones on camera body | |
| Headphone Output | 1x 3.5mm stereo mini jack |
| Video Monitor Output | No |
| HDMI | 1x HDMI (Type-A) |
| USB | 1x USB-C Data Terminal (USB3.2 Gen2) |
| SDI Output | No |
| Time Code | 1x DIN1.0/2.3 (Input / Output) |
| Genlock | No |
| Sync | No |
| DC Input | Yes, via DR-E6P / DR-E6C DC Coupler |
| Multi-Accessory Shoe | Yes (via camera body) |
| Remote Control Terminal | 1x E3 2.5mm remote jack |
| Lens Terminal | No |
| Ethernet Terminal | No, requires a compatible USB-C Ethernet Adapter7 |
| IP Streaming / FTP | IP Streaming via Network connection |
| 9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i) | |
| UDP / RTP / SRT / RTP+FEC / RTSP+RTP | |
| UVC Output | USB Video Class Support: |
| 2048x1080 / 1920x1080 / 1620x1080 (depending on recording resolution) | |
| 25P / 30P / 50P / 60P | |
| UAC Output | USB Audio Class Support: |
| Linear PCM (16-bit / 48 kHz, 2 channels) | |
| User LUT Input | Yes, in-built LUTs available for monitoring. |
| Custom LUTs can be applied directly to internal recordings via Look File function (compatible with 17 or 33 grid .cube files) | |
| Tally Signal | Yes, via Network using XC Protocol |
| Return Signal Input | No |
| Default Function Button Settings | 1. AF-ON |
| 2. MAGN. | |
| 3. MENU | |
| 4. DISP | |
| 5. PUSH AUTO IRIS | |
| 6. (unassigned) | |
| 7. REC | |
| 8. LOCK | |
| 9. PEAKING | |
| 10. WFM | |
| 11. FUNC | |
| 12. AF LOCK | |
| 13. REC | |
| 14. (unassigned) | |
| User Assignable Buttons | 14x Assignable Buttons |
| Miscellaneous | |
| Tally Lamp | Yes, 2x (body) 1x (top handle) |
| Zoom Rocker | Yes, Optical and Digital Zoom8 |
| Custom Dial | Yes, 3x |
| Software Application Support | Cinema RAW Development |
| XF Utility | |
| RAW Plugin for Avid Media Access | |
| RAW Plugin for Final Cut Pro | |
| XF Plugin for Avid Media Access | |
| Remote Camera Control Application | |
| Multi-Camera Management Application | |
| EOS VR Utility | |
| EOS VR Plugin for Adobe Premiere Pro | |
| CV Metadata Plugin for Adobe After Effects | |
| Live Link Plugin for Unreal Engine | |
| CV Metadata Extraction Tool | |
| MP4 Join Tool | |
| HEVC Activator | |
| Frame.io Camera to Cloud | |
| Smartphone Application Support | Canon Multi-Camera Control |
| Content Transfer Professional | |
| Browser Remote Control | |
| Exposure | |
| Exposure Metering | Video Mode: |
| Standard, Backlight, Spotlight | |
| Photo Mode: | |
| Evaluative, Partial, Spot, Centre weighted average | |
| Exposure Compensation | Yes |
| Auto Exposure Mode | Yes (Video mode: Auto Iris / ISO) |
| Push Auto Iris | Yes |
| Exposure Lock | Yes |
| Auto Gain Control Setting | Yes |
| ISO Sensitivity | ISO 100 to ISO 25,600 / 102,400* (increments of 1 or 1/3 stop)9 |
| * When the sensitivity is expanded | |
| Auto Focus System | Dual Pixel CMOS AF II |
| AF Frame Sizes | Full: approx. 100% (Vertical) x approx. 100% (Horizontal) |
| Small Zone: Video display range approx. 14.7% (Vertical) x 12.2% (Horizontal) | |
| Flexible Zone 1: Video display range approx. 38% (Vertical) x 26% (Horizontal) | |
| Flexible Zone 2: Video display range approx. 85% (Vertical) x 26% (Horizontal) | |
| Flexible Zone 2: Video display range approx. 38% (Vertical) x 77% (Horizontal) | |
| Auto Focus Modes | Continuous AF / One-Shot AF |
| Face Detection AF | Yes (Eye / Face / Head / Body) |
| Animal Detection AF | Video Mode: |
| Dogs / Cats / Birds | |
| Photo Mode: | |
| Dogs / Cats / Birds / Horses / Motorsports / Aircrafts / Trains | |
| Focus Guide | Yes, with compatible Canon lenses |
| Gain Setting | -6dB*, -3dB*, -2dB**~48dB, 51dB*, 54dB*10 |
| *when ISO Extended Range is set to ON | |
| **when ISO Extended Range is set to OFF | |
| Shutter | |
| Control Modes | Video Mode: |
| Off; Speed; Angle; Clear Scan; Slow | |
| Photo Mode: | |
| Electronic | |
| Shutter Speed | Video Mode: |
| 1 sec to 1/2000 (1/3 or 1/4 stop increments), 47 options | |
| Photo Mode: | |
| 30 sec to 1/8000 (1 stop increments) | |
| 15 sec to 1/16000 (1 stop increments) | |
| Bulb (Total shutter speed range. Available range varies by shooting mode) | |
| Shutter Angle | 11.25º to 360º |
| Slow Shutter (SLS) | 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate |
| Clear Scan | approx. 24 Hz~2000 Hz depending on frame rate |
| Custom Picture | |
| Stored Configurations | Video Mode: |
| C1: Canon 709 | |
| C2: Canon Log 2 | |
| C3: Canon Log 3 | |
| C4: BT.709 Wide DR | |
| C5: BT.709 Standard | |
| C6: PQ | |
| C7: HLG | |
| C8: EOS Standard | |
| C9: EOS Neutral | |
| C10: User10 ~User20 | |
| HDR-HLG Profile | BT.2100: Corresponds to ITU-R BT.2100 |
| Vivid: Corresponds to Traditional Colour in ITU-R BT.2390 | |
| Colour Matrix | Neutral: Accurate colour reproduction |
| Production Camera: Colour reproduction for use in movie production | |
| Video: Colour reproduction with contrast for TV broadcasts | |
| Image Adjustment Parameters | Master Pedestal |
| Master Black | |
| Black Gamma | |
| Low Key Saturation | |
| Knee | |
| Sharpness | |
| Noise Reduction | |
| Skin Detail | |
| Colour Matrix Tuning | |
| White Balance | |
| Colour Correction | |
| Wi-Fi & GPS Specifications | |
| Wi-Fi (Optional Third Party Accessory) | In-built (2.4 / 5GHz bands) |
| Supporting 802.11a/b/g/n/ac | |
| GPS Information (Optional Accessory) | Only when equipped with GP-E2 GPS Receiver |
| White Balance | |
| Auto | Yes |
| Preset | Video Mode: |
| Daylight (5600K), Tungsten (3200K), Kelvin (2000K-15000K, 100K or 5-mired increments), Set A, Set B | |
| Photo Mode: | |
| AWB, Daylight, Shade, Cloudy, Tungsten, Fluorescent, Flash, Manual, Color Temp (100K increments) | |
| White Balance Shift | Video Mode: |
| -20CC~+20CC | |
| Photo Mode: | |
| -9 to +9 (Blue/Amber) | |
| -9 to +9 (Magenta/Green) | |
| Time Code | |
| Count Up System | Regen / RecRun / Free Run / External |
| Audio | |
| Recording Format | RAW / XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels) |
| XF-AVC S / XF-HEVC S: Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16 bit 48kHz) 2 channels | |
| Accessories | |
| Supplied | Handle Unit |
| LP-E6P Battery Pack | |
| Battery Charger LC-E6E | |
| Microphone Holder | |
| Shoulder Strap | |
| USB-C Cable | |
| AC Cable | |
| Optional | DR-E6P DC Coupler |
| DR-E6C DC Coupler + AC Adapter CA-946 | |
| PD-E111 / PD-E2 USB Power Adapter | |
| BG-R20 Battery Grip | |
| PL-RF Mount Adapter | |
| EF-EOS R Mount Adapter | |
| EF-EOS R Control Ring Mount Adapter | |
| EF-EOS R Drop-In Filter Mount Adapter | |
| EF-EOS R 0.71x Mount Adapter | |
| RC-IP100 Remote Camera Controller | |
| RC-IP1000 Remote Camera Controller | |
| DM-E1D Multi-Function Shoe Directional Stereo Microphone | |
| DM-E1 Directional Stereo Microphone | |
| BR-E1 Wireless Remote Control | |
| RS-80E3 / RS-60E3 / RS-80N312 Remote Switch | |
| GP-E2 GPS Receiver | |
| OC-E4A Off-Camera Shoe Cord | |
| IFC-100U / IFC-400U Interface Cable | |
| Third Party Accessories | Tascam CA-XLR2d XLR Microphone Adapter |
| Power Source | |
| Power Supply (Battery) | LP-E6P Battery Pack (Supplied) |
| LP-E6NH13 Battery Pack (Optional) | |
| Power supply (Mains) | DR-E6P DC Coupler |
| DR-E6C DC Coupler14 + AC Adapter CA-946 | |
| USB-C Power Adapter PD-E2 | |
| Physical Specifications | |
| Dimensions (Main Body Only) | approx. W 142 x H 88 x D 95 mm |
| Weight (Body Only) | approx. 670 g |
| Weight (Accessories) | Handle unit: approx. 300g |
| Microphone holder + 2 screws: approx. 60g | |
| LP-E6P Battery Pack: approx. 82g | |
| LC-E6 Battery Charger: approx. 110g | |
| LC-E6E Battery Charger: approx. 100g | |
| Operating Temperature Range | Approx. 0 to 40°C, (85% relative humidity) |
| Approx. -5 to 45°C, (60% relative humidity) | |
1. Recording above 600Mbps only available via Cfexpress
2. Based on 25P recording on a 512GB card at maximum bitrate
3. Relay Recording not available during RAW Recording
4. Proxy recording available in XF-AVC, XF-AVC S and XF-HEVC S (depending on the main format selected). Not available in S&F mode above 60FPS
5. Pre Record not available during RAW or S&F Recording
6. Continuous Recording not available during RAW or XF-AVC Recording
7. Use of an Ethernet adapter requires the DR-E6P DC Coupler
8. Optical Servo Zoom requires a compatible RF Lens
8. All values available when Base ISO is set to Automatic
9. All values available when Base ISO is set to Automatic
10. PD-E1 Limited to charging only in video mode
11. RA-E3 Remote Controller Adapter required to connect RS-80N3
12. Some functionality such as Network communication, LCD Luminance boost, HDR Assist and lens functionality may become limited when using LP-E6NH battery packs instead of LP-E6P
13. Some functionality such as Network communication, LCD Luminance boost, HDR Assist and lens functionality may become limited when using the DR-E6C DC Coupler
This product comes with 12 Months Australian Manufacturer Warranty. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.
Canon EOS C50 Full Frame Cinema Camera Body Only
Handle Unit
Canon LP-E6P Lithium-Ion Battery
Canon LC-E6 Charger
Microphone Holder
Shoulder Strap
Screw for Microphone Holder Unit
SKU: Canon C50
UPC: 4549292254600


