Olympus OM-D E-M5 Mark III w/ 12-100mm Lens Black
- Comes with the Olympus M. Zuiko Digital ED 12-100mm F4.0 IS PRO Zoom Lens
- Highly Compact and Lightweight
- AF Performance that can Compete with High-End Models
- Compact Image Stabilization
- Outstanding OLED Viewfinder
- Versatile Shooting Features
- OM-D Movie
- Excellent Basic Features
- Perfect for everyday photographers who want high-image-quality shots
Recommended Accessories for your Purchase
Everyday photography has never been this exciting with the all-new Olympus OM-D E-M5 Mark III interchangeable lens camera. It is a combination of a lightweight, compact, and high-performance design equipped with the Micro Four Thirds System. Both AF performance and image quality can easily compete with its high-end rivals. Its new powerful in-body 5-axis image stabilization, as well as versatile shooting features, will give users the ability to record 4K video of the highest quality. Now, shooting authentic footage of various subjects and scenes has never been this easy. Read on for more detailed information. This kit comes with the Olympus M. Zuiko Digital ED 12-100mm F4.0 IS PRO Zoom Lens.
Product Features in Detail
Highly Compact and Lightweight
This new model has an incredibly compact system that is one full size smaller compared to full-frame interchangeable lens cameras. All the while offering high resolution, rich tonal expressions, and superb image quality. It is splashproof, dustproof, and freezeproof up to -10°C. This means users can still shoot even in the most challenging environments.
AF Performance that can Compete with High-End Models
The new E-M5 Mark III boasts of a high-performance On-chip Phase Detection AF. This means its AF performance can easily compete with other high-end models. It has an improved tracking performance and AF precision for shooting moving subjects with ease. It also has other convenient functions like the C-AF Centre Priority and Centre Start.
Compact Image Stabilization
The camera's new 5-axis IS unit has been optimised for a more lightweight and compact body that can deliver compensation effects greater than the E-M5 Mark II. The 5-axis sync IS feature combined with the in-lens IS guarantees the most powerful image stabilisation.
Outstanding OLED Viewfinder
This high-performance Viewfinder lets users concentrate on shooting by minimising distortion to the edges of the image. Its long eyepoint gives excellent visibility even when users are wearing glasses.
Versatile Shooting Features
Loads of Olympus shooting features are packed into this interchangeable lens camera. There's the Live Composite, Live Bulb as well as Live Time for easy, long exposures. Pro Capture will also come in handy when recording decisive moments.
OM-D Movie
The Olympus OM-D E-M5 Mark III has a powerful image stabilisation capable of shooting both stills and videos. Its stable 4K video that puts shaking to a minimum allows ease during handheld shooting.
Excellent Basic Features
The E-M5 Mark III's high-speed mechanical shutter is capable of up to 1/8000 second, paired with its traditional Olympus high-performance dust reduction system, are just some of the basic features that make this camera superior. There are also plenty of accessories to choose from to expand your shooting possibilities.
| Sensor / Dust Reduction | |
| Sensor Type | 4/3" Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
| Processor | |
| Processor Type | TruePic™ VIII |
| Focusing System | |
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination. When a Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled. |
| Focusing Points / Focusing Points Selection Mode | 121-point cross-type phase detection AF and 121-point contrast AF All target, single target (normal / small), group target (5-area / 9-area / 25-area) |
| Focus Modes | Single AF (S-AF) |
| Continuous AF (C-AF) | |
| Manual Focus (MF) | |
| S-AF + MF | |
| AF tracking (C-AF + TR) | |
| Preset MF * | |
| * Distance setting values are rough estimates and not compatible lens except the AF lens. | |
| AF Limiter | Available (Fn button can be assigned to On/Off; can save 3 distance settings) |
| *Distance setting values are rough estimates. | |
| AF Performance | C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| * Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800. | |
| Super spot AF | Available*(Contrast AF in center of the monitor when magnified) |
| *Available only when a Micro Four Thirds lens is attached. | |
| Face Detection AF / Eye Detection | Available |
| Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority | |
| AF Targeting Pad | Available (activate / deactivate with double tap on rear monitor) |
| Manual Focus Assist | Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode |
| Peaking Function | Activation can be assigned to a custom button or the focus ring |
| Change peaking settings using the "Info" button | |
| Colour selection: white, black, red, yellow | |
| Intensity selection: high, normal, low | |
| Back light effect: on, off | |
| AF Focus Adj. | Adjust all, adjust by lens |
| (for Phase detection AF only) | |
| AF Illuminator | Available |
| Image Stabilization | |
| System Type | Built-in 5-axis* sensor-shift image stabilization for movie and still photos |
| *yaw/pitch/roll/vertical shift/horizontal shift | |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF) |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting |
| 5-Axis Sync IS | Available* |
| *When using M.Zuiko Digital lenses equipped with image stabilization | |
| Stabilization Performance | 5.5 EV[*] |
| * Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-40mm F2.8 PRO (focal length =40mm (35mm equivalent: 80mm)) | |
| 6.5 EV[*] | |
| * Based on CIPA measurement conditions. When using M.ZUIKO Digital ED 12-100mm F4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), halfway release image stabilization Off | |
| Lens IS Priority | Available |
| Shutter / Sequential Shooting | |
| Shutter Type | Focal-plane shutter : 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1) |
| Live Bulb / Live Time: selectable exposure time (1 / 2 / 4 / 8 / 15 / 20 / 25 / 30 min.), with 8-min. default setting. Live Composite: maximum shooting time 3 hours | |
| Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec. | |
| Electronic shutter (Silent mode) : 1/32000 - 60 sec. | |
| (still) Flicker scan: 1/7634 - 1/50.0 sec. | |
| (movie) Flicker scan: 1/250 - 1/30.0[*] sec. | |
| *50fps movie: 1/50.0 sec., 60fps movie: 1/60.0sec., High speed video: 1/120.0sec. | |
| Sequential Shooting Maximum Speed | [Sequential shooting H] approx. 10 fps with selectable 5 -10 fps |
| [Sequential shooting L] approx. 6fps with selectable 1-6 fps | |
| [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps | |
| [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps | |
| [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps | |
| [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps | |
| [Pro Capture L] approx. 10 fps | |
| *When using the M.ZUIKO Digital ED 12-40mm F2.8 PRO | |
| *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting. | |
| *When in Pro Capture mode, slower shutter speeds and flash cannot be used. | |
| *Pro Capture L is available when an M.ZUIKO lens or lens without communication capability is attached. (Auto-focus is not available for lenses without communication capability). | |
| *In Pro Capture Sequential L, the minimum aperture is F8. | |
| *When ISO is 8000 or above, the maximum sequential shooting speed is 30 fps, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above. | |
| *Focus and exposure are fixed at the values of the first shot when using sequential shooting | |
| Max Recordable Pictures in Sequential Shooting | [Sequential shooting H 10fps] RAW: Max. 150 frames, JPEG (LF): Until card is full |
| [Sequential shooting L 6fps] RAW, JPEG (LF): Until card is full | |
| [Silent sequential shooting H 30fps] RAW: Max. 23 frames, JPEG (LF): Max. 26 frames | |
| [Silent sequential shooting L 10fps] RAW: Max. 152 frames, JPEG (LF): Until card is full | |
| *When using the M.ZUIKO Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card | |
| Sequential Shooting Frame Count | 1 - 99 frames |
| Pre-shutter Frames *For Pro Capture mode only | Number of frames recorded prior to full-press of the shutter button can be set from 0 to 14 frames |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
| Viewfinder/Monitor | |
| Finder Type | Eye-level electronic viewfinder (OLED), approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.20x[*1] - 1.37x[*2] (-1m-1, 50mm lens, Infinity) |
| * 1: Finder Style 1, 2 (aspect ratio 4:3) | |
| * 2: Finder Style 3 (aspect ratio 4:3) | |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Preview | Live View preview with depth of field preview lock |
| Display Grid | Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid |
| * grid color is selectable | |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| One Touch Tele-Converter | Available (2x) |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor[*] |
| * Approx. 1.04M dots (3:2), electrostatic capacitance touch panel | |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls |
| Tilting Capability | Available (mirror display when monitor is in self portrait position) |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
| Color Tone Select | Vivid / Natural |
| Live View | Approx. 100% field of view, |
| exposure compensation preview, WB adjustment preview, | |
| gradation preview, face detection preview (up to 8 faces), | |
| grid line, magnification display (x3/x5/x7/x10/x14), | |
| Live View Boost | Live View Boost 1 , Live View Boost 2* (For dark situations) |
| *Settings can be specified for each shooting mode | |
| *Live View Boost 2: Frame Rate Priority or Quality Priority selectable | |
| *Off: Brightness in Live View shows specified exposure settings. | |
| Exposure Control / Flash | |
| Metering System | Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control |
| *Also available AF target spot metering | |
| Metering Range | EV -2 - 20 (ISO approx.100, with a F2.8 lens) |
| Exposure Mode / Shooting Mode | AUTO |
| Program AE (Program shift can be performed) | |
| Aperture priority AE | |
| Shutter priority AE | |
| Manual | |
| Bulb (Live Bulb, Live Time and Live Composite are available) | |
| Custom * | |
| Scene select AE | |
| Art Filter | |
| Underwater wide / macro** | |
| **to be assigned to custom button | |
| *Custom settings from menu | |
| Scene Select AE | [Scene] |
| Portrait, e-Portrait, Landscape + Portrait, Night + Portrait, Children, Night scape, Sport, Hand-held Starlight[2], Fireworks, Light trails, Sports, Panning, Landscape, Sunset, Beach & Snow, Backlight HDR[1], Candlelight, Silent, Macro, Nature Macro, Documents, Multi Focus Shot | |
| *1 4 images automatically shot and combined into a single image composite | |
| *2 8 images automatically shot and combined into a single image composite | |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) |
| Manual ISO: LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps) | |
| Exposure Compensation | ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps |
| When shooting in HDR or in video, only adjustable up to ±3 EV steps | |
| Live View only reflects up to ±3 EV steps | |
| AE Lock | Locks with a half-press of the shutter button (can be set to AEL/AFL button as well) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL) |
| * Available with external flash | |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual（1/1（FULL）～1/64） |
| Synchronization Speed | 1/250 sec. |
| *When using Super FP: 1/125-1/8000 sec. | |
| *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing | |
| Flash Intensity Control | Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable |
| Compatible External Flash | FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8, FL-700WR |
| External Flash Intensity Type | TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
| Memory / Image Recording (File Format) | |
| Compatible Memory | SD, SDHC*1, SDXC*1 |
| *1 UHS-I, UHS-II compatible | |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels |
| [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels | |
| White Balance / Color Mode | |
| White Balance Mode | Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis |
| Preset White Balance | 7 preset WBs (3000K - 7500K) |
| - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K) | |
| CWB (Kelvin Setting) | 2000 - 14000K |
| Capture White Balance | 4 custom settings can be registered |
| Color Mode | sRGB, Adobe RGB |
| Bracketing / HDR | |
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis. |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable |
| Focus Bracketing | 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses) |
| Focus Stacking Mode | 8 shots are taken at different focus points and automatically composited together into a single image |
| Angle of view becomes slightly smaller | |
| Compatible with: | |
| M.ZUIKO Digital ED 60mm F2.8 Macro | |
| M.ZUIKO Digital ED 12-40mm F2.8 PRO | |
| M.ZUIKO Digital ED 40-150mm F2.8 PRO | |
| M.ZUIKO Digital ED 30mm F3.5 Macro | |
| M.ZUIKO Digital ED 7-14mm F2.8 PRO | |
| M.ZUIKO Digital ED 8mm F1.8 Fisheye PRO | |
| M.ZUIKO Digital ED 300mm F4.0 IS PRO | |
| M.ZUIKO Digital ED 12-100mm F4.0 IS PRO | |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) |
| ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. | |
| Exposure compensation can be performed. | |
| Bracketing for HDR post-process | HDR1, HDR2 (painting-like) |
| ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. | |
| Exposure compensation can be performed. | |
| Creative Features | |
| Picture Mode | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator] |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, midtone |
| Art Filter (Variation / Art Effect) | Pop Art (I, II / a.b.c.d.e.f) |
| Soft Focus ( - / c.e) | |
| Pale & Light Color (I, II / a.b.c.d.f) | |
| Light Tone ( - / d.f) | |
| Grainy Film (I, II / b.c.d.g.h) | |
| Pin Hole (I, II, III / d) | |
| Diorama (I,II / d) | |
| Cross Process (I, II / b.c.d.f) | |
| Gentle Sepia ( - / a.b.c.d.f.) | |
| Dramatic Tone (I / b.c.d.e.f) (II / b.c.d.e.f.g.h) | |
| Key Line (I, II / a.b.c.d.e.) | |
| Watercolor (I, II / a.b.c.d.) | |
| Vintage (I, II, III / a.b.c.d.e.f.i) | |
| Partial Color (I, II, III / a.b.c.d.e.f) | |
| Bleach Bypass (I, II / a.b.c.d.e.f.i) | |
| Instant Film (- / a.b.c.d.e.f.i) | |
| Art Effect | a. Soft Focus Effect |
| b. Pin-Hole Effect | |
| c. White Edge Effect | |
| d. Frame Effect | |
| e. Star Light Effect | |
| f. Blur Effect (Top & bottom, Left & Right) | |
| g. B&W Effect (None, Yellow, Orange, Red, Green) | |
| h. Picture Tone (None, Sepia, Blue, Purple, Green) | |
| i. Shade Effect (Top & bottom, Left & Right) | |
| Color Ring (for partial color) | 18 color selectable |
| Color Creator | Color pattern : 30 colors / Saturation setting -4 ~ +3 |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization) |
| Interval Shooting | Interval Time 1 sec. - 24 Hours, Max 999 frames. |
| Sutomatic creation of time-lapse movies possible | |
| Multiple Exposure (number of pictures / function) | 2 frames / Auto gain, exposure on recorded picture (RAW) |
| Fisheye Compensation | Available (angle : 1-3) |
| High Res Shot | Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift) |
| Available in P/A/S/M mode, RAW+JPEG or JPEG. | |
| JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776 | |
| RAW data can be developed in-camera. Olympus Workspace required to develop on a PC. | |
| Keystone Compensation | Available (can be confirmed in Live View) |
| *Horizontal and vertical compensation can be performed simultaneously. | |
| Video / Audio Recording | |
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096×2160(C4K) / 24p / IPB(approx.237Mbps) |
| 3840×2160(4K) / 30p, 25p, 24p / IPB(approx.102Mbps) | |
| 1920x1080(FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB(SF, F, N) | |
| 1920x1080(FHD) / 60p, 50p / IPB(SF, F, N) | |
| 1280x720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I) , IPB(SF ,F ,N) | |
| 60p： 59.94 fps | |
| 50p： 50.00 fps | |
| 30p： 29.97 fps | |
| 25p： 25.00 fps | |
| 24p： 23.98 fps | |
| C4K 24.00 fps | |
| FHD ALL-I(A-I : ALL-Intra/approx.202Mbps) FHD IPB(SF : SuperFine / approx.52Mbps, F : Fine / approx.30Mbps, N : Normal / approx.18Mbps) | |
| HD ALL-I(A-I : ALL-Intra / approx.102Mbps) HD IPB(SF : SuperFine /approx.26Mbps, F : Fine / approx.14Mbps, N : Normal / approx.10Mbps) | |
| *Frame rates may drop when particular Art Filters and Movie Effects are used. | |
| *Class 10 or higher SD card is recommended for shooting movies. | |
| *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting. | |
| Maximum Video Recording Time | Approx. 29min 59sec |
| Movie Tele-converter | Approx. 3x (enlarges view of selected area) |
| Art Filter Movie | Available |
| (Frame rates may drop when certain Art Filters are used) | |
| Movie Effect | One-shot Echo / Multi-echo / Art Fade / Old Film |
| Timelapse Movie | [AVI ] |
| 3840×2160（4K）/ 5fps | |
| 1920×1080（FHD)/ 5fps，10fps，15fps | |
| 1280×720（HD)/ 5fps、10fps、15fps、30fps | |
| Quick Movie / Slow Movie | With (Both or either of the two may not be available depending on the frame rates. |
| High speed movie | 120fps (1920×1080/MOV） |
| Image Stabilization for Movie | M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS), |
| M-IS2(Image sensor shift with multi motion IS), Off | |
| *While using M-IS1, field of view may be affected. | |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor Mode (outputs video and info display to a connected monitor) *1 |
| Record Mode (outputs video only, with no info display) *2 | |
| *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two. | |
| While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). | |
| However, the image can not be enlarged on the camera when a movie is being recorded. | |
| *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded. | |
| Movie Picture Mode | Flat (LUT file available for download from website) |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
| High quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz) | |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker |
| *External stereo microphone can be attached | |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter |
| Audio dubbing possible for still pictures (up to 30 sec.) | |
| *May affect audio quality. | |
| IC Recorder Linkage |
Slate Tone / Synchronized Audio Rec-Movie Rec |
For Olympus M. Zuiko Digital ED 12-100mm F4.0 IS PRO Zoom Lens:
| Focal Length | 12-100mm (35mm equivalent focal length: 24-200mm) |
| Lens Construction | 17 Elements in 11 Groups (1 DSA lens, 3 Aspherical lenses, 5 ED lenses, 2 Super HR lenses, 1 HR lens) |
| Lens construction diagram | |
| MTF chart | |
| Splashproofing | Dustproof and splashproof construction |
| Focusing System | High-speed imager AF (MSC) |
| Angle of View | 84 degrees (wide) - 12 degrees (tele) |
| Closest Focusing Distance | 0.15m (wide) / 0.45m (tele) |
| Maximum Image Magnification | 0.15m (wide) / 0.45m (tele) |
| 35mm Equivalent Maximum Image Magnification | 0.6x (wide) / 0.42x (tele) |
| Minimum Field Size | 57.7 x 43.3 mm (wide) / 82.4 x 61.9 mm (tele) |
| Number of Blades | 7 (circular aperture diaphragm) |
| Maximum Aperture | f/4 |
| Minimum Aperture | f/22 |
| Lens IS Mechanism | VCM |
| IS Performance | 5-axis Sync IS: 6.5 stops |
| (As of September 2016. According to CIPA standards. When attached to the OM-D E-M1 Mark II, with yaw and pitch applied to the camera, half-press IS set to Off, and focal length set to 100mm) | |
| Lens IS: 5 stops | |
| (When focal length is set to 100mm) | |
| Filter size | Diameter: 72 mm |
| Lens hood | Screw-on type |
| Dimensions | Ø77.5 x 116.5 mm |
| Weight | 561 g |
| Box Contents | LH-76B Lens Hood, LC-72C Lens Cap, LR-2 Lens Rear Cap, LSC-0914 Lens Case, instruction manual, warranty card |
Olympus OM-D E-M5 Mark III w/ 12-100mm Lens Black
Olympus FL-LM3 Flash
Olympus BLS-50 Lithium-Ion Battery (7.2V, 1175mAh)
Olympus BCS-5 Lithium-Ion Battery Charger
Micro-USB Cable
Shoulder Strap
