Olympus OM-D E-M1 Mark III Body w/ 12-45mm f/4 Pro Lens
A$2,999.00
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- 2 Years Australian Manufacturer Warranty
- Comes with Olympus PRO 12-45mm f/4 Lens
- 20.4MP Live MOS Sensor
- Up to 60 FPS (Electronic Shutter)
- 15 FPS Mechanical Shutter
- 4k Video Recording
- Up to 25600 ISO
- Groundbreaking 5-Axis Sensor-shift Image Stabilisation System
- Advanced Auto-Focus with 121 Contrast Detection Areas
- Wi-fi and Bluetooth Connectivity
- Magnesium Alloy Body
- Weatherproof Sealing
- Silent Operation
The Olympus OM-D EM1 Mark III is a camera worthy of attention. A device that can stand above the crowd, the Mark III is sure to grab the imaginations of professionals and hobbyists alike.
Featuring a 20.4MP Live MOS Sensor that can capture images at 15fps in full detail and 60fps with the electronic shutter, the Mark III certainly does not scrimp in giving shooters immaculate details and clarity.
A video creators dream, this camera can record to full 4k at 30 fps. With a wide array of video quality options, vloggers and content creators should be raving about this device.
The Mark III’s autofocus system is also a gem that is worthy to write home about. Possessing an advanced autofocus system with 121 on-chip phase-detection points combined with 121 contrast-detection areas. This camera just screams stunning details and accurate colours. Plus, you will surely take your portraiture game to the next level with the nifty Face and Eye AF technology.
The Mark III is also built tough thanks to a rugged weather-proof sealing that protects the camera against splashes, dust, and freezing conditions.
Perfect for wildlife, sports, portrait, wedding, and landscape photography. Basically, everything a photographer will ever face. This kit comes with Olympus PRO 12-45mm f/4 Lens.
Product Features in Detail
Amazing 20.4MP Live MOS sensor
Clarity and sharpness are just some of the key ingredients of a great photograph. The Olympus Mark III promises crystal quality shots with its high-resolution 20.4MP Live MOS sensor. Capture stunning details even during low-light situations with a vast sensitivity range of 25600 ISO.
A Camera of Speed and Precision
Tired of not capturing those amazing but quick moments just because your camera cannot hack it? This Olympus camera shouldn’t have too much trouble doing that for you with its 15fps continuous shooting at full resolution. Need more shooting power? Boost that up to about 60fps with this camera’s electronic shutter. Now, nothing will be too fast for you with this robust camera in tow.
Create Stunning Videos
With a sensor and a processor that can record both DCI and UHD (4096 X 2160 and 3840 X 2160) respectively, the Mark III will unleash all of your content creatively in vivid colours and eye-popping details. Great for vloggers and video creators, this device can do up to 30fps in UHD and 24fps in DCI and with the option to use the built-in stereo mic or the external mic jack for better sound quality.
Advanced Autofocus System
Boasting a system with 121 on-chip phase-detection points combined with 121 contrast-detection areas for unparalleled focusing performance. This camera performs quickly and accurately even when dealing with mixed lighting conditions. Don’t let the scene get away from you, as the Mark III possesses enhanced subject tracking capabilities to keep your subjects looking stunningly crisp under any condition.
Face Priority and Eye Priority
Jealous of other people’s amazing portrait shots? Don’t be! Packed with the latest in Face Priority and Eye Priority AF, the Mark III gives extra priority to your subject's eyes and face to help you achieve that cover-page quality and instaworthy portrait shots.
Weather-proof sealing
Worried that your camera can’t hack it when the going gets tough? It’s a great thing that this sturdy beast can definitely handle the grind! With its rugged weather-proof build, this camera is both splash and freeze-proof. With its supersonic wave filter and dust resistant coating, any possibility of dust reaching the Mark III’s sensor is pretty much remote. So feel free to take this camera with you through some un-ideal situations without worrying that it will give up on you!
Tripod Hi-Res Mode
One nifty feature out of a multitude! This camera has a tripod hi-res mode that allows shooters to create an 80mp image made up of eight sequentially recorded frames. That means that you should expect your landscape shooting game to get boosted.
A Powerful Camera for any Situation
With a high-res sensor, face and eye AF capabilities, advance autofocus, and exceptional speed and precision, this camera is a dream to handle by wildlife shooters, portrait photographers, and landscape shooting enthusiasts. Truly, an all-around camera for the ages!
Comes with a 12-100mm f/4 PRO Lens
The Olympus OM-D E-M1 Mark III is even better when paired with the M. Zuiko 12-100mm f/4 IS PRO Lens. This lens has a 24-200mm equivalent zoom and an amazing constant f/4 max aperture. It also has a very advanced lens design that allows the user to have less chromatic and spherical aberrations. With the added function button on the side, adjust settings are made even easier.
| Sensor / Dust Reduction | |
| Sensor Type | 4/3" Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
| Processor | |
| Processor Type | TruePic™ IX |
| Focusing System | |
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -3.5～20 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | 121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable) |
| Focus Modes | Single AF (S-AF) |
| Single AF (S-AF+MF) | |
| Continuous AF (C-AF) | |
| Continuous AF (C-AF+MF) | |
| Manual Focus (MF) | |
| AF tracking (C-AF + TR) | |
| AF tracking (C-AF + TR+MF) | |
| Preset MF | |
| Starry sky AF (S-AF) | |
| Starry sky AF (S-AF+MF) | |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available |
| *Up to 3 distance settings can be saved | |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more. | |
| Super spot AF | Available*(Contrast AF in center of the monitor when magnified) |
| *Available only when a Micro Four Thirds lens is attached. | |
| Face Detection AF / Eye Detection | Available |
| Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority | |
| AF Targeting Pad | Available (activate / deactivate with double tap on rear monitor) |
| Manual Focus Assist | Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode |
| Peaking Function | Activate with Fn button or focus ring |
| Change peaking settings using the Info button | |
| Color selection: white, black, red, yellow | |
| Intensity selection: high, normal, low | |
| Back light effect: on, off | |
| AF Focus Adj. | Adjust all, adjust by lens |
| (for Phase detection AF only) | |
| AF Illuminator | Available |
| Focus Indicator | Available |
| Image Stabilization | |
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Live View Image Stabilization | Activation by half-pressing shutter button or pressing AEL/AFL button, enlarging view |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) |
| *Lenses without communication function can be registered | |
| IS For Live View Image | Activation by half-pressing shutter button or enlarging view |
| 5-Axis Sync IS | Available* |
| *When using M.Zuiko Digital lenses equipped with image stabilization | |
| Stabilization Performance | Compensation steps (Body only): 7.0 |
| *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO | |
| Focal length: 40mm (35mm equivalent: 80mm） | |
| Compensation steps (Sync IS): 7.5 | |
| *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO | |
| Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High | |
| Lens IS Priority | Available |
| Shutter / Sequential Shooting | |
| Shutter Type | Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite |
| Electronic first curtain shutter 1/320 - 60 sec | |
| *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. | |
| Electronic shutter (Silent mode) 1/32000 - 60 sec | |
| *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three | |
| Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 | |
| *Video recording S/M mode, Still S/M silent mode only | |
| Sequential Shooting Maximum Speed | *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
| [Sequential shooting H] approx 15 fps with selectable 10-15 fps | |
| [Sequential shooting L] approx 10 fps with selectable 1-10 fps | |
| [Anti-shock sequential shooting L] approx 8.5 fps | |
| [Silent sequential shooting H] approx 60 fps with selectable 15, 20, 30, 60 fps | |
| [Silent sequential shooting L] approx 18 fps with selectable 1-10, 15, 18 fps | |
| [Pro Capture H] approx 60 fps with selectable 15, 20, 30, 60 fps | |
| *When in Pro Capture mode, slower shutter speeds and flash can not be used | |
| [Pro Capture L] approx 18 fps with selectable 1-10, 15, 18 fps | |
| *When in Pro Capture mode, slower shutter speeds and flash can not be used | |
| *Pro Capture L mode is available when using an Olympus Micro Four Thirds lens | |
| *In Pro Capture L mode, the minimum aperture is f/8. | |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting H 15 fps [RAW]: Approx. 101 |
| Sequential shooting H 15 fps [JPEG LF]: Approx. 134 | |
| Sequential shooting H 10 fps [RAW]: Approx. 286 | |
| Sequential shooting H 10 fps [JPEG LF]: Until card is full | |
| Silent sequential shooting H 60 fps [RAW]: Approx. 50 | |
| Silent sequential shooting H 60 fps [JPEG LF]: Approx. 50 | |
| Silent sequential shooting H 18 fps [RAW]: Approx. 76 | |
| Silent sequential shooting H 18 fps [JPEG LF]: Approx. 90 | |
| Pre-shutter Frames *For Pro Capture mode only | Number of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames. |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
| Viewfinder/Monitor | |
| Finder Type | Eye-level electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.30x[*1] - 1.48x[*2] (-1m-1, 50mm lens, Infinity) |
| *1: Finder Style 1, 2 (aspect ratio 4:3) | |
| *2: Finder Style 3 (aspect ratio 4:3) | |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Preview | Live View preview with depth of field preview lock |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid |
| *grid color is selectable | |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-13 Large Eyecup) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* |
| *Approx.1037k dots (3:2), electrostatic capacitance touch panel | |
| Touch Control | Shutter release |
| Touch AF (AF area selection, AF area size adjustment) | |
| Face selection by touch operation | |
| AF targeting pad | |
| Frame forward/backward | |
| Magnified playback | |
| Super Control Panel | |
| Wi-Fi connection | |
| Movie controls | |
| Tilting Capability | Available (mirror display when monitor is in self portrait position) |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
| Color Tone Select | Vivid / Natural |
| Live View | Approx. 100% field of view, |
| exposure compensation preview, WB adjustment preview, | |
| gradation preview, face detection preview (up to 8 faces), | |
| grid line, magnification display (x3/x5/x7/x10/x14), | |
| Live View Boost | Live View Boost 1 , Live View Boost 2* (For dark situations) |
| *Settings can be specified for each shooting mode | |
| *Live View Boost 2: Frame Rate Priority or Quality Priority selectable | |
| *Off: Brightness in Live View shows specified exposure settings. | |
| Exposure Control / Flash | |
| Metering System | Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control |
| *Also available AF target spot metering | |
| Metering Range | EV -2 - 20 (ISO approx.100, with a f/2.8 lens) |
| Exposure Mode / Shooting Mode | P: program AE (program shift can be performed), |
| A: aperture priority AE, | |
| S: Shutter priority AE, | |
| M: Manual, | |
| B: Bulb (Live Bulb, Live Time and Live Composite are available), | |
| Custom 1～4 | |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) |
| Manual ISO : LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps) | |
| Exposure Compensation | ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps |
| When shooting in HDR or in video, only adjustable up to ±3 EV steps | |
| Live View only reflects up to ±3 EV steps | |
| AE Lock | Locks with a half-press of the shutter button (can be set to AEL/AFL button as well) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL) |
| * Available on the external flash | |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual（1/1（FULL）～1/64） |
| Synchronization Speed | 1/250 sec. |
| *When using Super FP: 1/125-1/8000 sec. | |
| *When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing | |
| Flash Intensity Control | Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable |
| Compatible External Flash | FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR |
| External Flash Intensity Type | TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
| Memory / Image Recording (File Format) | |
| Compatible Memory | SD, SDHC*1, SDXC*1 |
| *1 UHS-I,II compatible | |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels |
| [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels | |
| Dual Card Slot Settings | Standard, Auto Switch, Dual Independent, Dual Same |
| *When two cards are inserted, card to be saved on to or to be viewed can be designated. | |
| Folder Creation and Selection | Available |
| Copy *When copied, the new file will be given a different name from that of the original file. |
Copy single file, copy multiple files, copy all |
| White Balance / Color Mode | |
| White Balance Mode | Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Except for Custom WB |
| Preset White Balance | 7 preset WBs (3000K - 7500K) |
| - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K) | |
| CWB (Kelvin Setting) | 2000 - 14000K |
| Capture White Balance | 4 custom settings can be registered |
| Color Mode | sRGB, Adobe RGB |
| Bracketing / HDR | |
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis. |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable |
| Focus Bracketing | 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses) |
| Focus Stacking Mode | 8 shots are taken at different focus points and automatically composited together into a single image |
| * Angle of view becomes slightly smaller (The cut area guide is displayed) | |
| * VIEW THE CURRENT LIST OF COMPATIBLE LENSES | |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) |
| ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. | |
| ※Exposure compensation can be performed. | |
| Bracketing for HDR post-process | 3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps. |
| *This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC. | |
| Creative Features | |
| Picture Mode | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters |
| Gradation | Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator] |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, midtone |
| Picture Tone | Neutral, Sepia, Blue, Purple, Green for Monotone |
| Art Filter (Variation / Art Effect) | Pop Art (I, II / a.b.c.d.e) |
| Soft Focus ( - / c.e) | |
| Pale & Light Color (I, II / a.b.c.d) | |
| Light Tone ( - / d) | |
| Grainy Film (I, II / b.c.d.f.g) | |
| Pin Hole (I, II, III / d.) | |
| Diorama ( - / d.) | |
| Cross Process (I, II / b.c.d.) | |
| Gentle Sepia ( - / a.b.c.d.f.) | |
| Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h) | |
| Key Line (I, II / a.b.c.d.e.) | |
| Watercolor (I, II / a.b.c.d.) | |
| Vintage (I, II, III / a.b.c.d.e.f.i) | |
| Partial Color (I, II, III / a.b.c.d.e.f) | |
| Bleach Bypass (I, II / a.b.c.d.e.f.i) | |
| Instant Film (- / a.b.c.d.e.f.i) | |
| Art Effect | a. Soft Focus Effect |
| b. Pin-Hole Effect | |
| c. White Edge Effect | |
| d. Frame Effect | |
| e. Star Light Effect | |
| f. Blur Effect (Top & bottom, Left & Right) | |
| g. B&W Effect (None, Yellow, Orange, Red, Green) | |
| h. Picture Tone (None, Sepia, Blue, Purple, Green) | |
| i. Shade Effect (Top & bottom, Left & Right) | |
| Color Ring (for partial color) | 18 color selectable |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization) |
| Interval Shooting | Interval Time 1sec. - 24 Hours, Max 999 frames. |
| Available on making Time-lapse movie automatically | |
| Multiple Exposure (number of pictures / function) | 2 frames / Auto gain, Exposing on Recorded picture(RAW) |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) |
| *Underwater correction compatible | |
| * Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used. | |
| Live ND (Neutral Density) | Available |
| *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/30 (when ND2 is set) and the speed drops if the number of ND steps is raised | |
| High Res Shot | JPEG (80M) 10368×7776 |
| JPEG（50M) 8160×6120 | |
| JPEG（25M) 5760×4320 | |
| RAW 10368×7776 | |
| Handheld High Res Shot | JPEG（50M) 8160×6120 |
| JPEG（25M) 5760×4320 | |
| RAW 8160 x 6120 | |
| Keystone Compensation | Available (can be confirmed in Live View) |
| *Horizontal and vertical compensation can be performed simultaneously. | |
| Video / Audio Recording | |
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps) |
| 3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps) | |
| 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) | |
| 1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N) | |
| 1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) | |
| 60p： 59.94 fps, 50p： 50.00 fps, 30p： 29.97 fps, 25p： 25.00 fps, | |
| 24p： 23.98 fps, C4K 24.00 fps | |
| FHD ALL-I (A-I： ALL-Intra / approx. 202 Mbps), | |
| FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps, | |
| N: Normal / approx. 18 Mbps) | |
| HD ALL-I (A-I：ALL-Intra / approx. 102 Mbps), | |
| HD IPB(SF：SuperFine / approx.26Mbps, F:Fine / approx.14Mbps、N：Normal / approx.10Mbps) | |
| HD (1280 x 720) / 30p | |
| *Frame rates may drop when particular Art Filters and Movie Effects are used. | |
| *Class 10 or higher SD card is recommended for shooting movies. | |
| *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting. | |
| Maximum Video Recording Time | Approx. 29min |
| Movie Tele-converter | Approx. 3x (enlarges view of selected area) |
| Art Filter Movie | Available |
| (Frame rates may drop when certain Art Filters are used) | |
| Movie Effect | One-shot Echo / Multi-echo / Art Fade / Old Film |
| Timelapse Movie | [AVI ] |
| 3840×2160（4K）/ 5fps | |
| 1920×1080（FHD)/ 5fps，10fps，15fps | |
| 1280×720（HD)/ 5fps、10fps、15fps、30fps | |
| Quick Movie / Slow Movie | With (Both or either of the two may not be available depending on the frame rates. |
| High speed movie | 120fps (1920×1080/MOV） |
| IS for Movie | M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS), |
| M-IS2(Image sensor shift with multi motion IS), Off | |
| *While using M-IS1, field of view may be affected. | |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor Mode (outputs video and info display to a connected monitor) *1 |
| Record Mode (outputs video only, with no info display) *2 | |
| RAW Mode (outputs video and info display to a connected monitor) *3 | |
| *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two. While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). | |
| However, the image can not be enlarged on the camera when a movie is being recorded. | |
| *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded. | |
| *3 Output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. | |
| Movie Picture Mode | Flat,OM-Log400 |
| *View assist compatible | |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker |
| *External stereo microphone can be attached | |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter |
| Audio dubbing possible for still pictures (up to 30 sec.) | |
| *May affect audio quality. | |
| IC Recorder Linkage | Slate Tone / Synchronized Audio Rec-Movie Rec |
| *LS-100 compatible | |
| Operability | |
| GPS Info Function | Available (Via GPS smartphone) |
| *Built-in GPS info given priority | |
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| *P / A / S / M / B and drive mode can be selected. | |
| Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted. | |
| Image Share | File Type: JPEG*, MOV |
| Marking function for image share. | |
| Easy Connection | Connect using a QR code |
| Connect using Bluetooth (View, Transfer only. Enabled from the second time) | |
| Tethered Shooting | Via USB cable (camera can be operated by both PC or camera controls) |
| Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available) | |
| GPS / Field Sensor System | GPS (GLONASS,QZSS), compass, manometer, temperature sensor, acceleration sensor |
| Playback Mode | Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), Light Box display |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Custom | |
| My Menu | 35 items in 5 tabs with 7 items each |
| Mode dial my set | 4 types of settings can be configured to C1-C4 modes on mode dial. |
| Menu custom set | Available (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes. |
| *Some items including shooting mode may not be called up. | |
| Multi Selector customization | With |
| Dial customization | Dial function and dial direction are customizable for both dials |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Up to 39 functions can be assigned to buttons |
| *Up to 24 functions can be assigned for movie recording | |
| *Buttons on lenses can also be customized from the camera | |
| *Some buttons may have restrictions to what functions can be assigned | |
| Copyright Settings/Lens info Settings | With / With (save up to 10 lenses) |
| Menu Languages (34 selectable) | English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai |
| Connectivity / Power Requirements | |
| USB Connector | USB Type-C |
| Remote Connector | φ2.5Pin Jack (when using separately available RM-CB2). |
| HDMI Connector | Micro HDMI（type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| MIC Input Jack | φ3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | φ3.5 stereo mini jack |
| PC Interface | SuperSpeed（USB3.0） |
| TV Interface | Not Available |
| Battery | BLH-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), shot count, degradation |
| AC Adapter | Optional AC-5 AC adapter |
| *Via power battery holder (HLD-9) | |
| USB Bus Power | A USB PD bus power can be used |
| ※ PD compliant Camera: Rev 3.0 Ver 1.0a | |
| USB Charging | Replaceable battery is charged with AC-5 / USB in the camera |
| * When the camera power is off | |
| * Performance varies depending on different USB devices | |
| Sleep Mode | Available (1/3/5 min. off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 420 |
| Quick sleep mode: 900 | |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 85 |
| When zoom and other operational functions are not used: 140 | |
| Weights & Dimensions / Operating Environment / Box Contents | |
| Weight | Approx. 580g (with 1 BLH-1 battery and 1 memory card, based on CIPA standards, without eyecup) |
| Approx. 504g (body only) | |
| Dimensions | W:134.1mm H:90.9mm D:68.9mm |
| (based on CIPA standards: excludes protrusions) | |
| Environmentally Sealed | Dust, Splash (IPX1), Freezeproof |
| Operating Temperature Range | -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
| Box Contents | Body |
This product comes with a 24 Month Warranty with Olympus Australia. Our products are sourced from authorised Australian suppliers and therefore come with genuine Australian warranty. Camera Warehouse does not participate in 'Grey Market' or 'Parallel Import' activities.
Olympus OM-D E-M1 Mark III Black Body w/ 12-45mm f/4 Pro Lens Compact System Camera
Olympus BLH-1 Lithium-Ion Battery (7.4V, 1720mAh)
Olympus BCH-1 Battery Charger
Shoulder Strap
USB Cable
Cable Clip
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Olympus OM-D E-M1 Mark III Body w/ 12-45mm f/4 Pro Lens
