- 16 Megapixel Live MOS sensor
- Comes with M.Zuiko ED 12-40mm f2.8 Lens
- 2306k-dot Eye-level Electronic Viewfinder
- TruePic VII Engine Image Processor
- 3 Inch Multi Angle OLED screen
- Full HD Video Recording 1080i
- 5-axis VCM image Stabilization System
- Weather Sealed - Dustproof and Splash-Proof Construction
- Built in WiFi
- Includes Bonus FL‑LM3 Flash
- 2 Years Genuine Warranty with Olympus Australia
The combination of the new TruePic VII Engine and 16 Megapixel 4/3 Live MOS sensor makes the Olympus OM-D E-M5 Mark II camera’s performance even better than ever. Compared to the TruePic VI, Mark II uses 5-axis VCM image stabilization system for superior image quality. Now that it features full HD video Recording 1080p, you’ll be able to record the precious moments in its full detail. The monitor is a 3 inch vari-angle swivel touch screen wherein you can rotate the screen to your desired angle. The camera has a built-in flash so you can still get images from a dark place. Its metal construction body makes it moisture and dust proof for even longer span of life. The 2306k-dot Eye-level Electronic Viewfinder has its sensor to switch the display between the electronic viewfinder and the tilting 3 Inch Multi Angle OLED screen for ease-of-use. The kit comes with M.Zuiko ED 12-40mm f2.8 Lens.
Product Features in Detail
The world's most advanced image stabilization
The new OM-D E-M5 Mark II features the most sophisticated image stabilization technology ever offered in an interchangeable lens camera.* The ultra-sensitive 5-axis VCM (voice coil motor) system is so responsive and accurate, you can shoot sharp images in low light and capture silky smooth video, hand-held without a tripod. The E-M5 Mark II is also a bring-it-anywhere portable system camera that is nearly 40% lighter than conventional DSLR’s and its durable all metal body is sealed for splashproof, dustproof and freezeproof protection.
Optimized for minimalist video shooting
Quite simply, the E-M5 Mark II is the world’s best interchangeable lens camera for “run and gun” spontaneous video shooting. With its unobtrusive size and 5-axis IS technology, the E-M5 Mark II lets you shoot hand-held and still capture cinema-quality movies. Pro-level features give you the flexibility to experiment, and an all-new robust touch screen interface allows for adjustments to AF point, exposure, aperture, shutter speed and more without interrupting recording.
The Mark of photographic excellence
The E-M5 Mark II sits squarely in the sweet spot for the creative shooter who needs a portable system with all the power to realize their creative pursuits. High-speed sensor and image processor. Large interactive EVF. Touch and Swivel LCD monitor with convenient variable angle positioning. Lightening-fast autofocus with coverage of almost the full frame and Manual Focus options that nail everything from serious fast sports action to dramatic portraits.
It takes a "System"
Your camera system is only as good as the lenses and accessories that complete it, and in this regard the E-M5 Mark II is in very good company. Start with precision M.Zuiko lenses, a comprehensive line-up of professional-grade glass with optics designed for digital capture that deliver unparalleled resolution and overall image quality. Add flashes, grips, powered battery holders and other goodies and you’re ready to rock.
Ban the blur
With the E-M5 Mark II, Olympus has once again raised the bar on image stabilization technology, with an industry-leading five steps of compensation - that's the most sophisticated image stabilization in the world!*. No matter how you move the camera – horizontal or vertical shift, pitch, yaw or roll – five-axis IS has you covered. And because the IS system is in the body of the camera, you’ll get blur-free results regardless of which lens you use.
Fully proofed and portable
From the diamond textured dual control dials, to the 6 direct function buttons, the E-M5 Mark II is a highly accomplished ergonomic photographic tool. All external controls have been arranged for making quick changes to key settings on the fly second nature. Sealed for protection against moisture and dust, the E-M5 Mark II’s durable all metal construction body supports a full array of similarly “proofed” accessories, including the bundled FL-LM3 swivel bounce flash and an optional powered battery grip as well as eight* M.Zuiko Digital weather-sealed lenses. The camera’s shape and materials were specifically chosen to keep the body slim but easy to hold and shoot with all day.
Upgrade your images
The high-speed 16 Megapixel Live MOS sensor/TruePic VII™ image processor combo that has won accolades from professional publications and websites is at the heart of the E-M5 Mark II’s imaging performance. Also available: a 40 Megapixel high-resolution shooting option for landscapes and studio shots that require the maximum possible detail; 10fps burst shooting; a blazing fast maximum shutter speed of 1/8000 sec.; and a high-performance electronic first curtain and a purely electronic shutter for totally silent shooting.
Serious movies made simple
Forget about obtrusive rigs that make shooting movies a production. The E-M5 Mark II’s compact size and 5-axis image stabilization make it the world’s best interchangeable lens camera for hand-held video. Pro-level features include high bit rate recording, variable frame rate and focus peaking while filming, and the Movie & Still Compatible lens drive mechanism, or MSC, found in M.Zuiko lenses eliminates auto focus sound for fast, smooth and silent autofocus operation while filming.
Leaves nothing to be desired
You want pro features? The E-M5 Mark II’s got ‘em.
Interactive, high-resolution and high magnificationelectronic viewfinder. Three-inch touch-screen LCD monitor, with variable angle positioning. Built-in WiFi for instant connectivity. Live Composite, which automatically blends multiple exposures for incredibly detailed night scenes. And compatibility with Olympus Capture camera control software, which creates a seamless interface between camera and computer for studio work.
Type Body material Magnesium alloy body Lens mount Micro Four Thirds Image Sensor Type 4/3'' Live MOS sensor Effective pixels 16.1 Megapixels Filter array Primary colour filter (RGB) Aspect ratio & area 4:3 / 17.3 x 13.0mm Full resolution 17.2 Megapixels Engine Type TruePic VII Filter Dust reduction filter Supersonic Wave Filter Viewfinder Type Electronical Viewfinder Pixel number 2.360K dots Diopter adjustment Yes ‑4.0 ‑ +2.0 diopters / built‑in type Field of view Approx. 100% Magnification Max. 1.48x with a 50mm lens set to infinity at ‑1 dioptre (depending on selected viewfinder style) Eye point 21mm at ‑1 dioptre from eyepiece lens Style 3 styles selectable Displayed information Aperture value Shutter speed AF frame (super impose) AF confirmation mark AF lock Auto bracket Battery check Exposure compensation indicator Exposure compensation value indicator Exposure level indicator Exposure mode Flash FP flash IS activating mode Metering mode Number of storable sequential pictures White balance Level Gauge Highlight & Shadow Live Pre-view function Histogram Brightness adjustment Adaptive Brightness Technology / Manual settings: +/‑ 7 levels Correction of colour temperature +/‑ 7 levels Live View Displayed information Aperture Shutter speed Auto bracket AE lock Focus mode Shooting mode Battery check IS activating mode Face / Eye detection mode Record mode ISO Sequential shooting mode White Balance Metering mode Exposure compensation value AF frame display AF confirmation mark Shooting information Spot metering area Super FP Flash status Touch Panel Condition Focal length Flash mode Histogram Level Gauge Highlight & Shadow Focus peaking Number of storable pictures Custom Face detection Flash intensity WiFi 100% field of view Approx. 100% Magnification levels 3 / 5 / 7 / 10 / 14x Dynamic range expansion When in HDR1 or HDR2 Image Stabiliser Type Sensor shift Modes Five‑dimensional, vertical or horizontal activation, automatic Up to 5 EV steps (CIPA) Focusing System Method Contrast Detection AF system Focus areas 81 points / All target, Group target (9‑areas), Single target (normal), Single target (small) 800 points / Manual selection in Magnified View Mode AF lock Yes , Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised) Modes Manual focus Single AF Continuous AF Single AF + MF AF Tracking AF illuminator Yes Full time AF Yes Manual focus Yes , With enlarged focusing area or focus peaking Face Detection extension Eye Detect AF: Off Left side priority Near side priority Right side priority Predictive AF Yes AF tracking Yes , Available in continuous AF mode Focus peaking Colour selection White, black, red, yellow Intensity High / Middle / Low Back light effect On / Off Exposure System Modes Programme automatic Aperture priority Shutter priority Manual Bulb Time i-Auto Scene Modes Art Filter Photo Story Movie HDR My Mode Exposure compensation +/‑ 5 EV ( 1, 1/2, 1/3 steps ) Note: Monitor and EVF displays only up to ±3 EV. Exposure bracketing 2 / 3 / 5 frames ( +/‑ 1/3, 2/3, 1 EV steps ) 7 frames ( +/‑ 1/3, 1/2, 2/3 EV steps ) ISO bracketing 3 frames ( 1/3, 1/2, 1 EV steps ) AE lock Yes My Mode 4 settings storable Enhancement function Digital Shift Shadow Adjustment Technology HDR bracketing 3 / 5 frames ( +/‑ 2 / 3 EV steps ) 7 frames ( +/‑ 2 EV steps ) Scene Modes Number of scene modes 24 Modes Portrait e-Portrait Landscape Landscape with Portrait Macro Sports Night Scene Night Scene with portrait Children High key Low key Digital Image Stabilisation Nature Macro Candle Sunset Documents Panorama Fireworks Beach and Snow Fisheye converter Macro converter 3D Wide converter Hand-held Starlight Panning Multi-Exposure Max. number of frames 2 frames (shooting) 3 frames (editing) Auto gain control Yes Frame assistance Live View Light Metering Method TTL open aperture light metering Zones 324 zones Multi‑pattern Sensing System Detection range ‑2 ‑ 20 EV (17mm f2.8, ISO 100) Modes ESP light metering Spot metering Centre weighted metering Highlight Shadow Art Filter Modes Pop Art Soft Focus Pale & Light Colour Light Tone Grainy Film Pin Hole Diorama Cross Process Dramatic Tone Gentle Sepia Key Line Water colour Vintage Partial Colour* Variation / Effect Available Art Filter bracketing Art Filters selectable Photo Story Modes Fun Frame Standard Speed Zoom in / out Layout Sensitivity Auto ISO LOW ‑ 25600 (customisable, default ISO LOW ‑ 1600) Manual ISO LOW ‑ 25600 in 1/3 or 1 EV ISO steps Shutter Shutter type Computerised focal‑plane shutter Self timer 2s / 12s / Custom Shutter Speeds Shutter speed range 1/8000 ‑ 60s (in 1/3, 1/2, 1 EV steps) Bulb mode Up to 30 minutes (selectable longest time in the menu, default: 8 minutes) High res shot Shutter type Electronic shutter Shutter speed 1/8000 ‑ 8s Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s Resolution JPEG: 7296 x 5472 / RAW: 9216 x 6912 Equivalent to 40M pixel sensor (8 shots combined into a single JPEG using sensor shift) Available in P/A/S/M mode Anti shock mode Shutter type Electronic first curtain shutter Shutter speed 1/320* ‑ 60s Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s * For speeds over 1/320 sec., mechanical shutter will automatically be selected. Silent mode Shutter type Electronic shutter Shutter speed 1/16000 ‑ 60s Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s White Balance AUTO WB system Advanced detection system with Live MOS sensor Manual White balance (One-Touch) Yes White balance bracketing 3 frames / +/‑ 2, 4, 6mired steps One-touch white balance 2 custom settings can be registered Custom WB 1 setting can be registered at Kelvin temperature (2000K ‑ 14000K) Preset values Tungsten Flourescent 1 Sunlight Flash Overcast Shade Underwater Auto Flash adjustment Off / Auto WB / Flash Keep warm colour On / Off Sequence Shooting Speed (H) Approx. 10fps Speed (L) 5fps Max. number of frames 16 frames (RAW) Up to card capacity (JPG / Large Normal mode) Conditions Memory card: TOSHIBA SDHC UHS‑II R95・W90 EXCERIA™ When using the M.Zuiko Digital ED 12‑40mm f2.8 Pro Image Processing Colour space sRGB / AdobeRGB Sharpness + Contrast 5 levels Contrast 5 levels Saturation 5 levels Black & White filter Yellow, Orange, Red, Green Black & White toning Sepia, Blue, Purple or Green in Black & White mode Picture mode i‑Enhance, Vivid, Natural, Portrait, Muted, Monotone, Art Filter Gradation 4levels (auto, high key, normal, low key) Engine TruePic VII Art Filter bracketing Available Tele converter effect 2x Internal Flash Modes AUTO Manual Manual (Full, 1/4, 1/16, 1/64) Red-eye reduction Slow synchronisation with red-eye reduction Slow synchronisation Slow synchronisation 2nd curtain Fill-in Off TTL-Auto FP Manual FP TTL Auto Type Detachable flash with bounce capability (bundled) Flash compensation +/‑ 3 EV ( 1/3, 1/2, 1 EV steps ) Guide number 12.9 (ISO 200) X-sync speed 1/250s / 1/8000s (Super FP Mode) External Flash Control X-sync speed 1/250s / 1/8000s (Super FP Mode) Type TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL Modes Auto Red-eye reduction Slow synchronisation 2nd curtain and slow synchronisation Fill-in for exclusive flash Manual Intensity +/‑ 3 EV ( 1/3, 1/2, 1 EV steps ) Note: Some functions are only available if they are supported by the external flash. Wireless Flash Control Number of channels 4 channels Compatible external flash FL‑36R, FL‑50R, FL‑300R, FL‑600R Control method Triggered and controlled by bundled flash Group setting 4 groups Available when used together with cameras compatible with the Olympus wireless RC flash system. Monitor Monitor type Vari‑angle LCD ‑ Touch Panel Monitor size 7.6cm / 3.0'' (3:2) Resolution 1037K dots Brightness adjustment +/‑ 7 levels Colour balance +/‑ 7 levels Vivid (default) / Natural Touch Control fucntions AF area enlargement AF area selection Art Filter Enlargement Enlargement playback Frame forward/backward Live Guide Scene Modes Shooting mode Shutter release Super Control Panel Wifi connection Level Gauge Detection 2‑axis Display Rear display and viewfinder Recording Formats RAW 12bit RAW & JPEG Yes parallel recording JPEG Yes Aspect ratio 4:3 / 3:2 / 16:9 / 6:6 / 3:4 MPO (3D) Yes Image Size RAW 4608 x 3456 compressed / 17MB / frame 4608 x 3456 Fine (compression: 1/4) / 7.5MB / frame 4608 x 3456 Normal (compression: 1/8) / 3.5MB / frame Middle 3200 x 2400 / 1.7MB / frame Small 1280 x 960 / 0.4MB / frame Still Image Recording EXIF 2.2 PIM III DPOF Yes DCF Yes Movie Recording System Recording format MOV(MPEG‑4AVC/H.264), AVI(Motion JPEG) Time code Rec run / Free run Drop frame / Non‑drop frame Image Stabilisation Mode Yes Sensor shift M‑IS1 (Image sensor shift and electronic image stabilizer with multi motion IS) M‑IS2 (Image sensor shift with multi motion IS) HD Movie quality Full HD 1920 x 1080 (16:9) / 30p, 25p, 24p / ALL‑I(A‑I), IPB(SF, F, N) (MOV) Full HD 1920 x 1080 (16:9) / 60p, 50p / IPB(SF, F, N) (MOV) HD 1280 x 720 (16:9) / 60p, 50p, 30p, 25p, 24p / ALL‑I(A‑I), IPB(SF, F, N) (MOV) ALL‑I (A‑I: ~ 77Mbps) IPB (SF: ~52Mbps, F: ~30Mbps, N: ~18Mbps) HD 1280 x 720 (16:9) / 30p (MOV) Movie quality 640 x 480 / 30p (AVI Motion JPEG®) Maximum Recording Time 29min (MOV) 14min (SD) / 7min (HD) (AVI Motion JPEG®)* Max. file size 4GB (AVCHD) 2GB (Motion‑JPEG) Exposure Modes Aperture priority Art Filter Manual Programme automatic Shutter priority * Frame rate may drop when using certain art filter Class 10 or higher SD card is recommended for movie shooting UHS‑II or UHS‑I U3 card is recommended for ALL‑I shooting Movie Specialties Time lapse 1280 x 720 / 10fps (AVI Motion JPEG®) Fast motion Yes Slow motion Yes Movie clips 1, 2, 4, 8s (Extension up to 16s by pressing record button before clip ends.) Movie effects Multi shot echo One shot echo Art fade One push tele-converter Old Film Art Filter Cross Process Diorama Dramatic Tone Gentle Sepia Grainy Film Key Line Light Tone Pale & Light Colour Pin Hole Pop Art Soft Focus Vintage Partial Colour* * 18 colours selectable Frame rate limited to 30fps or lower HDMI Live View Yes (GUI* is shown on connetced device only and peaking is not available) * GUI can be hidden for recording on external drive under following condition. Movie type: YCbCr 4:2:2 / Frame rate: as set / Sound: no Sound Recording System Internal microphone Stereo Recording format Stereo PCM/16bit, 48kHz, Wave Format Base Image footage 30s Speaker Yes Microphone functions Wind Noise Reduction Recording Volume Volume limiter Audio Dubbing View Images Modes Index Calendar Zoom Slide show Movie Single Light box Yes Histogram in playback mode Yes Shooting information Off / On Highlight/Shadow point warning Yes Erase / Protect / Copy Function Erase modes Single, All, Selected Image protect mode Single frame, Selected frames, All Frames, Release protect (Single/All selected) Menu Menu languages in camera English, French, German, Spanish, Italian, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovak, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian Customisation Options Fn Button Yes My Mode 4 settings storable (Can be set to mode dial.) Factory reset Full / Basic Programmable button Yes Interface Hot shoe Yes Media SD Memory Card (SDHC, SDXC, UHS‑I compatible) Class 6 is recommended for Movie shooting HDMI™ Yes Micro connector (Type D) * USB 2.0 High Speed Yes Combined V & USB output Yes NTSC or PAL selectable Wireless connectivity WiFi * "HDMI", the HDMI logo and "High‑Definition Multimedia Interface" are trademarks or registered trademarks of HDMI Licensing LLC. Tethered control Yes Microphone jack - Combined A/V & USB output - Wi-Fi Functions Easy Connection QR code setting Wireless Shooting Live View Power off Rec View Self timer Touch AF & Shutter P/A/S/M exposure modes Bulb mode Zoom Movie recording Power Supply Battery BLN‑1 Lithium‑Ion Battery Sleep mode 1, 3, 5, 10 min. and off selectable. Battery life Approx. 750 shots in Quick sleep mode Movie recording 80min (standard JEITA conditions) 150min (when zoom and other operational functions are not used) Environment Temperature ‑10 ‑ 40°C operating temperature / ‑20 ‑ 60°C storage temperature Humidity 30 ‑ 90% operation humidity / 10 ‑ 90% storage humidity Size Dimensions (W x H x D) 123.7 x 85 x 38mm (without protrusions) Weight 496g (including battery and memory card) 417g (body only) Exterior Available Colours Black Silver
For M.Zuiko ED 12-40mm f2.8 Lens:
Model Olympus M.Zuiko ED 12-40mm f2.8 Lens Focal Length 12-40mm 35mm Equivalent Focal Length 24-80mm Lens Construction 14 Elements in 9 Groups (Aspherical ED lens, 2 Aspherical lenses, DSA lens, 2 ED lenses, HD lens, 2 HR lenses) Dust & Drip Proof Yes Focusing System High-speed Imager AF (MSC) Linear Motor Drive System Angle of View 84-30 Degrees Closest Focusing Distance 0.2m Maximum Image Magnification 0.3x 35mm Equivalent Max. Image Magnification 0.6x Minimum Field Size 58 x 44 mm Number of Blades 7 (Circular Aperture Diaphragm) Maximum Aperture f2.8 Minimum Aperture f22 Filter Size Diameter 62mm Dimensions Diameter 69.9x84mm Weight 382g Related Accessories (Option) Protection Filter (PRF-D62 PRO)
This product comes with 24 Months Warranty With Olympus Australia.
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- In the Box
OM-D E-M5 Mark II Camera Plus M.Zuiko ED 12-40mm f2.8 Lens
Camera Body (Black)
BLN-1 Lithium-Ion Battery
BCN-1 Battery Charger
Micro Four Thirds body cap (BC-2)
CB-USB6 USB Cable
Olympus Viewer Software
24 Months Warranty With Olympus Australia
- User Reviews