Atomos Ninja V 5" 4K HDMI Recording Monitor inc 5" Accessory Kit
- Ninja V 5" 4K HDMI Recording Monitor
- For SDR/HDR Monitoring and Recording
- 1920 x 1080 Touchscreen Display
- Monitor HDR and SDR Sources up to 6K
- 4K HDMI Input, Sony L-Series Plate
- Two NP-F750 5200mAh L-Series Batteries
- Includes Fast Charger, DC Power Supply
- Includes Sun Hood, Travel Case, Screen Protector
- Comes with Master Caddy II
The Ninja V 5" 4K HDMI Recording Monitor is a portable solution for recording and monitoring on-set video. It features a 1920 x 1080 touchscreen display and an HDMI input for capturing up to 60 fps at 4K/UltraHD resolution. The monitor also supports standard definition, HD and UltraHD (2160p) up to 30 fps. The Ninja V can record in Apple ProRes RAW, Apple ProRes, Avid DNxHD/HR, and HEVC (H.265)as well as Avid DNxHR HQX, HQ and LT codecs.
The monitor is compatible with Canon L-Series batteries, which are used in many Sony cameras like the FS7II, FS5 II, FS7 M4/3rds Cameras and more. The Ninja V also ships with two NP-F750 L-series batteries that will provide up three hours of runtime when using the monitor continuously.
Included with this package are two NP-F750 batteries, one Fast Charger, one DC power supply, travel case, screen protector and a sun hood for outdoor use. It also comes with Master Caddy II.
Product Features in Detail
The original and still the best
The original innovations of Ninja V continue to revolutionize the world of production. This lightweight, compact device has become an essential tool for filmmakers and video content creators everywhere. It offers ground-breaking advantages for HDR monitoring and RAW recording. Close partnerships with major camera manufacturers ensure that Ninja V is able to enhance an ever-widening range of digital cinema, mirrorless, and DSLR cameras. Ninja V will transform the way you work and provide you with new opportunities to realize your creative vision.
Feature Packed and Highly Versatile
The versatile nature of Ninja V means it can be paired with nearly any camera, on any type or size of production. The professional monitoring tools make framing, exposure, and focusing a breeze. With Ninja V you can work confidently to perfect every shot.
Ninja V provides additional flexibility by offering a choice of industry-standard recording formats. This means you can choose the frame size, frame rate, and codec that best suits the needs of your workflow and delivery requirements. Ninja V also allows you to record HDMI RAW inputs up to 6K at 30fps, whilst simultaneously looping out standard YCC video via HDMI to non-RAW compatible devices.
Responsive Touchscreen
Ninja V features a highly responsive, 5.2-inch, SuperAtom IPS touchscreen. This guarantees each feature is clearly visible, all the features are easily accessible, and every operation is smooth. The screen is bright (1000nit), which means it’s suited for outdoor use, even in direct sunlight. The display settings allow for a number of adjustments to make certain your Ninja V functions equally well in darker environments.
Compact Design
Ninja V has been designed so that it can be paired equally well with smaller cameras as part of a minimal setup and with full-size camera rigs on large-scale cinema productions. The aluminum chassis and polycarbonate backplate have been crafted for maximum durability. The device weighs just 360g (0.79lbs), which means it can be used comfortably with a handheld camera. The device includes anti-rotational 3/8-16 mount points on the top and bottom. It ships with a 1/4-20 adapter, so that Ninja V can easily be adapted and mounted on industry-standard equipment from a wide range of manufacturers.
Complete Monitoring Toolbox
Ninja V includes a comprehensive range of monitoring tools including a waveform, focus peaking, false color, zoom controls, custom LUTs, and frame guides. Each offers an opportunity to perfect the composition and exposure for every shot and can be overlaid in any combination, unlike many other monitors that allow only one monitoring tool at a time. AtomOS software is easy to use and provides a platform for Atomos to easily update Ninja V, introduce new features, and add support for new cameras on release.
Incredible Creative Effects
Achieve cinematic effects, creative transitions, and save time in post-production with the Get Creative update for your Ninja V. The onion skin overlay makes shooting stop-motion and creating jump or match cuts extremely simple. The ability to capture frame grabs live on-set reduces time creating thumbnails and gives you a quick reference to share with the team. The update is available to download for free from my.atomos.com.
Wireless Remote Control
The AtomRemote app for iOS and macOS offers an array of external controls for ATOMOS CONNECT for Ninja V. The app enables you to perform a range of configuration tasks and operations up to 15 meters away from the device via Bluetooth LE. Input options include the ability to define camera connections, select Gamma/EOTF, and adjust Gamut settings. For monitoring, AtomRemote can be used to control playback, choose monitoring modes, apply custom 3D LUTs, or view image analysis tools including exposure and focus. Output controls include options for 4K to HD, LUT preview, and HDR output.
Wireless Timecode
Atomos AirGlu™ adds wireless timecode, sync, and control technology to ATOMOS CONNECT for Ninja V. AirGlu locks multiple Atomos devices or compatible cameras, audio recorders, and software applications together so that they share the same frame-accurate timecode. It is also able to relay recording, battery status, and disk capacity information to the server unit. Any AirGlu device can act as the server unit, which means you’ll no longer need a huge budget or get involved in time consuming post-production workflows to produce perfectly synchronized, multi-camera video.
Expansion Options
The built-in AtomX expansion port supports a range of Atomos accessories that can completely transform your Ninja V by introducing new features and new workflows.
ATOMOS CONNECT
The ultimate expansion module for Ninja V, ATOMOS CONNECT includes an SDI interface, which adds support for a new category of camera and can be used to cross convert a 12G-SDI signal to the HDMI output, creating more utility and workflow options. ATOMOS CONNECT also features Wi-Fi 6, Gigabit Ethernet, and Bluetooth. With support for Atomos Cloud Studio (ACS) and AirGlu™ wireless sync technology that introduce new production workflows and ways to utilize Ninja V.
AtomX CAST
AtomX CAST transforms Ninja V into a compact, fully featured production studio. It allows you to perform advanced multi-input switching from 4 x 1080p HDMI sources, apply graphic overlays, and use a USB UVC webcam output for enhanced web-conferencing and live streaming.
Supported Resolutions & Frame Rates
To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. Ninja V can record more color information and immediately add value to your production with your existing camera rig. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision.
Professional Codec Support
With flexible options for industry standard video and RAW formats, Ninja V can either record visually lossless acquisition codecs that are ready for editing or smaller-sized delivery codecs that look great and are quick to upload. Ninja V is designed to be versatile and meet the requirements of your workflow. Atomos understands the value of being able to select the format, quality, resolution, frame rate, or file size that best suits the needs of your production.
LUTs and Supported Log Formats
To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. Ninja V can record more color information and immediately add value to your production with your existing camera rig. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision.
Record without Limitation
The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device.
There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT.
With Ninja V the only limitation to how much you can record is the size of the SSD. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. SSD media also provides more GB per $ than camera media cards. This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.
Introducing Atomos Cloud Studio
The Future of Production
Atomos Cloud Studio (ACS) is a collection of online video production services that represent a radical innovation for all video creators, streamers, and filmmakers. When paired with ATOMOS CONNECT, ACS allows Ninja V to livestream to popular platforms like Facebook Live, Twitch, YouTube, and custom RTMP/S destinations. It also offers full support for Adobe Camera to Cloud (C2C), powered by Frame.io, allowing anyone with a compatible camera or device to be able to capture full-resolution footage, simultaneously share proxy files, and collaborate in real-time.
Stream from Anywhere to Anywhere
With the ATOMOS CONNECT for Ninja V you can livestream to a range of online services including, Facebook Live, Twitch, YouTube, and custom RTMP/S. With Wi-Fi 6, Gigabit Ethernet, and the ability to join cellular hotspots all built-in, the ATOMOS CONNECT helps filmmakers, streamers, and video content producers reach their audience from anywhere.
Remote Collaboration
Adobe C2C is being used by production teams every day to share footage from the shoot with remote team members. C2C is the fastest, easiest, and most secure method to share media and collaborate in real-time. It creates a direct path from production to the post-production teams, allowing media to be transferred from C2C certified devices, wherever you are, over standard network connections to the cloud, for viewing, approval, and editing. Clips can be reviewed on any device and editors can start cutting high-quality proxy files (with matching timecode and file names) before anyone calls it a wrap. The ATOMOS CONNECT accessory for Ninja V opens the C2C workflow to a significantly wider range of digital cinema, mirrorless, and DSLR cameras, allowing more filmmakers than ever before engage in cloud-based workflows and experience the future of production.
* ATOMOS CONNECT required.
Physical Specifications | |
Dimensions (W x H x D mm) | 151 x 91.5 x 31 mm |
Weight | 360g / 12.7oz |
Mount points | Anti-rotational 3/8-16 screw mount points, 1/4-20 screw mount adaptor installed. 1x top and 1x bottom |
Environmental | |
Ambient operating temperature | Up to 40° C |
Construction and Control | |
Body | Aluminium alloy chassis with ABS Polycarbonate back plate |
Cooling | Heat Sink and actively controlled fan with user selectable modes in menu |
Tally light | Rear and front |
Multi-function button | Power / lock Screen |
AtomXpansion slot | Yes |
Power | |
Input voltage | 5.8 - 7.2V (Battery) |
Operating power | 10-22W |
Compatible batteries | NP-F L series and supporting accessories |
Built in battery | No |
Battery Run time (Record) | 5200mAh - up to 2hrs (monitor & record 4K 60p)7800mAh - up to 3hrs (monitor & record 4K 60p) |
Battery Run time (Monitor only) | 5200mAh - up to 2hrs (monitor & record 4K 60p). 7800mAh - up to 3hrs (monitor & record 4K 60p) |
Continuous power | Enabled by optional AtomX SYNC Expansion Module |
DC in connector | Via DC Jack on Battery Eliminator |
Dtap | Via Battery Eliminator and optional D-Tap to DC cable |
Display | |
Touchscreen | SuperAtom IPS panel (capacitive touch) calibration to Rec.709 with optional calibration unit |
Size | 5.2" |
Resolution | 1920 x 1080 |
PPI | 423 |
Bit depth | 10Bit (8+2 FRC) |
Backlight Type | Edge lit |
Brightness (cdm2 / nits) | 1000 |
Aspect ratio | 16:09 |
Color Gamut | Rec.709 |
Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
Color Pipeline | |
Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Nikon N-Log, Panasonic V-Log, JVC J-Log1, Olympus OM-Log400 / Flat, Lecia L-Log, Z Cam Z-Log2, RED LogFilm / RED Log3G10 / RED Log3G12, FujiFilm F-log, PQ (HDR10), HLG |
Gamut | Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, DCI P3 / DCI P3+, Nikon NLog, Panasonic V-Gamut, Arri Alexa Wide Gamut, Rec709, BT.2020, FujiFilm F-Gamut, JVC LS300, RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 |
3D LUT Display | .Cube Format |
3D LUT Output | Loop out |
3DLUT 50/50 | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
Video Input | |
HDMI | 1 x HDMI (2.0) 4K p60 |
HDMI RAW | Apple ProRes RAW up to 6K |
SDI | Optional via AtomX SDI module |
SDI RAW | Optional with AtomX SDI module + SDI RAW activation |
Bit Depth | 8/10-bit Video / RAW up to 12-bit |
Video Chroma Subsampling | 4:02:02 |
HDCP copy protection | Not supported |
Metadata | |
HDMI | RAW - white balance, exposure index, shutter speed/angle, iris F stop, ISO, gamma, gamut |
SDI | File name from Arri, RED |
Video Output | |
HDMI | 1 x HDMI (2.0) 4k p60 |
SDI loop out | Optional Via AtomX SDI module |
SDI Play out | Optional Via AtomX SDI module |
Video Chroma Subsampling | 4:02:02 |
Bit Depth | 10-bit Video / 12-bit RAW |
Web Streaming | |
USB UVC | Optional via Connect 4K |
Video Signal Conversion | |
HDMI to SDI | Optional Via AtomX SDI module |
SDI to HDMI | Optional Via AtomX SDI module |
Audio In/Out | |
Audio Quality | 24-bit 48kHz |
Audio Codec | PCM |
HDMI | 8ch 24-bit, input dependent |
SDI | 12ch 24-bit, input dependent |
Analogue Audio in | 3.5mm 2ch. |
Headphone out | 3.5mm 2ch. |
Timecode / Sync | |
Embedded | HDMI and SDI |
Time of day | Yes, Time and Date |
LTC | via 3.5mm audio Jack input (requires post processing) |
Wireless SYNC | Via Optional AtomX SYNC Module |
Resolution and Frame Rates (Record, Monitor & Playback) | |
6k | RAW Only up to 30p via HDMI |
5k | RAW Only up to 29.97p via HDMI. |
4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
2K DCI 2046 x 1080 | Optional via AtomX SDI module |
Anamorphic | 3.5k: RAW up to 60p (from supported cameras only) |
FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
FHD 1920 x 1080 PsF | converted to P and looped out PsF |
FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
1280 x 720p | 50/59.94/60p |
Recording CODEC | |
Apple ProRes RAW | ProRes RAW & RAW HQ |
Apple ProRes | LT, 422, 422HQ |
Avid DNxHD | 220x, 220, 145, 36 |
Avid DNxHR | LB, SQ, HQ, HQX |
H.265 | LQ, MQ, HQ in 8/10Bit, 4 2 2 and 4 2 0 (Optional activation via my.atomos.com) |
Playback | |
Playlist | Yes, create playlists from full or sub clips |
Loop | Yes, with user customizable in / out markers |
Apple ProRes Raw | Yes, recorded clips |
Apple ProRes | Yes, with Linear PCM audio |
Avid DNx | Yes, with Linear PCM audio |
H.265 | Yes, with Linear PCM audio (once activated) |
Recording functions | |
Pre-roll record | Yes (HD 8s, 4K 2s) - Not available in RAW |
Timelapse | Yes |
Multi Input / Switching | |
SDI A/B toggle | via optional AtomX SDI module |
Supported media | |
Master Caddy I | Not compatible |
SSDmini | Native size and fit |
CFast II | Supported cards via optional AtomX CFast Adapter |
File Naming | Unit Name - Scene/Shot/Take |
File System | ExFAT |
On screen tools | |
Waveform | Yes, 3 size / position |
RGB parade | Yes, 3 size / position |
Vector scope | Yes, 2 size / position |
1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
2 x Zoom | Yes |
Focus peaking | Colour selected / threshold setting / color / mono / edges only |
False colour | Yes, with scale |
Zebra | Yes, adjustable |
Isolate color channel | Blue Only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides | 9:16, 1:1, 1.91:1, 4:5 |
Safe areas | Action and Graphic |
Grid markers | 9 grid |
Anamorphic desqueeze | 1.25x 1.33x , 1.5x ,1.8x ,2x |
Display Flip | Vertical Only |
Onboard Signal Processing | |
Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
4K UHD Downscale for HD | Loop out - 4K UHD to FHD |
DCI Crop | Loop out - 17:9 to 16:9 Crop |
Remote control | |
HDMI | Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard |
SDI | SDI trigger camera selectable |
Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
Bluetooth LE | Via AtomRemote app (requires AtomX SYNC module) |
Wireless RF | via optional AtomX SYNC module |
External Device Control | |
Serial 2.5mm Jack | Camera control for supported cameras via Optional USB to Serial Cable |
Bluetooth LE | via optional AtomX SYNC module to compatible devices |
Wireless RF | via optional AtomX SYNC module to compatible devices |
Supported Applications | |
XML | Cut tag EDL in FCPX XML |
Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light. |
Video Codecs | All Applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
What’s in the box | |
Accessories included | Ninja V, 1 x Battery eliminator, 1 x international DC power supply, 1 x MasterCaddy II and QuickStart Guide |
Optional extras | 5" Accessory kit, Sunhood, DC to D-Tap, Power Kit, HDMI cables, USB to serial cable, AtomX SYNC module, AtomX SDI module, AtomX CAST module |
This product comes with 12 Months Australian Warranty with Atomos. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.
Atomos Ninja V 5" 4K HDMI Recording Monitor inc 5" Accessory Kit
International DC Power Supply
Battery Eliminator
Master Caddy II
Two NP-F750 L-Series 5200mAh Batteries
Fast Charger
Power Supply
Sun Hood
Screen Protector
Plastic Travel Case

SKU: Atomos KIT-ATOMNJAV01ACCKT2
UPC: 814164021241